For 411 reviews, this critic has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 0.1 points higher than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
Average review score: 59
Highest review score: 100 The Guard
Lowest review score: 12 Creature
Score distribution:
411 movie reviews
    • 52 Metascore
    • 50 Roger Moore
    3D or not, the film about the mop-topped Canadian - who turns 17 March 1 - doesn't let us get very close to "the talent."
    • 56 Metascore
    • 50 Roger Moore
    It's a solid, engrossing thriller, but a slack one.
    • 75 Metascore
    • 50 Roger Moore
    Fitfully amusing or not, the whole demented enterprise of Rango comes into question when you're that tone-deaf about what's appropriate for children.
    • 50 Metascore
    • 50 Roger Moore
    Disney's Prom is to real high school what "High School Musical" was to "West Side Story" – all fluff, no edge.
    • 52 Metascore
    • 50 Roger Moore
    Whatever romance and charm Gruen summoned forth from these rough and tumble show people living by their own laws in a traveling, self-contained world of poverty and cruelty, director Francis Lawrence has hacked and ground them off.
    • 37 Metascore
    • 50 Roger Moore
    It's a film of noble sacrifice and "good deaths" but surprisingly few chuckles.
    • 31 Metascore
    • 50 Roger Moore
    It's meant to be faintly Pythonesque with a hint of bowdlerized "The Black Adder"...But it's entirely too slow of foot for that comparison to pay off.
    • 45 Metascore
    • 50 Roger Moore
    Repetitious, tedious, and pretty much joyless.
    • 44 Metascore
    • 50 Roger Moore
    Has a "been there, done that, jailed for it" feel.
    • 64 Metascore
    • 50 Roger Moore
    The laughs - Doug tries to take up the pipe, a la Sherlock Holmes - are on the flat side.
    • 55 Metascore
    • 50 Roger Moore
    Manages to deliver a striking, nicely detailed, visceral thriller built on a corny, old-fashioned script.
    • 30 Metascore
    • 50 Roger Moore
    The slapstick is very small-kid friendly and even the most adult-friendly jokes are pretty mild stuff.
    • 51 Metascore
    • 50 Roger Moore
    It just takes a very long time to get going. Apparently seventh grade doesn't pack as much potential for amusing, scarred-for-life trauma as sixth grade.
    • 53 Metascore
    • 50 Roger Moore
    Precious, protracted and pleasant enough.
    • 47 Metascore
    • 50 Roger Moore
    Bad Teacher is a pulled punch, a pot-smoking/kid cussing/teacher copulating farce that is less than the sum of its parts.
    • 30 Metascore
    • 50 Roger Moore
    James takes his comic lumps like a man. His Griffin suffers injuries and indignities and lets us laugh at him as he does. No matter where the script wanders and where the direction founders, at some point, James' comic instincts take over. And this time, they don't let him down.
    • 39 Metascore
    • 50 Roger Moore
    The trouble with The Change-Up is that it doesn't change-up enough of the formula to render this new.
    • 36 Metascore
    • 50 Roger Moore
    Take away much of the myth, most of the sorcery and all of the humor of the 1982 John Milius-Arnold Schwarzenegger version of the sword and sorcery epic "Conan the Barbarian" and you've got an idea what the new "Conan" is like.
    • 50 Metascore
    • 50 Roger Moore
    A clever and adorable original film remade with most of the charm wrung out of it.
    • 59 Metascore
    • 50 Roger Moore
    This Paranormal doesn't tamper with the formula that worked in the first two films. It lacks the "money" moments that those films delivered and ends with a finale that is downright conventional. "Paranormal" reveals itself for what it has become, the "Saw" of found video thrillers.
    • 70 Metascore
    • 50 Roger Moore
    It's as disquieting as it is unsatisfying, a slog through gender issues, surgery and violence - sexual and otherwise.
    • 56 Metascore
    • 50 Roger Moore
    Jackman gamely does his best, Levy keeps the kid just shy of insufferable and just this side of kid-appropriate in his behavior and language.
    • 25 Metascore
    • 50 Roger Moore
    Abduction puts Lautner in motion and never goes very far wrong as long as he remains in motion.
    • 50 Metascore
    • 50 Roger Moore
    Take "Kick-Ass." Strip it of most of its wit and charm, amp up the violence, the sadism. Make it more crude and coarse and gory. And what you're left with is Super.
    • 20 Metascore
    • 50 Roger Moore
    The script is a mad, muddled blitz of one-liners and movie references. Some of the animation is a hoot, and a few voice actors stand out.
    • 37 Metascore
    • 50 Roger Moore
    A mild-mannered kids' comedy that makes for a pleasant-enough time killer.
    • 48 Metascore
    • 50 Roger Moore
    This episodic romance works in fits and starts, and captures a bittersweet faux British turn by Anne Hathaway, plainly mismatched in being paired with real-life Brit Jim Sturgess.
    • 38 Metascore
    • 50 Roger Moore
    She (Parker) looks exhausted, first scene to last, and that fatigue spills off the screen onto us.
    • 64 Metascore
    • 50 Roger Moore
    Once you get past the cliched Spanglish dialogue and the sentimental tone of the early acts, A Better Life settles down into something both involving and moving.
    • 72 Metascore
    • 50 Roger Moore
    It's a movie of thematic dead-ends. Director Azazel Jacobs and writer Patrick DeWitt give us a slow SLOW and somewhat morose tale that isn't remotely funny or profound enough to sustain that pace and tone.