For 1,019 reviews, this critic has graded:
  • 57% higher than the average critic
  • 2% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 0.2 points higher than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 Get Low
Lowest review score: 12 Creature
Score distribution:
1,019 movie reviews
    • 62 Metascore
    • 75 Roger Moore
    Writer-director Lucia Puenzo, adapting her own historical novel, concocts a disquieting and chilling thriller out of what might be a lost chapter in the infamous career of Nazi Doctor Joseph Mengele.
    • 72 Metascore
    • 75 Roger Moore
    It’s almost a hagiography, and Vidal would have demanded no less.
    • 87 Metascore
    • 75 Roger Moore
    Chilling, cruel and funny — in an icy, Swedish way.
    • 77 Metascore
    • 75 Roger Moore
    McGarry, with this slick, invigorating film, whose action is set to a pulsating James Lavino musical score, has broadened a national debate that anti-healthcare reform folks have narrowed via the courts and political demonization.
    • 73 Metascore
    • 75 Roger Moore
    It’s the best Almodovar movie Almodovar never made, a riotous, gory farce that might be the funniest movie of the summer, and surely is the coolest.
    • 51 Metascore
    • 75 Roger Moore
    The Liberator may be a Cliff Notes version of South American history, but Ramirez breathes life into it and makes us care.
    • 65 Metascore
    • 75 Roger Moore
    Rambles a bit and telegraphs its ending. But its earnestness in reminding us of this story and just what America represents to the world’s rising tide of refugees, and why, makes it a winner, a valuable history lesson wrapped in a feel-good bow.
    • 73 Metascore
    • 75 Roger Moore
    Cooper, to his credit, rarely flinches, never chest-thumps and never loses his cool, even when Kyle is starting to lose his. It’s a masterful interpretation of a man with a lot more on his mind and blood on his hands than he was ever inclined to let on. And it’s a performance worthy of Eastwood himself — 50 years ago.
    • 68 Metascore
    • 75 Roger Moore
    Radice has delivered an engaging portrait of a loose cannon back when professional sports still produced such unfiltered creatures, a man who lived by his own rules, said what he thought and wore curlers to practice when he felt like it.
    • 89 Metascore
    • 75 Roger Moore
    An old fashioned Japanese folk tale beautifully rendered in old-fashioned hand-drawn animation.
    • 72 Metascore
    • 75 Roger Moore
    Moore makes us root for Alice, not for a cure, which still seems a reach, but for a completion of her life’s goals, a chance to control her fate as long as she has the wherewithal to do it.
    • 68 Metascore
    • 75 Roger Moore
    Fort Bliss is a solid tough-adjustment-coming-home melodrama built around a superb performance by Michelle Monaghan.
    • 79 Metascore
    • 75 Roger Moore
    “Cheerful” and “triumphant” aren’t words that come to mind when you think of Alzheimer’s, the debilitating illness that destroys memory, mind and body. But darned if country star Glen Campbell doesn’t manage that in Glen Campbell: I’ll Be Me.
    • 60 Metascore
    • 75 Roger Moore
    It’s the directing debut of Angus MacLachlan, who wrote “Junebug” and thus gave Amy Adams the perfect introduction to the world. “Goodbye” displays the same canny ear for human interactions, both comical and confessional.
    • 75 Metascore
    • 75 Roger Moore
    The Kingdom of Dreams and Madness is a great name for a documentary about Hayao Miyazaki and his animation house, Japan’s Studio Ghibli.
    • 63 Metascore
    • 63 Roger Moore
    It’s not bad, but as Scorsese, America’s greatest living filmmaker and film history buff should know, even Hitchcock came up short on occasion.
    • 43 Metascore
    • 63 Roger Moore
    The matter-of-fact way everybody involved faces this supernatural horror drains most of the chills right out of it.
    • 65 Metascore
    • 63 Roger Moore
    It’s filmic fool’s gold, as every scene that doesn’t sparkle is just dirt -- dank, gritty visuals, murky plotting and very bad line-readings from Troyer (Mini-Me from the Austin Powers movies).
    • 42 Metascore
    • 63 Roger Moore
    Though properly chilling when it’s supposed to be, it’s a film whose effects, script and performances keep it at arm’s length when it is supposed to be moving.
    • 63 Metascore
    • 63 Roger Moore
    Equal parts inspired and irresponsible, the new film from Miguel Arteta (director of the cult hit 'Chuck and Buck') turns C.D. Payne's books into a hit-or-miss homage to that French classic of outlaw love, 'Breathless.'
    • 51 Metascore
    • 63 Roger Moore
    The new Funeral, directed by social commentator-director Neil LaBute ("Lakeview Terrace") doesn’t improve on the original, which wasn’t exactly a classic despite its classic structure.
    • 40 Metascore
    • 63 Roger Moore
    A perfectly adequate superhero comic-book movie, all explosions, chases, gunfights, sword fights and blood feuds. There’s even a little humor in it.
    • 62 Metascore
    • 63 Roger Moore
    The title’s a trite metaphor and the surprises are thin. But the sleepy scenery and charming performances – Stewart escapes her vampires and reminds everyone what the fuss used to be about – keep The Yellow Handkerchief from blowing it.
    • 63 Metascore
    • 63 Roger Moore
    A sloppy, raucous, time travel farce in the grown-men-gone-wild "Hangover" style, it’s a surprisingly satisfying, if not exactly LMAO, riot.
    • 74 Metascore
    • 63 Roger Moore
    Dreamworks hired the directors of "Lilo & Stitch" to turn Cressida Cowell’s romp of a novel into an animated film and can’t be too surprised that they made, in essence, "Hiccup and Stitch."
    • 39 Metascore
    • 63 Roger Moore
    For all the impressive (but not dazzling) effects, the scattered jokes and stentorian acting (especially from the Olympians), there’s not much here that will stick with you after the popcorn’s gone. But as any ancient Greek could tell you, that’s sort of the point.
    • 58 Metascore
    • 63 Roger Moore
    The Twilight Saga comes close to that sweet spot between swooning silliness and special effects slaughter with Eclipse.
    • 50 Metascore
    • 63 Roger Moore
    Eat Pray Love isn't a bad movie -- just a spiritually dead one, wearing and wearying.
    • 46 Metascore
    • 63 Roger Moore
    The story is kind of all over the place, scatterbrained without being madcap (This one feels tinkered with, reshoots, re-edits.).
    • 47 Metascore
    • 63 Roger Moore
    The players embrace this for the lark it is. Their pleasure in going this gonzo spills off the screen.

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