For 1,882 reviews, this critic has graded:
  • 50% higher than the average critic
  • 3% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 4.1 points lower than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 Spotlight
Lowest review score: 12 Creature
Score distribution:
1882 movie reviews
    • 57 Metascore
    • 38 Roger Moore
    Neeson is the rock anchoring all this, making the incredible at least passably credible as he lurches into the frame with his limping boxer’s gait. But you get the sense that he is no more “Taken” with this than we are.
    • 56 Metascore
    • 38 Roger Moore
    Those Jackasses from "Jackass" aren't getting better, they're getting older.
    • 56 Metascore
    • 38 Roger Moore
    A weak villain, a couple of eye-rollingly unlikely cons and dead stretches that make 105 minutes play like 145 and you've got Focus, the last dog of February, where comatose con job movies are released to the sounds of silence.
    • 56 Metascore
    • 38 Roger Moore
    This Herefter, despite the odd engaging moment, is a terrible letdown, like investing in a belief system and discovering there's no "here" that you've been after all your life.
    • 55 Metascore
    • 38 Roger Moore
    Writer-director Lee Kirk’s script manages a few laugh-out-loud lines and moments, and Armstrong has an offhanded charm that plays well in a role tailor-made for him. But Ordinary World is a little too enamored of the phrase “Truth in advertising.” It’s run of the mill, humdrum, “ordinary” in its set up.
    • 55 Metascore
    • 38 Roger Moore
    Whatever subtlety there was remaining in the satirical intentions of The Purge franchise pretty much fly out the door and into the blood-soaked night of The Purge: Election Night.
    • 55 Metascore
    • 38 Roger Moore
    Hobo hits the screen as a grim, visually ugly, intermittently funny-occasionally preachy piece with only the estimable Mr. Hauer to recommend it.
    • 55 Metascore
    • 38 Roger Moore
    In this not-even-faintly scary, rarely funny horror comedy, Smith is still sucking down big gulps of empty calories and hoping we’ll laugh at his belch.
    • 55 Metascore
    • 38 Roger Moore
    Walker has few “big” scenes, no memorable dialogue and plays up the exhaustion, which tamps down the emotions of his performance. So even an action packed finale can’t rescue this dramatically thin exercise in one-man showmanship.
    • 54 Metascore
    • 38 Roger Moore
    “Magic” lacks too many things to rank among Allen’s better recent films — the come-uppance and zeitgeist currency of “Blue Jasmine,” the frivolity of that don’t-think-too-much-about-this lark “Midnight in Paris.” But the biggest shortcoming is right there in the title, a tease if ever there was one.
    • 54 Metascore
    • 38 Roger Moore
    It's a junky, crowd-pleasing movie of sidekicks – Guzman and Knoxville – bad acting, over the top shootouts, and catch phrases.
    • 54 Metascore
    • 38 Roger Moore
    Late to the game, blandly cast and scripted with every Italian American cliche in the “How to Make Spaghetti” cookbook, it is Eastwood’s worst film as a director.
    • 54 Metascore
    • 38 Roger Moore
    The germ of an idea is here. I’m just not sure it’s worth more than a shorter film than this one, which at 80 minutes is a bit of a drag.
    • 54 Metascore
    • 25 Roger Moore
    A rambling, insomnia-curing meditation on music and the musical life that has too little of either to make any sense at all.
    • 53 Metascore
    • 38 Roger Moore
    It's not as scary as it needs to be or as clever as it thinks it is, but the new 3D version of "Piranha" is at least as gimmicky as those fabled 3D films of yore. With all the pointless 3D cartoons and joyless 3D ""Clash of the Titans" conversions, at last here's a picture that tosses its cookies, its coffee cups and its D-cups right in your lap.
    • 53 Metascore
    • 38 Roger Moore
    Cage and Dafoe never give less than their best, Cook is not bad, though the women aren’t allowed to make any impression at all, and Schrader’s acting just makes one wish he’d called in a favor and gotten a real actor to be The Greek.
    • 53 Metascore
    • 38 Roger Moore
    In Let Me Explain, you’re never NOT aware that you’re watching a gifted, rubber-faced/rubber voiced performer (his “Laugh at My Pain” concert film was a surprising hit in 2011) work too hard to make inferior material go over.
    • 53 Metascore
    • 38 Roger Moore
    The production values and high-caliber cast suggest Big Game had better intentions than results. Helander may have memorized “Die Hard” and “Air Force One” and “Olympus Has Fallen.” But his version of that formula, given the loopy twist of making a woodsman/kid the hero “with particular skills,” loses most everything in translation.
    • 52 Metascore
    • 38 Roger Moore
    LUV
    The absurd turns the story takes to serve up streetwise and bloody "life lessons" for the kid will make any parent blanch and any movie lover roll his or her eyes.
    • 52 Metascore
    • 38 Roger Moore
    It's a fitfully amusing, not remotely scary slasher picture.
    • 52 Metascore
    • 38 Roger Moore
    A tragic quasi-musical that never quite finds its way.
    • 52 Metascore
    • 38 Roger Moore
    Yes, the technology has improved in the 27 years that have passed. But the ensuing years have also produced first person shooter video games which utterly preclude the need for this as a movie. Visceral, violent toys that they are, they still have more heart than this.
    • 51 Metascore
    • 38 Roger Moore
    A mirthless, joyless comedy with nary a hint of romance, mystery or justification for its existence.
    • 51 Metascore
    • 38 Roger Moore
    The Case for Christ won’t convert any critical thinker, but more disappointingly, it fails as faith-based entertainment. It’s a house of cards built to defend a house of cards, with meek-inheriting the Earth acting in the bargain.
    • 51 Metascore
    • 38 Roger Moore
    Blackhat will serve no purpose other than deflating the “Heat” director’s reputation and the star’s chances of ever starring in anything that doesn’t involve a helmet with horns on it.
    • 51 Metascore
    • 38 Roger Moore
    Even though it rallies in its last third to manage something like comic momentum, Rough Night never recovers from the bloody death and the mess that ensues.
    • 51 Metascore
    • 38 Roger Moore
    Whatever its intent, White Bird in a Blizzard misuses most everybody involved, especially the dazzling young star of “The Descendants,””The Fault in Our Stars” and “Divergent.”
    • 51 Metascore
    • 38 Roger Moore
    It's light in tone, feather-weight. But there aren't many laughs in it.
    • 51 Metascore
    • 38 Roger Moore
    The wimpy kid here isn’t interesting, the “worst years” a dull exaggeration and the movie not worth the 92 minutes it takes to sit through.
    • 51 Metascore
    • 38 Roger Moore
    Hardcore Henry is jarring and so a-cinematic that I couldn’t enjoy much of the technical razzle-dazzle this ticking-clock monstrosity was hurling at me.

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