For 1,685 reviews, this critic has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 3.1 points lower than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 Winter's Bone
Lowest review score: 12 Creature
Score distribution:
1685 movie reviews
    • 45 Metascore
    • 50 Roger Moore
    Repetitious, tedious, and pretty much joyless.
    • 75 Metascore
    • 50 Roger Moore
    Jokier and more obviously derivative, Mission: Impossible-Rogue Nation is the funniest “MI” picture, and maybe the worst of the series.
    • 76 Metascore
    • 50 Roger Moore
    Deep thoughts about re-directing cynically manipulated celebrity, lump in the throat moments at people rising up against their oppressors, a couple of memorable deaths and attempts at sacrifice play as flat when there’s nothing around them to serve as contrast.
    • 57 Metascore
    • 50 Roger Moore
    A barely serviceable romantic comedy.
    • 67 Metascore
    • 50 Roger Moore
    This unblinking yet unsatisfying ensemble drama features kinky sex, ruthless opportunism, violence and psychosis. Very Cronenberg.
    • 55 Metascore
    • 50 Roger Moore
    Every F-bomb, every sex gag or sexual comment, feels like an overreach and Dan just another Black character hoping the cool kids shine a little light his way.
    • 60 Metascore
    • 50 Roger Moore
    The script, by Feig and veteran “Madtv/The Heat” writer Kate Dippold, allows room for a sea of cameos with precious little that’s funny for any of the stars, or the “guest stars” to say.
    • 53 Metascore
    • 50 Roger Moore
    So yes, even if you know how this story goes, there are moments that work wickedly well in between the needlessly drawn out ones, by which I mean the entire, predictable third act.
    • 54 Metascore
    • 50 Roger Moore
    As Jackass japes go, though, Bad Grandpa was better in concept and in its short, punchy TV commercials than it is as a feature.
    • 39 Metascore
    • 50 Roger Moore
    The cast doesn’t have the sassy swagger of the “Fast & Furious” crew. Paul, surrounded by co-stars of the same modest height, isn’t particularly charismatic in this setting. He’s not a natural “quiet tough guy.” But the actors are second bananas here — to the Koenigsegg Ageras, Saleens and Shelby Mustang that feed America’s Need for Speed, on screen and off. And the cars deliver.
    • 55 Metascore
    • 50 Roger Moore
    Nixon scores the film’s one laugh-out-loud moment. Nobody else generates anything more than a weak chuckle.
    • 32 Metascore
    • 50 Roger Moore
    It doesn’t have the laughs or the killer cast of “Superbad,” but there are gory giggles aplenty in this B-movie addition to the genre that displaced vampires once Edward impregnated Bella.
    • 70 Metascore
    • 50 Roger Moore
    The movie unravels as its surprises become melodramatic flourishes, undercutting its tension with coincidences, lapses in motivation and head-scratching responses to situations that are pretty conventional — cut and dried — despite the lurid, Vegas/Ellis undertones.
    • 75 Metascore
    • 50 Roger Moore
    There’s a “for fans only” feel to the latest “Avengers” movie, Captain America: Civil War, that won’t be to every taste. A talky, often ponderous exercise in comic book movie elephantiasis, it overdoses on characters, old and new, sometimes not even bothering to name them.
    • 50 Metascore
    • 50 Roger Moore
    Disney's Prom is to real high school what "High School Musical" was to "West Side Story" – all fluff, no edge.
    • 29 Metascore
    • 50 Roger Moore
    This lame, laugh-starved script makes him look like an Old Man — not a funny old man or a Grumpy old man (see the fine “St. Vincent” for that). Just old and not really up to trying too hard.
    • 66 Metascore
    • 50 Roger Moore
    Giroux makes the possible love affair so mild-mannered that there aren’t a lot of sparks when these cultures clash, just a “You’re strange, WEIRD,” vs. “I’m not strange. YOU are!”
    • 55 Metascore
    • 50 Roger Moore
    Heigl’s performance is more brittle, kind of her signature but also required in playing a woman going through a divorce. She has rarely given a bad performance, even if the films she picked were failures.
    • 56 Metascore
    • 50 Roger Moore
    Kids, say the five-and-unders seeing their first movie, may connect with this confection. But if you’re old enough to know what “puerile” means, there’s nothing to cling to here.
    • 57 Metascore
    • 50 Roger Moore
    Eva
    Eva isn’t surprising enough to break new ground. But the cast, the gorgeous wintry setting and suggestion of a tech future that is closer than we fear make it a most watchable variation on a well-worn sci-fi theme.
    • 47 Metascore
    • 50 Roger Moore
    A soapy period piece that hits all the usual mileposts in filmed versions of such stories.
    • 51 Metascore
    • 50 Roger Moore
    There's an unexpected wistfulness, a bittersweet undercurrent to Going the Distance that could not have been in the script. This romantic comedy co-starring Drew Barrymore and longtime beau Justin Long was finished just as the real life couple was splitting up. For good, this time.
    • 25 Metascore
    • 50 Roger Moore
    A movie that won’t convert anyone, a film for the faithful who want to believe nothing but the best about Mother Teresa. Real life is rarely cut and dry, and dramatically flat, as this.
    • 66 Metascore
    • 50 Roger Moore
    It’s pretty, occasionally cute, but trippy — random. Yeah, there’s one credited screenwriter, but more than all but the worst Pixar product, it shows the signs of “written by committee.”
    • 47 Metascore
    • 50 Roger Moore
    Whatever the film’s other failings, it presents an incredible story with a credulous, approachable innocence that it to be envied, whether or not you believe a word of it.
    • 49 Metascore
    • 50 Roger Moore
    As befits a film with Martin Scorsese as a credited producer, “Wannabe” is more “King of Comedy” tragic, more sadly psychotic, than its 2014 predecessor.
    • 67 Metascore
    • 50 Roger Moore
    The pre-teen girls this is intended for have a right to expect more laughs, broader villainy and more fun. This time out, the glass slipper doesn’t fit.
    • 58 Metascore
    • 50 Roger Moore
    It’s got just about enough laughs, but there’s so much more that the Script by Committee wants to shoehorn in, like female empowerment, bad parenting passed off as “doing our best” just like our parents, gay marriage and the incredibly sexist college Greek system, a relic of the “Animal House” era that remains as “rapey” as ever.
    • 66 Metascore
    • 50 Roger Moore
    When all that’s taken into account, The Infiltrator feels like a TV mini series squished into two hours, with the budget, supporting cast and period piece compromises to match.
    • 37 Metascore
    • 50 Roger Moore
    Hollywood will be hard pressed to top this lean Canadian indie picture that knows it’s just another dumb werewolf movie, but has fun with that knowledge.

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