For 411 reviews, this critic has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 0 points higher than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
Average review score: 59
Highest review score: 100 The Social Network
Lowest review score: 12 Creature
Score distribution:
411 movie reviews
    • 36 Metascore
    • 38 Roger Moore
    As with any movie, this kids' film is only as good as its writing - the jokes, the cute bits, the heart. And that's where Alpha and Omega comes up short.
    • 51 Metascore
    • 38 Roger Moore
    A mirthless, joyless comedy with nary a hint of romance, mystery or justification for its existence.
    • 56 Metascore
    • 38 Roger Moore
    Those Jackasses from "Jackass" aren't getting better, they're getting older.
    • 44 Metascore
    • 38 Roger Moore
    Whatever brownie points Tillman scored with "Notorious", Faster is that wake-up call that he's no John Woo.
    • 27 Metascore
    • 38 Roger Moore
    Paul Weitz ("Cirque du Freak," "American Dreamz") takes over as director, and the film shows all the signs of re-shoots and re-edits designed to bring in more characters and perhaps find a few more laughs.
    • 67 Metascore
    • 38 Roger Moore
    Somewhere is a triumph of tedium, banality passing for depth, a vacuous embrace of nothing.
    • 39 Metascore
    • 38 Roger Moore
    A violent, clumsy, jokey, badly-plotted and miscast mess.
    • 48 Metascore
    • 38 Roger Moore
    It's all tiresome, muddied and artlessly made.
    • 56 Metascore
    • 38 Roger Moore
    This Herefter, despite the odd engaging moment, is a terrible letdown, like investing in a belief system and discovering there's no "here" that you've been after all your life.
    • 45 Metascore
    • 38 Roger Moore
    A genre mash-up that never quite achieves "So very bad it's good" status.
    • 33 Metascore
    • 38 Roger Moore
    The villains are weak and the narrative has little drive to it.
    • 45 Metascore
    • 38 Roger Moore
    A little like modern country music - odd moments of sincerity, heart and authenticity peek through the plastic, the hype and the manufactured hokum.
    • 24 Metascore
    • 38 Roger Moore
    Director Michael W. Watkins, whose decades of TV credits go back to "Quantum Leap," manages one clever visual gag - a bus wreck, observed from the far side of a cornfield. We hear a crunch, see a telephone pole wobble and a little puff of smoke. Then Watkins blows the moment with a fiery overkill.
    • 49 Metascore
    • 38 Roger Moore
    It's a modestly effective but jaw-droppingly violent picture.
    • 33 Metascore
    • 38 Roger Moore
    It's a rarely amusing movie overwhelmed by grating kids, unfunny sidekicks, half-hearted Sandler funny voices and a co-star who seems more fearful of smiling with each passing year.
    • 41 Metascore
    • 38 Roger Moore
    A mad mash-up of sci-fi, Western, sacrilegious silliness and vampire movie. What lifts it to "I've seen worse" status is the previous teaming of star and director Scott Stewart, who last gave us the archangel fighting off other angels fiasco "Legion."
    • 64 Metascore
    • 38 Roger Moore
    This isn't satire, it isn't that funny and the only bits that work are the titillating ones.
    • 45 Metascore
    • 38 Roger Moore
    A rude and seriously crude riff on taking a vacation from marriage.
    • 52 Metascore
    • 38 Roger Moore
    It's a fitfully amusing, not remotely scary slasher picture.
    • 36 Metascore
    • 38 Roger Moore
    This Arthur is on the rocks long before Last Call.
    • 41 Metascore
    • 38 Roger Moore
    Hop
    The slapstick is mild-mannered, there's no romance, not a hint of emotion.
    • 28 Metascore
    • 38 Roger Moore
    It's not a bad looking movie, with Deco design touches that remind me of the earlier Rand film adaptation, "The Fountainhead." But the acting's flat and the script is absurdly cluttered with characters whose purpose may only truly become clear if they ever are allowed to make the other two films they have planned.
    • 24 Metascore
    • 38 Roger Moore
    Whatever merits the production values have, the cheap frights don't deliver, the performers bring no pathos and the gimmick behind Apollo 18 flat out does not work.
    • 36 Metascore
    • 38 Roger Moore
    Thank heavens Krasinski, at least, had the screenwriter's ear. He makes every one-liner land. "The Hamptons are like a zombie movie directed by Ralph Lauren."
    • 85 Metascore
    • 38 Roger Moore
    Glibly put, this challenging time-skipping rumination is the big screen equivalent of watching that "Tree" grow.
    • 45 Metascore
    • 38 Roger Moore
    At long last, The Twilight Saga sinks utterly into camp with Breaking Dawn: Part 1.
    • 39 Metascore
    • 38 Roger Moore
    Well, Green Lantern isn't "Jonah Hex" bad. But it's silly enough to be part of the same "silliest Warner Brothers comic book summer movies of all time" conversation.
    • 42 Metascore
    • 38 Roger Moore
    A ten-years-too-late comedy.
    • 29 Metascore
    • 38 Roger Moore
    Far more grim than "Grimm," and not nearly as much fun as it should have been.
    • 43 Metascore
    • 38 Roger Moore
    This script, this leaden direction ensures that even as the teen wish-fulfillment fantasy, complete with young women playing dress-up, Monte Carlo fails.