For 1,827 reviews, this critic has graded:
  • 50% higher than the average critic
  • 3% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 3.8 points lower than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 Boyhood
Lowest review score: 12 Creature
Score distribution:
1827 movie reviews
    • 75 Metascore
    • 88 Roger Moore
    A fine and fun film tribute to the milieu, the men, women and machines in a sport that was never deadlier or more glamorous than its Disco Decade incarnation.
    • 75 Metascore
    • 88 Roger Moore
    A leg up on the first “Trip,” an altogether more delightful vacation with two blokes who might wear us and each other out along the way. But then, that’s half the fun.
    • 75 Metascore
    • 63 Roger Moore
    An eye opener.
    • 75 Metascore
    • 75 Roger Moore
    A brisk blast of bloody good fun, sci-fi with a little social commentary as subtext. Attack the Block is the movie that "Battle: Los Angeles" was not - thrilling, nerve-wracking and fun.
    • 75 Metascore
    • 75 Roger Moore
    Diamond Tongues is a witheringly funny but still sympathetic portrait of a show business “type.”
    • 75 Metascore
    • 88 Roger Moore
    To fans who know the tunes by heart, hearing their history is never less than thrilling. And if you’ve heard that line about “Swampers” and never new who they were, you should. They have been known to pick a song or two.
    • 75 Metascore
    • 88 Roger Moore
    With Win Win, McCarthy has found his emotional sweet spot, a sweet and complex story to set it in and the perfect title for it.
    • 75 Metascore
    • 50 Roger Moore
    The novelty of having a real homeless junkie play a version of herself drives Heaven Knows What, a gritty hand-held character portrait of heroin addict life in New York today.
    • 75 Metascore
    • 75 Roger Moore
    This is "Her Hangover," a smarter and sweeter stumble to the altar that never quite gets to Vegas, and doesn't seem to mind.
    • 75 Metascore
    • 75 Roger Moore
    Fiennes holds it all together by force of what he does show us about the man, his kindness tempered with cruelty, the charity he practiced and preached, the morality he could never live up to. It’s the visible great man who makes The Invisible Woman worth watching.
    • 75 Metascore
    • 75 Roger Moore
    The musical comedy whimsically and often cleverly revisits the characters, their shtick and and the TV show and movies that made them most famous.
    • 75 Metascore
    • 63 Roger Moore
    The humanity of the performances and pathos of the tale shine through the tropes and cliches to make this smart movie with the dumb-pun for a title a worthy enterprise and well worth your time.
    • 75 Metascore
    • 75 Roger Moore
    Mistress America is Baumbach’s version of a Wes Anderson comedy. Strip away the gaudy colors, snippets of animation and earnest loopiness and you get lots of witty banter, breathlessly delivered by an engaging cast of believable and unbelievably glib characters.
    • 75 Metascore
    • 63 Roger Moore
    Spy
    The fights and deaths are somewhat comical, the one-liners hit or miss and the stunts faked with less sleight of hand than a director experienced in action might have managed. And Feig can’t bear to end this thing, which goes on far past the point of endurance. But he’s done better by McCarthy here, and she has delivered a performance that’s more deft than her usual daft.
    • 75 Metascore
    • 63 Roger Moore
    Reichardt hangs her film on Eisenberg, who subtly suggests a loner whose primary gift for the cause is he whole in his soul where a longing or human contact should be. It’s a terrific performance and it holds the movie together even as Night Moves stumbles toward its foregone, and rather poorly handled, conclusion.
    • 75 Metascore
    • 75 Roger Moore
    The Kingdom of Dreams and Madness is a great name for a documentary about Hayao Miyazaki and his animation house, Japan’s Studio Ghibli.
    • 75 Metascore
    • 75 Roger Moore
    The fists fly, the bullets blaze and the mayhem borders on magnificent in John Wick: Chapter 2, a sequel that ups the artistic ante even as it boosts the body count of that sleeper hit about the assassin’s assassin played by Keanu Reeves.
    • 75 Metascore
    • 75 Roger Moore
    The wow factor alone makes Oceans a great Earth Day/Earth Week at the movies.
    • 75 Metascore
    • 63 Roger Moore
    Moselle, granted all this access, leaves so many questions unanswered that The Wolfpack is frustrating to sit through.
    • 75 Metascore
    • 75 Roger Moore
    Leonardo DiCaprio’s most charismatic performance ever anchors Martin Scorsese’s robust and raunchy lowlifes-of-high-finance comedy The Wolf of Wall Street.
    • 75 Metascore
    • 50 Roger Moore
    There’s a “for fans only” feel to the latest “Avengers” movie, Captain America: Civil War, that won’t be to every taste. A talky, often ponderous exercise in comic book movie elephantiasis, it overdoses on characters, old and new, sometimes not even bothering to name them.
    • 75 Metascore
    • 88 Roger Moore
    The truth is far stranger. And Maloof and Siskel reveal it only gradually. They structure their documentary thusly — negatives found, fame and acclaim follow, a post-mortem triumph. And then the REAL Vivian starts to emerge.
    • 75 Metascore
    • 75 Roger Moore
    The Square may be played in a thick Aussie dialect that’s hard to fathom. But thanks to bravura filmmaking that never violates the classic rules of the genre, they could be household names here someday, too.
    • 75 Metascore
    • 75 Roger Moore
    Steven Soderbergh, rightly considered one of Hollywood’s smartest movie makers, is at his cleverest in Side Effects, a canny, cunning big idea thriller in a minor key, an engrossing zeitgeist whodunit about Wall Street, Big Pharma, prescription drugs and the power we give psychiatry and psychologists.
    • 75 Metascore
    • 63 Roger Moore
    At 104 minutes, this CG/looks-like-stop-motion cartoon, drags. The screen is overcrowded with characters and gadgets that make it feel like a long, LEGO commercial.
    • 75 Metascore
    • 75 Roger Moore
    [Schumer’s] made this woman real, flawed, funny and carnal.
    • 75 Metascore
    • 75 Roger Moore
    It’s a simple, cheap and limited concept beautifully executed. The players, especially Tena, tell us the story with their faces.
    • 75 Metascore
    • 50 Roger Moore
    Jokier and more obviously derivative, Mission: Impossible-Rogue Nation is the funniest “MI” picture, and maybe the worst of the series.
    • 74 Metascore
    • 63 Roger Moore
    Skeleton Twins may not be a wholly fleshed-out character study, and nobody here takes a flying leap out of his or her comfort zone. But the timing of this tale of depression, suicide and how vulnerable we all are to our past, our demons and our shortcomings, is enough to recommend this engagingly melancholy comedy.
    • 74 Metascore
    • 88 Roger Moore
    Me and Earl and the Dying Girl isn’t deep. But this sure-to-be-a-crowd-pleasing laugher/weeper reminds us that there’s nothing wrong with a romantic comedy that reaches for inspiring and cathartic between the laughs.

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