For 989 reviews, this critic has graded:
  • 57% higher than the average critic
  • 3% same as the average critic
  • 40% lower than the average critic
On average, this critic grades 0 points higher than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 Nebraska
Lowest review score: 12 Creature
Score distribution:
989 movie reviews
    • 60 Metascore
    • 75 Roger Moore
    Looming large above this “Long Walk” is Elba, in a mostly still performance, one of quietly compelling authority that dominates every moment.
    • 54 Metascore
    • 75 Roger Moore
    It’s a charming, whimsical and ever-so-slight film, a bit of an over-reach but pleasant enough, even when it falls short.
    • 75 Metascore
    • 75 Roger Moore
    Leonardo DiCaprio’s most charismatic performance ever anchors Martin Scorsese’s robust and raunchy lowlifes-of-high-finance comedy The Wolf of Wall Street.
    • 64 Metascore
    • 75 Roger Moore
    Many moments will make you avert your eyes.
    • 75 Metascore
    • 75 Roger Moore
    Fiennes holds it all together by force of what he does show us about the man, his kindness tempered with cruelty, the charity he practiced and preached, the morality he could never live up to. It’s the visible great man who makes The Invisible Woman worth watching.
    • 71 Metascore
    • 75 Roger Moore
    Run & Jump is an uncommonly offbeat and charmingly unconventional romance, an Irish comedy that lets itself get very serious, now and again, and is all the richer for it.
    • 83 Metascore
    • 75 Roger Moore
    Gloria has a palpable loneliness about it, and Garcia makes us feel that and fear the emptiness that is staring Gloria in the face. Not a lot happens in this closely-observed character study, but few recent movies have dared to show this stage of life, the creeping solitude that memories of your disco past cannot fend off.
    • 82 Metascore
    • 75 Roger Moore
    The Lego Movie amuses and never fails to leave the viewer –especially adults — a little dazzled at the demented audacity of it all.
    • 83 Metascore
    • 75 Roger Moore
    The Wind Rises was a dream project for the great Japanese animator Hayao Miyazaki, and this gorgeous film makes a fine capstone for his career.
    • 66 Metascore
    • 75 Roger Moore
    It’s a comedy of sight gags, zingers and awkward pauses — lots of those. Sentimental at times, yes. But funny. Always.
    • 59 Metascore
    • 75 Roger Moore
    Things drag, here and there. But kids will dig the slapstick, the talking dog and giggle at what flies out of the Sphinx’s butt, or drops from the rear-end of the Trojan Horse. Adults will be tickled at the usual Dreamworks parade of one-liners, running gags and puns, and feel a little sentimental.
    • 57 Metascore
    • 75 Roger Moore
    The film is full of sharp observations about academic contests today, with Tiger Moms and tough-love Dads browbeating the kids from the wings. The ending is kind of a tap-out, but Bateman keeps this clipping along, maintaining the mean streak and potty mouth that makes Bad Words the dirtiest and funniest comedy of the new year.
    • 73 Metascore
    • 75 Roger Moore
    Goldblum is always best at being Jeff Goldblum, and his oily/silky charm tends to unbalance the neat, brittle little tragedy we’re watching.
    • 63 Metascore
    • 75 Roger Moore
    Pitt and Arianda utterly inhabit these dolts and their delusional dreams. They’re careless and clumsy, never thinking things through, never seriously considering the inevitable consequences of what happens when you poke the bull.
    • 61 Metascore
    • 75 Roger Moore
    Funnier than the last Muppets movie, with far better songs (by Bret McKenzie), punnier puns and all manner of geo-political gags, cultural wisecracks and star cameos.
    • 51 Metascore
    • 75 Roger Moore
    Like "42," Cesar Chavez lacks the budget to feel truly epic in scope. The violence is scattered, shocking and personal, the struggles within the union muted but the outrage — is palpable.
    • 68 Metascore
    • 75 Roger Moore
    It isn’t “The Ten Commandments” and Crowe is no Charlton Heston. But Noah makes Biblical myth grand in scope and intimate in appeal. The purists can always go argue over “God Isn’t Dead.” The rest of creation can appreciate this rousing good yarn, told with blood and guts and brawn and beauty, with just a hint of madness to the whole enterprise.
    • 79 Metascore
    • 75 Roger Moore
    A mesmerizing movie, a history lesson about the pre-blockbuster era in science fiction movies.
    • 55 Metascore
    • 75 Roger Moore
    Writer-director Richard Shepard did “”The Matador” and “The Hunting Party”, and he surrounds Law’s lunatic Dom with assorted underworld figures who have mellowed where Dom did not.
    • 73 Metascore
    • 75 Roger Moore
    Berninger is hero and villain of this comic essay in ineptitude masquerading as a rock band on tour doc.
    • 78 Metascore
    • 75 Roger Moore
    Under the Skin isn’t conventional, thrilling or particularly satisfying in a sci-fi aliens-are-hunting-us sense. But it manages something far more sinister and fascinating. It gets under your skin and imprints on your memory.
    • 68 Metascore
    • 75 Roger Moore
    It’s gorgeous, intimate and beautifully photographed. And it’s cute and kid-friendly, with just enough jokes to balance the drama that comes from any film that flirts with how dangerous and unforgiving The Wild actually is.
    • 77 Metascore
    • 75 Roger Moore
    Blue Ruin joins “Shotgun Stories” and “Joe” as vivid reminders that however homogenized American culture seems, there are still pockets that are distinct, with people who live by their own rules and their own bloody code.
    • 66 Metascore
    • 75 Roger Moore
    Director Omid Nooshin gives this story harrowing touches largely through arresting camera angles and aggressive editing. He ensures that “Last Passenger” features a couple of jaw-dropping moments even as it traverse familiar ground.
    • 62 Metascore
    • 75 Roger Moore
    Writer-director Lucia Puenzo, adapting her own historical novel, concocts a disquieting and chilling thriller out of what might be a lost chapter in the infamous career of Nazi Doctor Joseph Mengele.
    • 81 Metascore
    • 75 Roger Moore
    Locke will hold your interest as it presents a side of the burly, bluff “Dark Knight” villain we have never seen before on screen.
    • 56 Metascore
    • 75 Roger Moore
    The film tells Annie Parker’s story with heart and wit, and finds a few funny insights into the stubborn, brusque woman, Dr. Mary-Claire King, whose lonely quest to find proof would bear fruit.
    • 77 Metascore
    • 75 Roger Moore
    The lack of urgency may bore those unused to Jarmusch’s style and pacing. But his languor is his calling card. The deliberate pacing makes the offhand jokes and dry observations seem funnier than they are, at least in this case. This borders on being “cute.” And dull.
    • 56 Metascore
    • 75 Roger Moore
    James McAvoy wallows in it in his new film, Filth. He embraces the sexual depravity, the drug and alcohol abuse, the bullying, vile language, racism and rank sexism of being a Scottish cop on the loose.
    • 68 Metascore
    • 75 Roger Moore
    Chef is Favreau’s most personal film since “Swingers,” an overlong comedy full of his food, his taste in music, his favorite places and a boatload of his favorite actors.

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