For 1,797 reviews, this critic has graded:
  • 50% higher than the average critic
  • 3% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 3.5 points lower than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 Winter's Bone
Lowest review score: 12 Creature
Score distribution:
1797 movie reviews
    • 81 Metascore
    • 88 Roger Moore
    Skyfall is far and away the best, and the most British of the Daniel Craig-James Bond movies.
    • 65 Metascore
    • 88 Roger Moore
    It's a bleak yet optimistic film, and Ferrell perfectly underplays his Carver anti-hero and delivers a rich, layered and subtle performance. And a funny one.
    • 90 Metascore
    • 88 Roger Moore
    The disco decadence, the seedy era before Times Square became a theme park, the lowered expectations of an endless recession, everything that was then and is now makes up American Hustle. And that’s what makes this the best movie of this holiday season.
    • 74 Metascore
    • 88 Roger Moore
    For the Love of Spock is everything you’d hope for in a biography of one of the most universally beloved characters and character actors of all time.
    • tbd Metascore
    • 88 Roger Moore
    It’s visually lovely, and the performances are subtle, sunny and sympathetic. Camara lends a playful touch to Antonio’s Beatle-mania.
    • 68 Metascore
    • 88 Roger Moore
    Audacious, violent and disquieting, Rise of the Planet of the Apes is a summer sequel that's better than it has any right to be.
    • 71 Metascore
    • 88 Roger Moore
    Cassel's performance...the best reason to see this, one of the best French (In French with English subtitles) crime thrillers of the new millennium.
    • 82 Metascore
    • 88 Roger Moore
    It takes nothing away from The End of the Tour in labeling this Jason Segel/Jesse Eisenberg dramedy a “bromance.”
    • 72 Metascore
    • 88 Roger Moore
    Gibney uses interviews, fresh and archival, and a court deposition and reporters’ memories of long-exposure to Jobs for his evidence. And it’s damning, from the financial cheating to the lack of philanthropy to the arrogance that let him think he knew better than modern medicine how to treat his cancer.
    • 90 Metascore
    • 88 Roger Moore
    Strip away the French and Arabic subtitles, the French-prison setting and the Muslim-messianic title, and A Prophet, opening Friday at The Enzian, would still be the grittiest prison thriller in years.
    • 74 Metascore
    • 88 Roger Moore
    Skarsgard has carved out a wide niche for his varied and colorful acting career to inhabit. He’s stoic and unflinching here, a man on a mission.
    • 86 Metascore
    • 88 Roger Moore
    That humor is a the delicious underpinning to whatever melodrama happens as these five connect and clash. And that humor is what reassures us, even at its darkest moments, that no matter how things work out for the adults, these kids are going to be all right.
    • 77 Metascore
    • 88 Roger Moore
    Calvary is a compact and biting tale of a righteous man being tested by his faith, his peers and his predicament.
    • 74 Metascore
    • 88 Roger Moore
    It's the best heist picture since "Heat."
    • 92 Metascore
    • 88 Roger Moore
    Dazzling, scary and sentimental.
    • 84 Metascore
    • 88 Roger Moore
    An imaginative, scary and wonderfully rendered stop-motion fright.
    • 75 Metascore
    • 88 Roger Moore
    A fine and fun film tribute to the milieu, the men, women and machines in a sport that was never deadlier or more glamorous than its Disco Decade incarnation.
    • 95 Metascore
    • 88 Roger Moore
    Best of all is the man who stands front and center, thinking, smoking and expounding, off-the-cuff, about a subject he spent his career and life mulling over, fuming over and struggling to understand in depth.
    • 65 Metascore
    • 88 Roger Moore
    It was never going to be “Supercalifragilisticexpialidocious.” Reserve that honor for the film that inspired it. But Saving Mr. Banks is still one of the best pictures of the year.
    • 76 Metascore
    • 88 Roger Moore
    It’s an intimate, quiet and slow-paced romance, a simple, richly rewarding movie in the classic style of India’s greatest filmmaker, the late Satyajit Ray.
    • 81 Metascore
    • 88 Roger Moore
    A dialogue-free romp that is a shear delight, shear perfection, if not quite a master-fleece.
    • 76 Metascore
    • 88 Roger Moore
    Of all the scary guys Michael Shannon has ever played — sociopaths, murderers, hell, even General Zod in a Superman movie — none is more frightening that his character in 99 Homes.
    • 52 Metascore
    • 80 Roger Moore
    300
    A newfangled old-fashioned movie about glory, honor, sacrifice and a martial code that crosses into fascism, homoerotism and homophobia at the same time -- there are plenty of turn-off buttons in this one. But by Zeus, this is a ripping yarn, told with limb-rending gusto, an iconic ancient battle as seen by an iconic comic-book creator, Frank Miller.
    • 66 Metascore
    • 80 Roger Moore
    This Mission unfolds at a near dead-sprint -- frenetic editing, whiplash camera pans, all hiding an intentionally under-explained plot and generic action beats that will be familiar to anyone who has ever seen a ticking-clock thriller. But if Mission: Impossible 3 is the first pitch of the popcorn-movie season, just two words come to mind -- butter up. [5 May 2006, p.8]
    • Orlando Sentinel
    • 58 Metascore
    • 80 Roger Moore
    The direction, by Marc Forster (Monster's Ball, Finding Neverland), is breathless, with lovely grace notes — he uses silences to end his action beats. And if this incarnation of Bond still doesn't inspire affection, he does command respect, awe, a sense that a real man is risking life and limb for queen and crown.
    • 70 Metascore
    • 75 Roger Moore
    It’s also overlong and sentimental. But it’s a vivid, warm and amusing portrait of a real man, someone whose life began in darkness, experienced the light of a great love and has collapsed into a pit of self-pity.
    • 81 Metascore
    • 75 Roger Moore
    Locke will hold your interest as it presents a side of the burly, bluff “Dark Knight” villain we have never seen before on screen.
    • 58 Metascore
    • 75 Roger Moore
    It’s engrossing, violent, frightening and funny in the ways it captures the way kids speak with no adults around, and the way kids act when society’s rules take a back seat in time of war.
    • 74 Metascore
    • 75 Roger Moore
    Satire, parody, racist skewerings of racism, sacred cows slaughtered, silly slides down the slippery slope into Anti-Semitism. And breasts. Lots and lots of breasts!
    • 64 Metascore
    • 75 Roger Moore
    Even if it is too brief and leaves too much out to be “definitive,” it serves up heaping helpings of Mifune’s film work and bits of home movies and the like to create a fascinating man-behind the stoic face/samurai icon below-the-topknot portrait of Mifune.

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