For 995 reviews, this critic has graded:
  • 57% higher than the average critic
  • 3% same as the average critic
  • 40% lower than the average critic
On average, this critic grades 0.1 points higher than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 Get Low
Lowest review score: 12 Creature
Score distribution:
995 movie reviews
    • 76 Metascore
    • 88 Roger Moore
    It’s an intimate, quiet and slow-paced romance, a simple, richly rewarding movie in the classic style of India’s greatest filmmaker, the late Satyajit Ray.
    • 66 Metascore
    • 88 Roger Moore
    In a cinema recently overrun with combat documentaries, Marshall Curry’s Point and Shoot manages a first. Here’s a film that captures the romance of war amongst today’s young and testosterone-fueled. Want to know why young men from all over the world have flocked to fight for ISIS? Point and Shoot explains it.
    • 48 Metascore
    • 88 Roger Moore
    Ptacek, as she was in the short, makes a great foil. And the addition of Rossum and Perlman to the cast adds pathos and paranoia, guilt and menace.
    • 53 Metascore
    • 75 Roger Moore
    Wonderland is equal parts Lewis Carroll and Grace Slick. It’s inspired by Carroll’s "Alice in Wonderland" and "Through the Looking Glass," but also, apparently, by Slick’s psychedelic ‘60s anthem, “White Rabbit.” It’s a trip, man.
    • 79 Metascore
    • 75 Roger Moore
    A deadpan, darkly funny Korean murder mystery.
    • 56 Metascore
    • 75 Roger Moore
    Crass, gross and juvenile in all the best (and worst) ways, Diary is aimed squarely at a tween "don't touch the cheese" demographic. And if you don't get it, maybe you're just too old for a good booger joke.
    • 76 Metascore
    • 75 Roger Moore
    Baumbach overreaches, making this character a selfish, off-putting cultural (LA) and generational scold. But Stiller, in his most “real” performance in ages, finds the function in this catalog of dysfunctions, the humanity in this humanity-hating crank.
    • 65 Metascore
    • 75 Roger Moore
    It is a well-acted and vivid re-creation of a dark, downbeat era when "girls don't play electric guitar," and you had to be someone pretty tough and pretty special to try it.
    • 40 Metascore
    • 75 Roger Moore
    Witty, warm, well-cast and often wickedly funny.
    • 74 Metascore
    • 75 Roger Moore
    Inception is an elegant, portentous ride, though I’m not sure Nolan is any closer to visualizing the real (dream) deal than Hitchcock was.
    • 56 Metascore
    • 75 Roger Moore
    The situations are painstakingly set up and downright painful to sit through. So enjoy, or endure the appetizers, because with this Dinner, dessert is truly the topper.
    • 65 Metascore
    • 75 Roger Moore
    The mercurial Brand is spot on as the mercurial Aldous, putting over outrageously titled tunes with panache.
    • 53 Metascore
    • 75 Roger Moore
    A dark and brawny version of the Robin Hood legend that anchors itself in English history and loses some of the merriment in the process.
    • 55 Metascore
    • 75 Roger Moore
    The Joneses manages a deft blend of the sexy, the sad and the silly. And Borte doles out his secrets and surprises in ways that make it easy to keep up with these Joneses.
    • 72 Metascore
    • 75 Roger Moore
    The lack of dramatic tension that knowing the ending before you being creates isn't a huge drawback.
    • 47 Metascore
    • 75 Roger Moore
    An engaging Israeli film about the days when the people throwing rocks, assassinating soldiers and setting off bombs were Jews out to carve a state for themselves out of the British "mandate" in Palestine.
    • 75 Metascore
    • 75 Roger Moore
    The Square may be played in a thick Aussie dialect that’s hard to fathom. But thanks to bravura filmmaking that never violates the classic rules of the genre, they could be household names here someday, too.
    • 75 Metascore
    • 75 Roger Moore
    The wow factor alone makes Oceans a great Earth Day/Earth Week at the movies.
    • 55 Metascore
    • 75 Roger Moore
    Caine is magnificent. This is not some laughable Stallone-boxing-at-60 exercise in vanity. He's an old man playing an old man, but one who lived through experiences that both scarred him for life and prepared him for his final test.
    • 57 Metascore
    • 75 Roger Moore
    A movie franchise can only take us by surprise once, and by that measure, Iron Man 2 is a preordained letdown. But so much of what gave the first film its gas — is still here.
    • 78 Metascore
    • 75 Roger Moore
    It’s a darned entertaining way to get a handle on a sport that can seem like a bunch of cars doing circles for a crowd that seems most interested in seeing that next epic wreck.
    • 74 Metascore
    • 75 Roger Moore
    The combination of a flexible, funny cast, an amusing situation and a style of movie-making that embraces every happy, nasty accident make this if not the funniest, then certainly the most uncomfortable comedy of the summer.
    • 65 Metascore
    • 75 Roger Moore
    You have to remind yourself to breathe.
    • 64 Metascore
    • 75 Roger Moore
    A low energy romance, a movie that rewards a filmgoer with the patience to let this affair play itself out. Sink or swim, Connie and Jack will come out of this changed. And so will we.
    • 72 Metascore
    • 75 Roger Moore
    This is dizzy diverting fun, from it's first Carell one-liner to the 3D gimmick gags stuffed into the closing credits.
    • 45 Metascore
    • 75 Roger Moore
    A flipped take on tween-to-teen romance that make it such a minor gem.
    • 83 Metascore
    • 75 Roger Moore
    It's rooting against grandma that drives this violent, hardhearted film, and waiting for the pride of lions she's created to devour her that gives Animal Kingdom its animal energy.
    • 85 Metascore
    • 75 Roger Moore
    There's a soap opera going on inside that tin can with a cannon.
    • 52 Metascore
    • 75 Roger Moore
    Sweet, sentimental, silly and star-studded, Nanny McPhee Returns is one of the best children's movies of the year.
    • 52 Metascore
    • 75 Roger Moore
    Aniston's work opposite the screen's premiere mild-mannered funnyman shows her at her most engaged and pitch perfect.

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