For 1,168 reviews, this critic has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 0.5 points lower than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 The Guard
Lowest review score: 12 Creature
Score distribution:
1,168 movie reviews
    • 63 Metascore
    • 75 Roger Moore
    The first 25 minutes or so of this “Contagion” meets “28 Days Later” thriller will leave you breathless. And the rest of it serves up novel and often entertaining solutions to the various “zombie problems” that this over-exposed genre presents.
    • 76 Metascore
    • 75 Roger Moore
    This compelling-acted film explains, better than any soundbite, why people have taken to the streets, "occupying" centers of finance. If their rage is unfocused, Margin Call suggests, that's with good reason. There are no real heroes or villains here, just human beings with human failings making BIG human mistakes.
    • 65 Metascore
    • 75 Roger Moore
    Branagh and Williams are worth the price of admission, the former "wunderkind" of British stage and screen having a go at the pretentious, plummy Olivier.
    • 72 Metascore
    • 75 Roger Moore
    Cooper, to his credit, rarely flinches, never chest-thumps and never loses his cool, even when Kyle is starting to lose his. It’s a masterful interpretation of a man with a lot more on his mind and blood on his hands than he was ever inclined to let on. And it’s a performance worthy of Eastwood himself — 50 years ago.
    • 44 Metascore
    • 75 Roger Moore
    The cast, plainly packed with second or third choices, lets it down. Is there anything in James Franco’s past that suggests larger-than-life, a fast-talking, womanizing con-man? And the three witches – Theodora, Evanora and Glinda – are Bland, Blander and Blond Bland.
    • 47 Metascore
    • 75 Roger Moore
    Restless is far more precious than profound. But that takes little away from this soulful teenage exploration of love, life and death.
    • 62 Metascore
    • 75 Roger Moore
    The leads are charmingly mismatched, but adorable enough to root for, as a couple. Forestier is a wildly uninhibited actress, sexy as all get out. She makes this girl dangerous, seemingly capable of anything.
    • 76 Metascore
    • 75 Roger Moore
    Rene Russo is spot-on as Nina, an aging TV news director who is the only person Bloom will sell his footage to.
    • 54 Metascore
    • 75 Roger Moore
    It’s a charming, whimsical and ever-so-slight film, a bit of an over-reach but pleasant enough, even when it falls short.
    • 60 Metascore
    • 75 Roger Moore
    Beneath all the melodrama, beyond the fine performances, what sets At Any Price apart is the depiction of farming as it is today, the salesmanship, the traditions and ideals abandoned for greater profits and easier work and the ruthless world these patented “high yield” seeds have made.
    • 64 Metascore
    • 75 Roger Moore
    It’s a blunt instrument of a movie, and often melodramatic. But it sometimes moves and often hits its target square on the nose.
    • 68 Metascore
    • 75 Roger Moore
    Chef is Favreau’s most personal film since “Swingers,” an overlong comedy full of his food, his taste in music, his favorite places and a boatload of his favorite actors.
    • 72 Metascore
    • 75 Roger Moore
    This is dizzy diverting fun, from it's first Carell one-liner to the 3D gimmick gags stuffed into the closing credits.
    • 67 Metascore
    • 75 Roger Moore
    An often hilarious/generally irreverent comedy.
    • 70 Metascore
    • 75 Roger Moore
    Happy Christmas, which is set around Christmas, shares several plot and thematic points with “Neighbors,” but without the aggression or belly laughs.
    • 65 Metascore
    • 75 Roger Moore
    It is a well-acted and vivid re-creation of a dark, downbeat era when "girls don't play electric guitar," and you had to be someone pretty tough and pretty special to try it.
    • 75 Metascore
    • 75 Roger Moore
    Leonardo DiCaprio’s most charismatic performance ever anchors Martin Scorsese’s robust and raunchy lowlifes-of-high-finance comedy The Wolf of Wall Street.
    • 68 Metascore
    • 75 Roger Moore
    The serene and forlorn snowscapes echo the Coen Brothers’ greatest movie, and the story evolves from quest to odyssey as Kumiko clings to her delusion and we start to wonder if maybe this loon isn’t onto something, that maybe the Coens WERE trying to tell us something. And only Kumiko and the Zellners figured that out.
    • 60 Metascore
    • 75 Roger Moore
    An often moving and always disturbing film. Little is explained, motivations aren't explored. We miss them, at times. It's still a film of power, wit and thought-provoking ideas, one well worth seeing.
    • 42 Metascore
    • 75 Roger Moore
    This is more “Something Mild” than “Something Wild.” But Firth and Blunt handle their characters’ many revelations with care and play with layers of hurt and disappointment with great sympathy and pathos.
    • 66 Metascore
    • 75 Roger Moore
    Best taken as the perfect film to transition your kids from animation to live action fare – short, sweet, and educational.
    • 65 Metascore
    • 75 Roger Moore
    The fact that Serena, ranked number one again this year — the oldest woman (31) ever so ranked — means that their story isn’t over, and that if a skeptic wants to finally appreciate their historic impact on the game, he or she still has time to come around.
    • 59 Metascore
    • 75 Roger Moore
    Kazan, as she proved in “Ruby Sparks,” has a whimsical, quirky girl-next-door appeal. Radcliffe, wearing post-Harry Potter stubble and delivering toothy, jaw-jutting grins, makes it easy for us to believe he cannot get her out of his head.
    • 52 Metascore
    • 75 Roger Moore
    For all its stunning and stark wilderness settings (Spain and the Canary Islands), its stunning effects, technical proficiency and scriptural cleverness, Exodus is a chilly affair... It’s still an exciting, entertaining epic.
    • 53 Metascore
    • 75 Roger Moore
    Wonderland is equal parts Lewis Carroll and Grace Slick. It’s inspired by Carroll’s "Alice in Wonderland" and "Through the Looking Glass," but also, apparently, by Slick’s psychedelic ‘60s anthem, “White Rabbit.” It’s a trip, man.
    • 60 Metascore
    • 75 Roger Moore
    We’re reminded not just of sacrifice, but of those to whom service is a genuine calling and what that bandied-about word “hero” really means.
    • 57 Metascore
    • 75 Roger Moore
    It's not the smoothest thriller. But All Good Things is thoroughly engrossing, a roman a clef that chillingly ponders a puzzle and suggests solutions outlandish enough to be stranger than anything Hollywood, on its own, could make up.
    • 79 Metascore
    • 75 Roger Moore
    A mesmerizing movie, a history lesson about the pre-blockbuster era in science fiction movies.
    • 55 Metascore
    • 75 Roger Moore
    Writer-director Richard Shepard did “”The Matador” and “The Hunting Party”, and he surrounds Law’s lunatic Dom with assorted underworld figures who have mellowed where Dom did not.
    • 59 Metascore
    • 75 Roger Moore
    Roberta Grossman’s cute documentary gives weight to the tune, tracing its lineage to a town – Sadagora, in the Ukraine – and the 19th century. It bubbled to life as a “Nigun,” a wordless hymn or prayer, more hummed than sung.

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