For 1,156 reviews, this critic has graded:
  • 57% higher than the average critic
  • 2% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 0.4 points lower than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 Super 8
Lowest review score: 12 Creature
Score distribution:
1,156 movie reviews
    • 75 Metascore
    • 88 Roger Moore
    To fans who know the tunes by heart, hearing their history is never less than thrilling. And if you’ve heard that line about “Swampers” and never new who they were, you should. They have been known to pick a song or two.
    • 71 Metascore
    • 88 Roger Moore
    Artistically, Get on Up rivals “Walk the Line,” with a lead performance on a par with the career-making turns of Angela Bassett (“What’s Love Got to Do With It?”) and Jamie Foxx (“Ray”). With this wonder of the summer, Boseman and Taylor deliver a piece of American cultural history every bit as important as the Jackie Robinson story, a story told with heart, humor, funk and soul.
    • 63 Metascore
    • 88 Roger Moore
    Rio
    Comical, colorful, wonderfully cast and beautifully animated.
    • 67 Metascore
    • 88 Roger Moore
    A Mexican-accented kids’ cartoon so colorful and unconventionally dazzling it almost reinvents the art form. As pretty as a just-punctured pinata, endlessly inventive, warm and traditional, it serves up Mexican culture in a riot of Mexican colors and mariachi-flavored music.
    • 69 Metascore
    • 88 Roger Moore
    Of all the gonzo-goofy comic book adaptations that embrace video gaming sensibilities, Scott Pilgrim vs. The World is the gonzo-goofiest.
    • 76 Metascore
    • 88 Roger Moore
    As he did with “The Dallas Buyers’ Club,” director Jean-Marc Vallée covers this inner and outer journey with a minimum of fuss. The flashbacks and their revelations, filling in the puzzle, are sparingly doled out. The stunning scenery Cheryl hikes through is barely noticed.
    • 69 Metascore
    • 88 Roger Moore
    The Drop is a simmering thriller from the writer who gave us “Mystic River” and “Gone, Baby Gone,” a tale heavy with the weight of violence we know is coming.
    • 91 Metascore
    • 88 Roger Moore
    Using archival footage, inventive animated recreations of incidents and chilling aerial smart-bomb views of air strikes as they happen, Moreh creates a simple yet elegantly damning film.
    • 83 Metascore
    • 88 Roger Moore
    This performance reminds us that Bridges is that rare actor who has never had to make that apology. Crazy Heart lets him be every bit as grand as we’d hope him to be.
    • 63 Metascore
    • 88 Roger Moore
    Chemistry is king. It's one reason the rom-com has long seemed like the toughest code for Hollywood to crack. But never underestimate the power of snappy, rapid-fire banter, the paving stones of the Hollywood road to romance.
    • 61 Metascore
    • 88 Roger Moore
    Start to finish, it’s a delight.
    • 76 Metascore
    • 88 Roger Moore
    A chilling detective tale, a horrific sexual abuse drama and an overlong, emotional, tie-up-every-loose-end melodrama that is sure to be half an hour shorter when Hollywood remakes it without the Swedish dialogue and probably without the cool Swedish edge.
    • 85 Metascore
    • 88 Roger Moore
    Michael B. Jordan (“Red Tails”) is never less than riveting as Oscar, and he has to be.
    • 74 Metascore
    • 88 Roger Moore
    Doueiri has brilliantly and simply put a compassionate human face on a part of the world where ethnicity still trumps education, class and achievement, where even the successful face, at best, second-class citizenship in their own country.
    • 77 Metascore
    • 88 Roger Moore
    It's an unblinking look into the lives of soldiers doing the most thankless job of all.
    • 61 Metascore
    • 88 Roger Moore
    Almost every shot is a postcard-perfect African vista, and every animal shown in majestic close-up.
    • 65 Metascore
    • 88 Roger Moore
    A most deserving Oscar winner and a film that could provoke discussion anywhere it is shown, anywhere people of any age are being bullied.
    • 72 Metascore
    • 88 Roger Moore
    This delightful and inspiring drama succeeds the way Hawking has, even as he fails to deliver that “one theory” that explains “everything.” It’s reaching beyond your grasp, in life, in science and in film biographies, that achieves greatness.
    • 76 Metascore
    • 88 Roger Moore
    The rawboned Hawkes manages both charm and menace in the same look, and Dancy gives his character a testy, fearful edge that doesn't make him scary, but rather someone we fear for.
    • 57 Metascore
    • 88 Roger Moore
    A true indie film roller-coaster ride, from moon-eyed romance to aching heartbreak, cerebral puzzle to incredibly moving, emotional resolution to that puzzle. In a season of the year where sci-fi is dumbed down and then dumbed some more for mass consumption, here’s a piece of speculative fiction that will stick with you long after the last Transformer’s battery has died.
    • 87 Metascore
    • 88 Roger Moore
    This solo ordeal won’t be to every taste, but All Is Lost is a grand vehicle for the actor and for that viewer ready to consider his or her own mortality, the problems, conflicts, strengths and shortcomings you’re sure you leave behind when you just sail away.
    • 96 Metascore
    • 88 Roger Moore
    Bullock and Clooney make their peril our peril in this absolutely gorgeous, moving and sometimes exultant reminder that the real terrors of space are scary enough, without invented bug-eyed monsters thrown in.
    • 62 Metascore
    • 88 Roger Moore
    The funniest kids’ cartoon of the summer.
    • 73 Metascore
    • 88 Roger Moore
    It does a poor job of showing the tragedy of Turing’s hidden life but a better job at making a bigger case — unconventional people make unconventional thinkers.
    • 76 Metascore
    • 88 Roger Moore
    It’s a pretty conventional “Lifetime Original Movie” sort of story. But co-writer/director Thomas Vinterberg (“Dear Wendy”) makes it work by building a sense of frustrating unease into it all.
    • 74 Metascore
    • 88 Roger Moore
    Whatever its length and melodramatic third-act touches, Interstellar is a space opera truly deserving of that label, overreaching and thought-provoking, heart-tugging and pulse-pounding. It’s the sort of film that should send every other sci-fi filmmaker back to the drawing board, the way Stanley Kubrick did, a long time ago in a millennium far away.
    • 73 Metascore
    • 88 Roger Moore
    Hoffman is merely the first among equals in a stellar cast.
    • 65 Metascore
    • 88 Roger Moore
    It's a bleak yet optimistic film, and Ferrell perfectly underplays his Carver anti-hero and delivers a rich, layered and subtle performance. And a funny one.
    • 90 Metascore
    • 88 Roger Moore
    The disco decadence, the seedy era before Times Square became a theme park, the lowered expectations of an endless recession, everything that was then and is now makes up American Hustle. And that’s what makes this the best movie of this holiday season.
    • tbd Metascore
    • 88 Roger Moore
    It’s visually lovely, and the performances are subtle, sunny and sympathetic. Camara lends a playful touch to Antonio’s Beatle-mania.

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