For 922 reviews, this critic has graded:
  • 57% higher than the average critic
  • 2% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 0.1 points lower than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 The Guard
Lowest review score: 12 Creature
Score distribution:
922 movie reviews
    • 66 Metascore
    • 75 Roger Moore
    It’s a comedy of sight gags, zingers and awkward pauses — lots of those. Sentimental at times, yes. But funny. Always.
    • 59 Metascore
    • 75 Roger Moore
    Things drag, here and there. But kids will dig the slapstick, the talking dog and giggle at what flies out of the Sphinx’s butt, or drops from the rear-end of the Trojan Horse. Adults will be tickled at the usual Dreamworks parade of one-liners, running gags and puns, and feel a little sentimental.
    • 57 Metascore
    • 75 Roger Moore
    The film is full of sharp observations about academic contests today, with Tiger Moms and tough-love Dads browbeating the kids from the wings. The ending is kind of a tap-out, but Bateman keeps this clipping along, maintaining the mean streak and potty mouth that makes Bad Words the dirtiest and funniest comedy of the new year.
    • 73 Metascore
    • 75 Roger Moore
    Goldblum is always best at being Jeff Goldblum, and his oily/silky charm tends to unbalance the neat, brittle little tragedy we’re watching.
    • 63 Metascore
    • 75 Roger Moore
    Pitt and Arianda utterly inhabit these dolts and their delusional dreams. They’re careless and clumsy, never thinking things through, never seriously considering the inevitable consequences of what happens when you poke the bull.
    • 61 Metascore
    • 75 Roger Moore
    Funnier than the last Muppets movie, with far better songs (by Bret McKenzie), punnier puns and all manner of geo-political gags, cultural wisecracks and star cameos.
    • 51 Metascore
    • 75 Roger Moore
    Like "42," Cesar Chavez lacks the budget to feel truly epic in scope. The violence is scattered, shocking and personal, the struggles within the union muted but the outrage — is palpable.
    • 68 Metascore
    • 75 Roger Moore
    It isn’t “The Ten Commandments” and Crowe is no Charlton Heston. But Noah makes Biblical myth grand in scope and intimate in appeal. The purists can always go argue over “God Isn’t Dead.” The rest of creation can appreciate this rousing good yarn, told with blood and guts and brawn and beauty, with just a hint of madness to the whole enterprise.
    • 79 Metascore
    • 75 Roger Moore
    A mesmerizing movie, a history lesson about the pre-blockbuster era in science fiction movies.
    • 55 Metascore
    • 75 Roger Moore
    Writer-director Richard Shepard did “”The Matador” and “The Hunting Party”, and he surrounds Law’s lunatic Dom with assorted underworld figures who have mellowed where Dom did not.
    • 73 Metascore
    • 75 Roger Moore
    Berninger is hero and villain of this comic essay in ineptitude masquerading as a rock band on tour doc.
    • 78 Metascore
    • 75 Roger Moore
    Under the Skin isn’t conventional, thrilling or particularly satisfying in a sci-fi aliens-are-hunting-us sense. But it manages something far more sinister and fascinating. It gets under your skin and imprints on your memory.
    • 68 Metascore
    • 75 Roger Moore
    It’s gorgeous, intimate and beautifully photographed. And it’s cute and kid-friendly, with just enough jokes to balance the drama that comes from any film that flirts with how dangerous and unforgiving The Wild actually is.
    • 77 Metascore
    • 75 Roger Moore
    Blue Ruin joins “Shotgun Stories” and “Joe” as vivid reminders that however homogenized American culture seems, there are still pockets that are distinct, with people who live by their own rules and their own bloody code.
    • 66 Metascore
    • 75 Roger Moore
    Director Omid Nooshin gives this story harrowing touches largely through arresting camera angles and aggressive editing. He ensures that “Last Passenger” features a couple of jaw-dropping moments even as it traverse familiar ground.
    • 62 Metascore
    • 75 Roger Moore
    Writer-director Lucia Puenzo, adapting her own historical novel, concocts a disquieting and chilling thriller out of what might be a lost chapter in the infamous career of Nazi Doctor Joseph Mengele.
    • 81 Metascore
    • 75 Roger Moore
    Locke will hold your interest as it presents a side of the burly, bluff “Dark Knight” villain we have never seen before on screen.
    • 56 Metascore
    • 75 Roger Moore
    The film tells Annie Parker’s story with heart and wit, and finds a few funny insights into the stubborn, brusque woman, Dr. Mary-Claire King, whose lonely quest to find proof would bear fruit.
    • 77 Metascore
    • 75 Roger Moore
    The lack of urgency may bore those unused to Jarmusch’s style and pacing. But his languor is his calling card. The deliberate pacing makes the offhand jokes and dry observations seem funnier than they are, at least in this case. This borders on being “cute.” And dull.
    • 56 Metascore
    • 75 Roger Moore
    James McAvoy wallows in it in his new film, Filth. He embraces the sexual depravity, the drug and alcohol abuse, the bullying, vile language, racism and rank sexism of being a Scottish cop on the loose.
    • 68 Metascore
    • 75 Roger Moore
    Chef is Favreau’s most personal film since “Swingers,” an overlong comedy full of his food, his taste in music, his favorite places and a boatload of his favorite actors.
    • 45 Metascore
    • 75 Roger Moore
    Robert Duvall may be 83, but he’s still up to playing a real Texas hell raiser on the screen. He can hold his own with bad hombres.
    • 74 Metascore
    • 75 Roger Moore
    Days of Future Past is most everything we’d hoped the summer’s earlier popcorn pictures would be, most of all — fun.
    • 87 Metascore
    • 75 Roger Moore
    A scruffy, anarchic picture that gets better as it stumbles along.
    • 72 Metascore
    • 75 Roger Moore
    It’s almost a hagiography, and Vidal would have demanded no less.
    • 66 Metascore
    • 75 Roger Moore
    Borgman is a chilling, cryptic film that commands your attention even as its writer-director devotes much of his attention to keeping you from figuring it out.
    • 73 Metascore
    • 75 Roger Moore
    It’s the best Almodovar movie Almodovar never made, a riotous, gory farce that might be the funniest movie of the summer, and surely is the coolest.
    • 63 Metascore
    • 75 Roger Moore
    An engaging take on a drifting character at an age when we’re all adrift.
    • 71 Metascore
    • 75 Roger Moore
    This comedy produces the biggest, loudest laughs of any movie this summer.
    • 64 Metascore
    • 75 Roger Moore
    As violent and primal as “Animal Kingdom,” but not as brisk. The film grinds to a halt in between confrontations. And those shoot-outs are simple, direct and bloody, not “staged” in the Hollywood sense.