For 1,018 reviews, this critic has graded:
  • 57% higher than the average critic
  • 2% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 0.2 points higher than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 56 Up
Lowest review score: 12 Creature
Score distribution:
1,018 movie reviews
    • 62 Metascore
    • 63 Roger Moore
    An intricate and daft tale of love, family and revenge.
    • 50 Metascore
    • 63 Roger Moore
    A ditzy film that offers more evidence that good actors, good action and one-liners don’t solve the one thing missing in every movie video game adaptation – a story that makes sense.
    • 56 Metascore
    • 63 Roger Moore
    Fey flirts and Carell kvetches, Walhberg goes shirtless and Liotta eats Italian. No surprises there. What really clicks is the couple at the core.
    • 44 Metascore
    • 63 Roger Moore
    The movie is a stupid, over-the-top comic-booky action picture with the occasional cheesy effect, oddball casting and an utterly predictable get-that-guy-before-he-gets-us plot, but Evans and a couple of his mates make it passable entertainment.
    • 77 Metascore
    • 63 Roger Moore
    It’s not one of Polanski’s masterpieces, but The Ghost Writer doesn’t dilute his reputation as a master of suspense.
    • 66 Metascore
    • 63 Roger Moore
    City Island is a light “family” romance that goes about as far as its novel location -- an island neighborhood tucked in the middle of New York City -- and a good cast can carry it.
    • 63 Metascore
    • 63 Roger Moore
    Director Thomas Balmes and his editors find moments of humor in “discoveries” or the unfettered urinating of a baby brought up without diapers.
    • 60 Metascore
    • 63 Roger Moore
    This "Inception" meets "Made in Heaven" by way of "They Live" is also the screwiest movie Matt Damon has been in since, what, "Dogma?"
    • 59 Metascore
    • 63 Roger Moore
    It's almost kitschy - the way Stone injects himself into a couple of scenes, an eccentric Eli Wallach cameo, the inclusion of a Charlie Sheen moment that flat out winks at the audience.
    • 53 Metascore
    • 63 Roger Moore
    A gorgeously animated combat fantasy - "The Lord of the Rings" meets "Happy Feet."
    • 64 Metascore
    • 63 Roger Moore
    It's amusingly off-the-wall, but entirely too cluttered to come together.
    • 55 Metascore
    • 63 Roger Moore
    Chairman Mao wouldn't necessarily approve. And even today, China won't be showing Mao's Last Dancer.
    • 60 Metascore
    • 63 Roger Moore
    RED
    Red has enough acting flourishes and incidental action pleasures to make it an adrenalin-jacked giggle, if not exactly the romp one so fervently expects.
    • 60 Metascore
    • 63 Roger Moore
    Like those '70s movies it borrows from, there's a blast of tongue-in-cheek politics built around a "They messed with the WRONG Mexican" message. No, this may not go over in Arizona.
    • 39 Metascore
    • 63 Roger Moore
    As uneven as it is, Life as We Know It still goes down like comic comfort food, especially for anybody who's ever dealt with parenthood.
    • 69 Metascore
    • 63 Roger Moore
    This isn't "Up in the Air," and we're not dealing with this awful event on a metaphysical level. But there's truth in between the cliches.
    • 63 Metascore
    • 63 Roger Moore
    The voice casting is on the money and these funny people - and I'm including Pitt, who plays this sort of self-mocking Adonis well, even in animated form - make this cute comedy come off.
    • 49 Metascore
    • 63 Roger Moore
    Like "Avatar," "Legacy" is a film too in love with its own good looks. And like the original "TRON," the sequel's a bit of a slog.
    • 40 Metascore
    • 63 Roger Moore
    A transgressive blend of stoner comedy, horny teenager movie and "Blair Witch" reality riff, this no-budget romp through teen New Orleans crosses the line and erases that line in a hell-bent pursuit of hell-bound laughs. And yeah, it's often funny as all get out.
    • 56 Metascore
    • 63 Roger Moore
    Entirely too literal, but it still manages to be a literally hair-raising piece of modern-style old school Gothic horror.
    • 51 Metascore
    • 63 Roger Moore
    It's a sordid tale and, in Gibney's telling, a cautionary one.
    • 83 Metascore
    • 63 Roger Moore
    Hogancamp seems a pleasant, offbeat and intuitive fellow who probably takes all this less seriously than those who "discovered" him.
    • 67 Metascore
    • 63 Roger Moore
    Melodramatic, impulsive, painful, but never quite "totally unnecessary."
    • 71 Metascore
    • 63 Roger Moore
    A dry and moody piece built on closely-observed characters, not on thrills or an unraveling plot.
    • 72 Metascore
    • 63 Roger Moore
    Lena Dunham's amusing meander through "post graduate delirium," a relationship comedy about nothing so much as the permanent relationships of family and New Yorker's relationship with space - and the lack of it.
    • 42 Metascore
    • 63 Roger Moore
    It's a solid, old-fashioned action yarn filled with the very latest dive gear and the oldest plot formula in the movie-maker's playbook.
    • 53 Metascore
    • 63 Roger Moore
    If it's not an unerringly faithful adaptation of Shakespeare's play, it still manages enough wit and charm to come off.
    • 44 Metascore
    • 63 Roger Moore
    Heard sets herself up as a Megan Fox with talent. And Cage? He delivers. Mock him for his bad choices if you will, but consider this. Who else could have made this work, or would even want to?
    • 36 Metascore
    • 63 Roger Moore
    Brit hunk Alex Pettyfer has grown into a solid and quite interesting lead to build this potential sci-fi movie series around.
    • 56 Metascore
    • 63 Roger Moore
    The funny moments outnumber the warm ones. There's a touch of religion and plenty of melodrama, especially in the contrivances of a cluttered and drawn out third act.

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