For 1,751 reviews, this critic has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 3.3 points lower than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 The Social Network
Lowest review score: 12 Creature
Score distribution:
1751 movie reviews
    • 52 Metascore
    • 75 Roger Moore
    A detail-oriented thriller that lets us keep up even as it races to a conclusion.
    • 61 Metascore
    • 75 Roger Moore
    So many “lose my virginity over the summer” comedies, from “American Pie” to “Superbad,” “Can’t Hardly Wait” to “Girl Next Door.” But aside from the hilarious “Twilight Saga,” how many have told that torrid tale from the girl’s point of view? The To Do List is a summer romantic comedy dedicated to rectifying that imbalance in a single stroke.
    • 71 Metascore
    • 75 Roger Moore
    We knew Livingston, Kendrick and Johnson (“Safety Not Guaranteed”) would work in this setting. But Wilde adds to the growing repertoire she showed off in “Deadfall” and “Butter,” films no one saw but which revealed that she’s a lot more than a pretty face.
    • 83 Metascore
    • 75 Roger Moore
    It’s not edge-of-your-seat alarming and its jolts are more creepy than shocking. But for all its period detail and head games, “Witch” works on the most primitive level.
    • 65 Metascore
    • 75 Roger Moore
    There are more funny lines and opening credit sight gags in this than most comedies have in their full running time.
    • 58 Metascore
    • 75 Roger Moore
    There's a taste of Southern Gothic here, even though this story is set in Michigan. The incendiary mix of religion, sex and crime threatens to ignite every time Stone tries to turn the interogations back on Mabry.
    • 64 Metascore
    • 75 Roger Moore
    Hawke and Ejogo, who played civil rights icon Coretta Scott King in “Selma,” have enough soul and charisma and chemistry to hold the screen and make us feel Born to be Blue, even if we, like Jane in the movie, never quite “get” Chet Baker.
    • 87 Metascore
    • 75 Roger Moore
    Chilling, cruel and funny — in an icy, Swedish way.
    • 75 Metascore
    • 75 Roger Moore
    Fiennes holds it all together by force of what he does show us about the man, his kindness tempered with cruelty, the charity he practiced and preached, the morality he could never live up to. It’s the visible great man who makes The Invisible Woman worth watching.
    • 85 Metascore
    • 75 Roger Moore
    There's a soap opera going on inside that tin can with a cannon.
    • 77 Metascore
    • 75 Roger Moore
    Victoria shows us just how real things can get in this tiny-camera/infinite filming (video) capacity era.
    • 83 Metascore
    • 75 Roger Moore
    It’s not a deep film, but it is a rich one — full of flesh and blood characters, realistic “coming of age” moments and pithy homilies on the state of relationships, gender roles, “the California Dream” and the American one.
    • 59 Metascore
    • 75 Roger Moore
    Things drag, here and there. But kids will dig the slapstick, the talking dog and giggle at what flies out of the Sphinx’s butt, or drops from the rear-end of the Trojan Horse. Adults will be tickled at the usual Dreamworks parade of one-liners, running gags and puns, and feel a little sentimental.
    • 66 Metascore
    • 75 Roger Moore
    We see the mistakes before the principals do. That’s what makes the news-story-gone-wrong drama Truth so compelling.
    • 55 Metascore
    • 75 Roger Moore
    May not be as emotionally compelling as John Ford's work ("The Prisoner of Shark Island"), but it's every bit as meticulously crafted.
    • 69 Metascore
    • 75 Roger Moore
    As slight as Venus feels, it’s just titillating enough to matter, just twisted enough — Really, casting your wife and a guy who looks like you? — to suggest that even in his 70s, even with virtually no budget, Polanski can deliver a compelling walk on the kinky side.
    • 72 Metascore
    • 75 Roger Moore
    Feuerzeig makes the fateful choice of telling the whole story through Albert’s eyes, and decked out in too-old-for-this leather and straightened hair and piercings, she conjures up a hellish life.
    • 64 Metascore
    • 75 Roger Moore
    It’s good, not great, and it’s not Ayer’s fault that the rarer these B-movies become, the more we expect from them.
    • 68 Metascore
    • 75 Roger Moore
    It’s gorgeous, intimate and beautifully photographed. And it’s cute and kid-friendly, with just enough jokes to balance the drama that comes from any film that flirts with how dangerous and unforgiving The Wild actually is.
    • 76 Metascore
    • 75 Roger Moore
    Laugh-out-loud funny and production-designed to death, Guardians of the Galaxy pops off the screen.
    • 52 Metascore
    • 75 Roger Moore
    Aniston's work opposite the screen's premiere mild-mannered funnyman shows her at her most engaged and pitch perfect.
    • 52 Metascore
    • 75 Roger Moore
    Sweet, sentimental, silly and star-studded, Nanny McPhee Returns is one of the best children's movies of the year.
    • 75 Metascore
    • 75 Roger Moore
    It’s bracing and inspiring, what filmmakers Keith Fulton and Leo Pepe show us in that first hour.
    • 78 Metascore
    • 75 Roger Moore
    A winking comedy with dark underpinnings and some of Shakespeare’s most wicked wordplay.
    • 49 Metascore
    • 75 Roger Moore
    13 Minutes is a taut, smart and straightforward bio-drama of this largely forgotten early figure in German resistance to the Hitler regime.
    • 74 Metascore
    • 75 Roger Moore
    It’s a fun film, not quite as lighthearted as the similar “Knuckleball” documentary of a short while back, but amusing enough.
    • 74 Metascore
    • 75 Roger Moore
    Inception is an elegant, portentous ride, though I’m not sure Nolan is any closer to visualizing the real (dream) deal than Hitchcock was.
    • 64 Metascore
    • 75 Roger Moore
    Glass Chin is a boxing picture with very little actual boxing.
    • 51 Metascore
    • 75 Roger Moore
    Like "42," Cesar Chavez lacks the budget to feel truly epic in scope. The violence is scattered, shocking and personal, the struggles within the union muted but the outrage — is palpable.
    • 74 Metascore
    • 75 Roger Moore
    It’s manipulative and overlong, too loud and “Incredibles” action-packed for the very young. But the manipulation errs on the side of mercy, compassion, sacrifice and humanity.

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