For 1,193 reviews, this critic has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 0.8 points lower than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 12 Years a Slave
Lowest review score: 12 Creature
Score distribution:
1,193 movie reviews
    • 66 Metascore
    • 75 Roger Moore
    An entertaining old-fashioned prison escape movie with a touch of the epic about it.
    • 60 Metascore
    • 75 Roger Moore
    Renner’s performance — beginning with bluster and descending into twitchy paranoia — sells it and makes us fret for every “messenger” suddenly the target of the spotlight himself.
    • 64 Metascore
    • 75 Roger Moore
    As violent and primal as “Animal Kingdom,” but not as brisk. The film grinds to a halt in between confrontations. And those shoot-outs are simple, direct and bloody, not “staged” in the Hollywood sense.
    • 89 Metascore
    • 75 Roger Moore
    An old fashioned Japanese folk tale beautifully rendered in old-fashioned hand-drawn animation.
    • 83 Metascore
    • 75 Roger Moore
    The Wind Rises was a dream project for the great Japanese animator Hayao Miyazaki, and this gorgeous film makes a fine capstone for his career.
    • 75 Metascore
    • 75 Roger Moore
    This is "Her Hangover," a smarter and sweeter stumble to the altar that never quite gets to Vegas, and doesn't seem to mind.
    • 68 Metascore
    • 75 Roger Moore
    As a Steve Carell comedy, it works. He plays the victim well, the guy romantically in over his head ever better. Surrounding him with people this funny - Ryan Gosling, who knew?
    • 76 Metascore
    • 75 Roger Moore
    It’s a quiet, thoughtful and handsomely mounted film, offering another plum role to Alicia Vikander (“Ex Machina”) as Brittain. Vikander and the film take Britain, and Brittain, from idealism and hope to grim reality and regret.
    • 72 Metascore
    • 75 Roger Moore
    The lack of dramatic tension that knowing the ending before you being creates isn't a huge drawback.
    • 63 Metascore
    • 75 Roger Moore
    Populated with a peerless supporting cast, actors who bring just the right history to their roles.
    • 76 Metascore
    • 75 Roger Moore
    John Cusack plays this older, post-breakdown Wilson, a twitchy, tentative millionaire genius who has the guilelessness and sweetness of an abused puppy.
    • 75 Metascore
    • 75 Roger Moore
    The Square may be played in a thick Aussie dialect that’s hard to fathom. But thanks to bravura filmmaking that never violates the classic rules of the genre, they could be household names here someday, too.
    • 79 Metascore
    • 75 Roger Moore
    An action-packed epic, a moving sci-fi allegory rendered in broad, lush strokes by the latest state of the computer animator’s art.
    • 80 Metascore
    • 75 Roger Moore
    It's a fine summation of this complicated story, one that focuses heavily on Echols and his sweeping declarations about the state of justice in Arkansas and America.
    • 50 Metascore
    • 75 Roger Moore
    The pleasures of Welcome to the Rileys are in the simplest human message of all. Take an interest in somebody who needs help and the life you save may be your own.
    • 72 Metascore
    • 75 Roger Moore
    Rarely has a movie been so sexual without being remotely sexy. Rarely has a guy who might be admired in a sex comedy as a "playa" seemed more pathetic with each fresh conquest.
    • 66 Metascore
    • 75 Roger Moore
    It’s a comedy of sight gags, zingers and awkward pauses — lots of those. Sentimental at times, yes. But funny. Always.
    • 78 Metascore
    • 75 Roger Moore
    Ex Machina is an “Island of Dr. Moreau” for the singularity era. It’s a cerebral, chilling and austere thriller that stokes our fears about digital privacy and artificial intelligence, a film that works largely thanks to a breakout mechanically empathetic turn by Alicia Vikander (“A Royal Affair,””Seventh Son”).
    • 66 Metascore
    • 75 Roger Moore
    There are moments when you wonder if this CNN-produced documentary is telling the whole story, if there was cherry picking in points of view chosen.
    • 77 Metascore
    • 75 Roger Moore
    McGarry, with this slick, invigorating film, whose action is set to a pulsating James Lavino musical score, has broadened a national debate that anti-healthcare reform folks have narrowed via the courts and political demonization.
    • 69 Metascore
    • 75 Roger Moore
    this is a straight-ahead ticking clock thriller, with the usual Tony S. trademarks - punchy dialogue and men doing what needs to be done.
    • 55 Metascore
    • 75 Roger Moore
    The Joneses manages a deft blend of the sexy, the sad and the silly. And Borte doles out his secrets and surprises in ways that make it easy to keep up with these Joneses.
    • 73 Metascore
    • 75 Roger Moore
    It’s the best Almodovar movie Almodovar never made, a riotous, gory farce that might be the funniest movie of the summer, and surely is the coolest.
    • 87 Metascore
    • 75 Roger Moore
    13 Assassins is entirely too long and too talky. But the cat-and-mouse game of strategy, figuring out when and where to ambush the evil overlord's entourage, is fascinating.
    • 73 Metascore
    • 75 Roger Moore
    Berninger is hero and villain of this comic essay in ineptitude masquerading as a rock band on tour doc.
    • 80 Metascore
    • 75 Roger Moore
    A wonderful movie anyone who's ever experienced dog ownership at its most glorious, and most embarrassing.
    • 45 Metascore
    • 75 Roger Moore
    A flipped take on tween-to-teen romance that make it such a minor gem.
    • 51 Metascore
    • 75 Roger Moore
    Shockingly, it's funny. Often in shocking or at least wildly inappropriate ways.
    • 66 Metascore
    • 75 Roger Moore
    It's a sturdy World War II yarn, with harrowing and heart-breaking moments sprinkled throughout.
    • 89 Metascore
    • 75 Roger Moore
    Anyone who has heard tapes of the real King confronting LBJ will realize that the power dynamic depicted here just doesn’t ring true. King’s moral authority asserted itself, but nobody stood up to Johnson to his face. Nobody.

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