For 411 reviews, this critic has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 0.1 points higher than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
Average review score: 59
Highest review score: 100 The King's Speech
Lowest review score: 12 Creature
Score distribution:
411 movie reviews
    • 69 Metascore
    • 63 Roger Moore
    This isn't "Up in the Air," and we're not dealing with this awful event on a metaphysical level. But there's truth in between the cliches.
    • 69 Metascore
    • 88 Roger Moore
    Of all the gonzo-goofy comic book adaptations that embrace video gaming sensibilities, Scott Pilgrim vs. The World is the gonzo-goofiest.
    • 68 Metascore
    • 75 Roger Moore
    As a Steve Carell comedy, it works. He plays the victim well, the guy romantically in over his head ever better. Surrounding him with people this funny - Ryan Gosling, who knew?
    • 68 Metascore
    • 75 Roger Moore
    The daft feather-light French farce Potiche is a period piece designed to remind us of just how far and how fast women have come in the Western world.
    • 68 Metascore
    • 88 Roger Moore
    Audacious, violent and disquieting, Rise of the Planet of the Apes is a summer sequel that's better than it has any right to be.
    • 68 Metascore
    • 75 Roger Moore
    Zeroing in on Carr as the movie's "hero" was a smart move. He comes off as smart, confrontational and unconventional.
    • 68 Metascore
    • 75 Roger Moore
    Its chilling third act suggests that sooner or later, even these riders on the Islamic short bus are going to get one right. And that won't be funny at all.
    • 67 Metascore
    • 75 Roger Moore
    A sequel that delivers more heart than laughs, and is, if anything, more visually dazzling than the 2008 original film.
    • 67 Metascore
    • 88 Roger Moore
    It isn't a great film. But it is a smart and high-minded one, wonderfully cast, with understated direction. Clooney is good enough in the lead to stir talk of a political future.
    • 67 Metascore
    • 75 Roger Moore
    We get little sense of his interior life, what was going on in his head as school, girlfriends and music were competing for his attention and music was winning out. His drive is suggested, but never really felt in the performance.
    • 67 Metascore
    • 63 Roger Moore
    Melodramatic, impulsive, painful, but never quite "totally unnecessary."
    • 67 Metascore
    • 38 Roger Moore
    Somewhere is a triumph of tedium, banality passing for depth, a vacuous embrace of nothing.
    • 67 Metascore
    • 63 Roger Moore
    Absurdly long, absurdly over the top and absurdly absurd, Five Five - still manages to be more fun than any movie with its outrageous carbon footprint has any right to be.
    • 67 Metascore
    • 63 Roger Moore
    A thriller that makes you wish you knew how to scream "O.M.G." in Korean.
    • 66 Metascore
    • 88 Roger Moore
    Yes, it's pretty much a must to have seen the first film. Where Dragon Tattoo felt like fall, Played with Fire was shot in the Swedish summer, which suits the faster pace, ramped up violence and fresh collection of supporting players -- cops, a kickboxer, and a couple of borderline Bond villains.
    • 66 Metascore
    • 75 Roger Moore
    Best taken as the perfect film to transition your kids from animation to live action fare – short, sweet, and educational.
    • 66 Metascore
    • 63 Roger Moore
    City Island is a light “family” romance that goes about as far as its novel location -- an island neighborhood tucked in the middle of New York City -- and a good cast can carry it.
    • 66 Metascore
    • 75 Roger Moore
    Greatest Movie isn't Spurlock's best. It plays like an overlong, overly cutesy TV news report (woman and man on street interviews included) on product placement.
    • 66 Metascore
    • 75 Roger Moore
    The fourth comic book movie of the summer is the best comic book movie of the summer. Johnston has delivered a light, clever and deftly balanced adventure picture with real lump in the throat nostalgia.
    • 66 Metascore
    • 75 Roger Moore
    It's a sturdy World War II yarn, with harrowing and heart-breaking moments sprinkled throughout.
    • 66 Metascore
    • 50 Roger Moore
    An awkward blend of ultra-realistic violence, boundaries-bending satire and low comedy.
    • 66 Metascore
    • 75 Roger Moore
    The wildly improbable set-up is merely the jumping off point for an exploration of grief, guilt and redemption.
    • 66 Metascore
    • 50 Roger Moore
    It begins with such promise, a kinky modernist twist on a classical sci-fi morality tale. That it degenerates into conventional, genre horror is all the more disappointing.
    • 66 Metascore
    • 75 Roger Moore
    An entertaining old-fashioned prison escape movie with a touch of the epic about it.
    • 65 Metascore
    • 75 Roger Moore
    You have to remind yourself to breathe.
    • 65 Metascore
    • 75 Roger Moore
    Whatever the grownups say, Manyaka's Chanda is the one person in this village who understands how simple things really are, that it really does come down to Life, Above All.
    • 65 Metascore
    • 75 Roger Moore
    "The Debt," a very good 2007 Israeli thriller with Cold War and Holocaust connections, earns a nerve-wracking and entertaining Hollywood remake.
    • 65 Metascore
    • 88 Roger Moore
    Thanks to Banderas and his Corinthian leather purr and writers who know how to use it, "Puss" is the best animated film of 2011.
    • 65 Metascore
    • 63 Roger Moore
    It’s filmic fool’s gold, as every scene that doesn’t sparkle is just dirt -- dank, gritty visuals, murky plotting and very bad line-readings from Troyer (Mini-Me from the Austin Powers movies).
    • 65 Metascore
    • 75 Roger Moore
    It is a well-acted and vivid re-creation of a dark, downbeat era when "girls don't play electric guitar," and you had to be someone pretty tough and pretty special to try it.