For 1,750 reviews, this critic has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 3.3 points lower than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 The Revenant
Lowest review score: 12 Creature
Score distribution:
1750 movie reviews
    • 81 Metascore
    • 88 Roger Moore
    Portman lets us feel the way her loss utterly empties life of meaning and purpose. But Chilean director Pablo Larrain (“The Club”) lets little John Jr. (Aiden and Brody Weinberg) provide the heart-wrenching release, just as he did back at that state funeral in 1963.
    • 99 Metascore
    • 88 Roger Moore
    Gay coming-of-age stories are common enough these days, but Moonlight finds a new perspective, a new setting and a compelling new filmmaking voice to tell that story. It’s one of the best pictures of the year.
    • 90 Metascore
    • 88 Roger Moore
    Grim, gruesome and glorious.
    • 91 Metascore
    • 88 Roger Moore
    Using archival footage, inventive animated recreations of incidents and chilling aerial smart-bomb views of air strikes as they happen, Moreh creates a simple yet elegantly damning film.
    • 81 Metascore
    • 88 Roger Moore
    Long, patient and chilling, it vividly captures a time in America and the feel of divided Berlin in the muted blues and greys that color our memories of that “duck and cover” age.
    • 83 Metascore
    • 88 Roger Moore
    This performance reminds us that Bridges is that rare actor who has never had to make that apology. Crazy Heart lets him be every bit as grand as we’d hope him to be.
    • 67 Metascore
    • 88 Roger Moore
    In the best picture of 2015, Carey Mulligan is the stoic, long-suffering sweatshop worker radicalized into action.
    • 78 Metascore
    • 88 Roger Moore
    Amanda Knox may not change anybody’s mind. But it should.
    • 63 Metascore
    • 88 Roger Moore
    Chemistry is king. It's one reason the rom-com has long seemed like the toughest code for Hollywood to crack. But never underestimate the power of snappy, rapid-fire banter, the paving stones of the Hollywood road to romance.
    • 61 Metascore
    • 88 Roger Moore
    Start to finish, it’s a delight.
    • 63 Metascore
    • 88 Roger Moore
    This winning film wins you over without manipulation, without guile and without ulterior motives. If you can’t feel good about humanity after this one, you can’t feel good.
    • 81 Metascore
    • 88 Roger Moore
    The Big Short becomes not just amusing and explanatory, a real tour de force for its fast-talking cast.
    • 76 Metascore
    • 88 Roger Moore
    A chilling detective tale, a horrific sexual abuse drama and an overlong, emotional, tie-up-every-loose-end melodrama that is sure to be half an hour shorter when Hollywood remakes it without the Swedish dialogue and probably without the cool Swedish edge.
    • 85 Metascore
    • 88 Roger Moore
    Michael B. Jordan (“Red Tails”) is never less than riveting as Oscar, and he has to be.
    • 74 Metascore
    • 88 Roger Moore
    Doueiri has brilliantly and simply put a compassionate human face on a part of the world where ethnicity still trumps education, class and achievement, where even the successful face, at best, second-class citizenship in their own country.
    • 77 Metascore
    • 88 Roger Moore
    It's an unblinking look into the lives of soldiers doing the most thankless job of all.
    • 61 Metascore
    • 88 Roger Moore
    Almost every shot is a postcard-perfect African vista, and every animal shown in majestic close-up.
    • 65 Metascore
    • 88 Roger Moore
    A most deserving Oscar winner and a film that could provoke discussion anywhere it is shown, anywhere people of any age are being bullied.
    • 72 Metascore
    • 88 Roger Moore
    This delightful and inspiring drama succeeds the way Hawking has, even as he fails to deliver that “one theory” that explains “everything.” It’s reaching beyond your grasp, in life, in science and in film biographies, that achieves greatness.
    • 76 Metascore
    • 88 Roger Moore
    The rawboned Hawkes manages both charm and menace in the same look, and Dancy gives his character a testy, fearful edge that doesn't make him scary, but rather someone we fear for.
    • 57 Metascore
    • 88 Roger Moore
    A true indie film roller-coaster ride, from moon-eyed romance to aching heartbreak, cerebral puzzle to incredibly moving, emotional resolution to that puzzle. In a season of the year where sci-fi is dumbed down and then dumbed some more for mass consumption, here’s a piece of speculative fiction that will stick with you long after the last Transformer’s battery has died.
    • 87 Metascore
    • 88 Roger Moore
    This solo ordeal won’t be to every taste, but All Is Lost is a grand vehicle for the actor and for that viewer ready to consider his or her own mortality, the problems, conflicts, strengths and shortcomings you’re sure you leave behind when you just sail away.
    • 96 Metascore
    • 88 Roger Moore
    Bullock and Clooney make their peril our peril in this absolutely gorgeous, moving and sometimes exultant reminder that the real terrors of space are scary enough, without invented bug-eyed monsters thrown in.
    • 62 Metascore
    • 88 Roger Moore
    The funniest kids’ cartoon of the summer.
    • 73 Metascore
    • 88 Roger Moore
    It does a poor job of showing the tragedy of Turing’s hidden life but a better job at making a bigger case — unconventional people make unconventional thinkers.
    • 76 Metascore
    • 88 Roger Moore
    It’s a pretty conventional “Lifetime Original Movie” sort of story. But co-writer/director Thomas Vinterberg (“Dear Wendy”) makes it work by building a sense of frustrating unease into it all.
    • 96 Metascore
    • 88 Roger Moore
    What Lonergan has created here is one of the cinema’s defining statements on the kind of grief that leaves you gutted, of wounds that will never heal. He’s got the guts to make us uncomfortable in scene after scene, and the courage to deny us “The Hollywood Ending.”
    • 74 Metascore
    • 88 Roger Moore
    Whatever its length and melodramatic third-act touches, Interstellar is a space opera truly deserving of that label, overreaching and thought-provoking, heart-tugging and pulse-pounding. It’s the sort of film that should send every other sci-fi filmmaker back to the drawing board, the way Stanley Kubrick did, a long time ago in a millennium far away.
    • 73 Metascore
    • 88 Roger Moore
    Hoffman is merely the first among equals in a stellar cast.
    • 81 Metascore
    • 88 Roger Moore
    Skyfall is far and away the best, and the most British of the Daniel Craig-James Bond movies.

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