For 934 reviews, this critic has graded:
  • 57% higher than the average critic
  • 2% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 0.1 points lower than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 Super 8
Lowest review score: 12 Creature
Score distribution:
934 movie reviews
    • 58 Metascore
    • 63 Roger Moore
    The Twilight Saga comes close to that sweet spot between swooning silliness and special effects slaughter with Eclipse.
    • 64 Metascore
    • 63 Roger Moore
    It's amusingly off-the-wall, but entirely too cluttered to come together.
    • 50 Metascore
    • 63 Roger Moore
    Eat Pray Love isn't a bad movie -- just a spiritually dead one, wearing and wearying.
    • 55 Metascore
    • 63 Roger Moore
    Chairman Mao wouldn't necessarily approve. And even today, China won't be showing Mao's Last Dancer.
    • 60 Metascore
    • 63 Roger Moore
    Like those '70s movies it borrows from, there's a blast of tongue-in-cheek politics built around a "They messed with the WRONG Mexican" message. No, this may not go over in Arizona.
    • 62 Metascore
    • 63 Roger Moore
    An intricate and daft tale of love, family and revenge.
    • 40 Metascore
    • 63 Roger Moore
    A transgressive blend of stoner comedy, horny teenager movie and "Blair Witch" reality riff, this no-budget romp through teen New Orleans crosses the line and erases that line in a hell-bent pursuit of hell-bound laughs. And yeah, it's often funny as all get out.
    • 59 Metascore
    • 63 Roger Moore
    It's almost kitschy - the way Stone injects himself into a couple of scenes, an eccentric Eli Wallach cameo, the inclusion of a Charlie Sheen moment that flat out winks at the audience.
    • 53 Metascore
    • 63 Roger Moore
    A gorgeously animated combat fantasy - "The Lord of the Rings" meets "Happy Feet."
    • 39 Metascore
    • 63 Roger Moore
    As uneven as it is, Life as We Know It still goes down like comic comfort food, especially for anybody who's ever dealt with parenthood.
    • 60 Metascore
    • 63 Roger Moore
    RED
    Red has enough acting flourishes and incidental action pleasures to make it an adrenalin-jacked giggle, if not exactly the romp one so fervently expects.
    • 49 Metascore
    • 63 Roger Moore
    Like "Avatar," "Legacy" is a film too in love with its own good looks. And like the original "TRON," the sequel's a bit of a slog.
    • 63 Metascore
    • 63 Roger Moore
    The voice casting is on the money and these funny people - and I'm including Pitt, who plays this sort of self-mocking Adonis well, even in animated form - make this cute comedy come off.
    • 71 Metascore
    • 63 Roger Moore
    A dry and moody piece built on closely-observed characters, not on thrills or an unraveling plot.
    • 51 Metascore
    • 63 Roger Moore
    It's a sordid tale and, in Gibney's telling, a cautionary one.
    • 69 Metascore
    • 63 Roger Moore
    This isn't "Up in the Air," and we're not dealing with this awful event on a metaphysical level. But there's truth in between the cliches.
    • 42 Metascore
    • 63 Roger Moore
    It's a solid, old-fashioned action yarn filled with the very latest dive gear and the oldest plot formula in the movie-maker's playbook.
    • 53 Metascore
    • 63 Roger Moore
    If it's not an unerringly faithful adaptation of Shakespeare's play, it still manages enough wit and charm to come off.
    • 67 Metascore
    • 63 Roger Moore
    Melodramatic, impulsive, painful, but never quite "totally unnecessary."
    • 36 Metascore
    • 63 Roger Moore
    Brit hunk Alex Pettyfer has grown into a solid and quite interesting lead to build this potential sci-fi movie series around.
    • 44 Metascore
    • 63 Roger Moore
    Heard sets herself up as a Megan Fox with talent. And Cage? He delivers. Mock him for his bad choices if you will, but consider this. Who else could have made this work, or would even want to?
    • 60 Metascore
    • 63 Roger Moore
    This "Inception" meets "Made in Heaven" by way of "They Live" is also the screwiest movie Matt Damon has been in since, what, "Dogma?"
    • 83 Metascore
    • 63 Roger Moore
    Hogancamp seems a pleasant, offbeat and intuitive fellow who probably takes all this less seriously than those who "discovered" him.
    • 49 Metascore
    • 63 Roger Moore
    Though light enough in tone, packed with good messages and delivering a couple of lovely, touching moments, "Mars" still has that plastic look that made you wish you were seeing the REAL Tom Hanks in "Polar Express" or the REAL Jim Carrey in "A Christmas Carol."
    • 57 Metascore
    • 63 Roger Moore
    There's only so much humor you can wring from the f-bomb, even if you are a cute animated alien.
    • 59 Metascore
    • 63 Roger Moore
    This film based on Alan Glynn's novel "Dark Fields" is entirely too reliant on voice-over, a bit too tarted-up by Burger in an effort to make this head trip a visual experience.
    • 72 Metascore
    • 63 Roger Moore
    Lena Dunham's amusing meander through "post graduate delirium," a relationship comedy about nothing so much as the permanent relationships of family and New Yorker's relationship with space - and the lack of it.
    • 67 Metascore
    • 63 Roger Moore
    A thriller that makes you wish you knew how to scream "O.M.G." in Korean.
    • 45 Metascore
    • 63 Roger Moore
    Stuffed to the gills with Perry's mix of the sacred and the silly and a serious dose of self-help for the self-absorbed.
    • 53 Metascore
    • 63 Roger Moore
    A winning narration (read by Greg Kinnear) holds things together. And there's just enough script for a good cast to run with. Harris and Madigan lift the whole enterprise just by being who and what they are - great actors.