For 1,156 reviews, this critic has graded:
  • 57% higher than the average critic
  • 2% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 0.4 points lower than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 Magician: The Astonishing Life and Work of Orson Welles
Lowest review score: 12 Creature
Score distribution:
1,156 movie reviews
    • 70 Metascore
    • 75 Roger Moore
    Forbes makes this story compelling, moving and provocative enough to prompt outrage.
    • 83 Metascore
    • 75 Roger Moore
    '71
    It’s an intricate, intimate thriller about a single soldier’s nightmare day and night on the front lines.
    • 70 Metascore
    • 75 Roger Moore
    Merchants of Doubt has its moments when the professional deniars hem and haw about who pays them to do what they do. But mostly, they’re glib, smug, self-confessed and self-righteous tools of Big Coal, Big Chemical or Big Oil.
    • 66 Metascore
    • 75 Roger Moore
    It’s a fascinating slice of rock and pop archeology and well worth your time.
    • 68 Metascore
    • 75 Roger Moore
    The serene and forlorn snowscapes echo the Coen Brothers’ greatest movie, and the story evolves from quest to odyssey as Kumiko clings to her delusion and we start to wonder if maybe this loon isn’t onto something, that maybe the Coens WERE trying to tell us something. And only Kumiko and the Zellners figured that out.
    • 80 Metascore
    • 75 Roger Moore
    A quote by the poet Rainer Maria Rilke opens White God — “Everything terrible is something that needs our love.” But that goes for the film, too. Who will want to see a movie so focused on dogs, in which they’re brutalized and killed?
    • 67 Metascore
    • 75 Roger Moore
    Wolf relies more on surprise plot twists than the standard “ticking clock” of Hollywood thrillers. And there are stunning turns, a few that will make your jaw drop.
    • tbd Metascore
    • 75 Roger Moore
    It wouldn’t work without Chris Mulkey, playing a heartless sociopath ex-con hired to kill a man.
    • 78 Metascore
    • 75 Roger Moore
    Ex Machina is an “Island of Dr. Moreau” for the singularity era. It’s a cerebral, chilling and austere thriller that stokes our fears about digital privacy and artificial intelligence, a film that works largely thanks to a breakout mechanically empathetic turn by Alicia Vikander (“A Royal Affair,””Seventh Son”).
    • 50 Metascore
    • 75 Roger Moore
    The reporter/convict dynamic doesn’t have enough layers to carry the film without some hint of mystery. The relationship between the two, chilling as it is, never raises this “Story” from generic to profound.
    • 72 Metascore
    • 75 Roger Moore
    The gorgeous flora and fauna of Sri Lanka are well-represented, even as the monkey business ranges from cute to cutesy.
    • 73 Metascore
    • 75 Roger Moore
    A simple tale, sharply drawn and smartly told, a portrait of a people, a place and a centuries-old conflict that this wise yet myopic citrus farmer cannot get his mind around any more than we can.
    • 80 Metascore
    • 75 Roger Moore
    Maysles could have made this another “Grey Gardens,” seeing Apfel as just a well-heeled hoarder. But Apfel never comes off as eccentric, just singular.
    • 63 Metascore
    • 63 Roger Moore
    It’s not bad, but as Scorsese, America’s greatest living filmmaker and film history buff should know, even Hitchcock came up short on occasion.
    • 42 Metascore
    • 63 Roger Moore
    Though properly chilling when it’s supposed to be, it’s a film whose effects, script and performances keep it at arm’s length when it is supposed to be moving.
    • 65 Metascore
    • 63 Roger Moore
    It’s filmic fool’s gold, as every scene that doesn’t sparkle is just dirt -- dank, gritty visuals, murky plotting and very bad line-readings from Troyer (Mini-Me from the Austin Powers movies).
    • 43 Metascore
    • 63 Roger Moore
    The matter-of-fact way everybody involved faces this supernatural horror drains most of the chills right out of it.
    • 63 Metascore
    • 63 Roger Moore
    Equal parts inspired and irresponsible, the new film from Miguel Arteta (director of the cult hit 'Chuck and Buck') turns C.D. Payne's books into a hit-or-miss homage to that French classic of outlaw love, 'Breathless.'
    • 77 Metascore
    • 63 Roger Moore
    It’s not one of Polanski’s masterpieces, but The Ghost Writer doesn’t dilute his reputation as a master of suspense.
    • 62 Metascore
    • 63 Roger Moore
    The title’s a trite metaphor and the surprises are thin. But the sleepy scenery and charming performances – Stewart escapes her vampires and reminds everyone what the fuss used to be about – keep The Yellow Handkerchief from blowing it.
    • 66 Metascore
    • 63 Roger Moore
    City Island is a light “family” romance that goes about as far as its novel location -- an island neighborhood tucked in the middle of New York City -- and a good cast can carry it.
    • 63 Metascore
    • 63 Roger Moore
    A sloppy, raucous, time travel farce in the grown-men-gone-wild "Hangover" style, it’s a surprisingly satisfying, if not exactly LMAO, riot.
    • 74 Metascore
    • 63 Roger Moore
    Dreamworks hired the directors of "Lilo & Stitch" to turn Cressida Cowell’s romp of a novel into an animated film and can’t be too surprised that they made, in essence, "Hiccup and Stitch."
    • 39 Metascore
    • 63 Roger Moore
    For all the impressive (but not dazzling) effects, the scattered jokes and stentorian acting (especially from the Olympians), there’s not much here that will stick with you after the popcorn’s gone. But as any ancient Greek could tell you, that’s sort of the point.
    • 56 Metascore
    • 63 Roger Moore
    Fey flirts and Carell kvetches, Walhberg goes shirtless and Liotta eats Italian. No surprises there. What really clicks is the couple at the core.
    • 51 Metascore
    • 63 Roger Moore
    The new Funeral, directed by social commentator-director Neil LaBute ("Lakeview Terrace") doesn’t improve on the original, which wasn’t exactly a classic despite its classic structure.
    • 44 Metascore
    • 63 Roger Moore
    The movie is a stupid, over-the-top comic-booky action picture with the occasional cheesy effect, oddball casting and an utterly predictable get-that-guy-before-he-gets-us plot, but Evans and a couple of his mates make it passable entertainment.
    • 50 Metascore
    • 63 Roger Moore
    A ditzy film that offers more evidence that good actors, good action and one-liners don’t solve the one thing missing in every movie video game adaptation – a story that makes sense.
    • 63 Metascore
    • 63 Roger Moore
    Director Thomas Balmes and his editors find moments of humor in “discoveries” or the unfettered urinating of a baby brought up without diapers.

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