For 1,565 reviews, this critic has graded:
  • 52% higher than the average critic
  • 3% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 2.4 points lower than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 The Guard
Lowest review score: 12 Creature
Score distribution:
1565 movie reviews
    • 71 Metascore
    • 75 Roger Moore
    Warrior is a straight genre picture, a fight movie of the old school. But it's a mixed martial arts tale, and as such, it's the best MMA movie ever.
    • 71 Metascore
    • 88 Roger Moore
    If it isn’t as decorous and deft as the Jane Austen romances of an earlier literary (and cinematic) age, the longing is still there in a story that feels more lived-in, brutish and realistic.
    • 71 Metascore
    • 75 Roger Moore
    Run & Jump is an uncommonly offbeat and charmingly unconventional romance, an Irish comedy that lets itself get very serious, now and again, and is all the richer for it.
    • 71 Metascore
    • 63 Roger Moore
    David Dastmalchian wrote and co-stars in this generic but well-acted trip down junky lane.
    • 71 Metascore
    • 75 Roger Moore
    The fact that Bulger, at long last, is rotting in jail, is little consolation. Perhaps only a Hollywood version of this story, one starring Johnny Depp, can give it a satisfying conclusion.
    • 71 Metascore
    • 75 Roger Moore
    You'd better watch out. You'd better not swear. Have a gun handy, loaded for bear. Santa Claus is coming…to Finland.
    • 71 Metascore
    • 75 Roger Moore
    Yelchin doesn't generate the same warmth or passion that Jones does. That is partly by design, as this whole affair was her idea, after all.
    • 71 Metascore
    • 75 Roger Moore
    The performers, working in Hebrew (with English subtitles), make their characters empathetic, emphatic, human and humane.
    • 71 Metascore
    • 75 Roger Moore
    We knew Livingston, Kendrick and Johnson (“Safety Not Guaranteed”) would work in this setting. But Wilde adds to the growing repertoire she showed off in “Deadfall” and “Butter,” films no one saw but which revealed that she’s a lot more than a pretty face.
    • 71 Metascore
    • 88 Roger Moore
    Cassel's performance...the best reason to see this, one of the best French (In French with English subtitles) crime thrillers of the new millennium.
    • 71 Metascore
    • 88 Roger Moore
    Artistically, Get on Up rivals “Walk the Line,” with a lead performance on a par with the career-making turns of Angela Bassett (“What’s Love Got to Do With It?”) and Jamie Foxx (“Ray”). With this wonder of the summer, Boseman and Taylor deliver a piece of American cultural history every bit as important as the Jackie Robinson story, a story told with heart, humor, funk and soul.
    • 71 Metascore
    • 88 Roger Moore
    Skarsgard has carved out a wide niche for his varied and colorful acting career to inhabit. He’s stoic and unflinching here, a man on a mission.
    • 70 Metascore
    • 50 Roger Moore
    It’s like “Girls” with more funky New York locations, but with less sex, and with fewer laughs.
    • 70 Metascore
    • 75 Roger Moore
    Forbes makes this story compelling, moving and provocative enough to prompt outrage.
    • 70 Metascore
    • 75 Roger Moore
    The Walk is the movie that takes us up there, gives us the jitters and makes us titter along the way.
    • 70 Metascore
    • 50 Roger Moore
    This undramatic and flat peek “inside” the sewing rooms of Christian Dior holds little in the way of entertainment.
    • 70 Metascore
    • 63 Roger Moore
    The singing is nice, the peripheral characters interesting. But a love that others don’t approve of, that may get in the way of a big concert debut? That makes Gabrielle a bit too Lifetime Original Movie for its own good.
    • 70 Metascore
    • 63 Roger Moore
    "Raiders!” will make any movie buff laugh out loud at the sheer chutzpah and kiddie problem-solving that it took to, for instance, recreate that boulder chasing Indy out of a South American temple.
    • 70 Metascore
    • 63 Roger Moore
    The porn industry of the era is as much a part of the movie as the classic cars (re-used in the background, in scene after scene) and the leisure suits. But the zingers, which fall off markedly in the latter third when the energy flags and the plot unravels, always pack a punch.
    • 70 Metascore
    • 50 Roger Moore
    It's as disquieting as it is unsatisfying, a slog through gender issues, surgery and violence - sexual and otherwise.
    • 70 Metascore
    • 75 Roger Moore
    The footage is striking, the memories of the man vivid, and the finale, a tribute to the next phase of the sport, winged suits, which Carl didn’t live to see, still stuns you.
    • 70 Metascore
    • 63 Roger Moore
    It’s OK for April, in other words, but not up to the higher standards of a Marvel summer blockbuster.
    • 70 Metascore
    • 75 Roger Moore
    Merchants of Doubt has its moments when the professional deniars hem and haw about who pays them to do what they do. But mostly, they’re glib, smug, self-confessed and self-righteous tools of Big Coal, Big Chemical or Big Oil.
    • 70 Metascore
    • 88 Roger Moore
    It’s a film that flirts with cloying, here and there — especially at the end. But it reminds us, even before that U.N. recognition becomes official, that there’ll always be an England, that English manners survive, and there’ll always be a Maggie Smith, imperious, hilarious and glorious in that wonderful third act her life and career have given her.
    • 70 Metascore
    • 75 Roger Moore
    It’s a fanciful conceit and a well-animated parable about prejudice, standards of beauty and the shifting sands of the painters’ art.
    • 70 Metascore
    • 63 Roger Moore
    There is little urgency to this spiraling disaster. Soderbergh has made a lot of noise this past year about quitting directing and taking up a less collaborative, more solitary pursuit - painting. This is an anti-social painter's movie. Millions are dying, but he doesn't care that much. So why should we?
    • 70 Metascore
    • 75 Roger Moore
    It's a farce with sexual come-ons and actual sex - the Boy Scout Tim's first encounter with a hooker and a crack pipe - but Cedar Rapids never loses track of the humanity of its characters.
    • 70 Metascore
    • 75 Roger Moore
    Happy Christmas, which is set around Christmas, shares several plot and thematic points with “Neighbors,” but without the aggression or belly laughs.
    • 69 Metascore
    • 75 Roger Moore
    this is a straight-ahead ticking clock thriller, with the usual Tony S. trademarks - punchy dialogue and men doing what needs to be done.
    • 69 Metascore
    • 63 Roger Moore
    The rise, fall and mainstreaming of hip hop fashion is explored in Sacha Jenkins’ Fresh Dressed, a documentary that visits an under explored corner of rap music history.

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