For 411 reviews, this critic has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 0.1 points higher than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
Average review score: 59
Highest review score: 100 The Guard
Lowest review score: 12 Creature
Score distribution:
411 movie reviews
    • 59 Metascore
    • 75 Roger Moore
    A first-rate one-woman-against-the-system drama.
    • 62 Metascore
    • 75 Roger Moore
    The leads are charmingly mismatched, but adorable enough to root for, as a couple. Forestier is a wildly uninhibited actress, sexy as all get out. She makes this girl dangerous, seemingly capable of anything.
    • 75 Metascore
    • 75 Roger Moore
    A brisk blast of bloody good fun, sci-fi with a little social commentary as subtext. Attack the Block is the movie that "Battle: Los Angeles" was not - thrilling, nerve-wracking and fun.
    • 79 Metascore
    • 75 Roger Moore
    Senna himself gives it its heart. I just wish I'd gotten a better handle on who he was before the film's checkered flag falls.
    • 64 Metascore
    • 75 Roger Moore
    It's a plucky film that covers a lot of ground and uncovers this wonderful, ancient ritual that people of many faiths and from all walks of life take on.
    • 72 Metascore
    • 75 Roger Moore
    Rarely has a movie been so sexual without being remotely sexy. Rarely has a guy who might be admired in a sex comedy as a "playa" seemed more pathetic with each fresh conquest.
    • 56 Metascore
    • 75 Roger Moore
    A daft pitch-black dark comedy about family dysfunction that plays out over painfully ugly family Christmas celebration.
    • 63 Metascore
    • 63 Roger Moore
    It’s not bad, but as Scorsese, America’s greatest living filmmaker and film history buff should know, even Hitchcock came up short on occasion.
    • 43 Metascore
    • 63 Roger Moore
    The matter-of-fact way everybody involved faces this supernatural horror drains most of the chills right out of it.
    • 65 Metascore
    • 63 Roger Moore
    It’s filmic fool’s gold, as every scene that doesn’t sparkle is just dirt -- dank, gritty visuals, murky plotting and very bad line-readings from Troyer (Mini-Me from the Austin Powers movies).
    • 42 Metascore
    • 63 Roger Moore
    Though properly chilling when it’s supposed to be, it’s a film whose effects, script and performances keep it at arm’s length when it is supposed to be moving.
    • 63 Metascore
    • 63 Roger Moore
    Equal parts inspired and irresponsible, the new film from Miguel Arteta (director of the cult hit 'Chuck and Buck') turns C.D. Payne's books into a hit-or-miss homage to that French classic of outlaw love, 'Breathless.'
    • 51 Metascore
    • 63 Roger Moore
    The new Funeral, directed by social commentator-director Neil LaBute ("Lakeview Terrace") doesn’t improve on the original, which wasn’t exactly a classic despite its classic structure.
    • 62 Metascore
    • 63 Roger Moore
    The title’s a trite metaphor and the surprises are thin. But the sleepy scenery and charming performances – Stewart escapes her vampires and reminds everyone what the fuss used to be about – keep The Yellow Handkerchief from blowing it.
    • 63 Metascore
    • 63 Roger Moore
    A sloppy, raucous, time travel farce in the grown-men-gone-wild "Hangover" style, it’s a surprisingly satisfying, if not exactly LMAO, riot.
    • 74 Metascore
    • 63 Roger Moore
    Dreamworks hired the directors of "Lilo & Stitch" to turn Cressida Cowell’s romp of a novel into an animated film and can’t be too surprised that they made, in essence, "Hiccup and Stitch."
    • 39 Metascore
    • 63 Roger Moore
    For all the impressive (but not dazzling) effects, the scattered jokes and stentorian acting (especially from the Olympians), there’s not much here that will stick with you after the popcorn’s gone. But as any ancient Greek could tell you, that’s sort of the point.
    • 58 Metascore
    • 63 Roger Moore
    The Twilight Saga comes close to that sweet spot between swooning silliness and special effects slaughter with Eclipse.
    • 50 Metascore
    • 63 Roger Moore
    Eat Pray Love isn't a bad movie -- just a spiritually dead one, wearing and wearying.
    • 46 Metascore
    • 63 Roger Moore
    The story is kind of all over the place, scatterbrained without being madcap (This one feels tinkered with, reshoots, re-edits.).
    • 47 Metascore
    • 63 Roger Moore
    The players embrace this for the lark it is. Their pleasure in going this gonzo spills off the screen.
    • 62 Metascore
    • 63 Roger Moore
    An intricate and daft tale of love, family and revenge.
    • 50 Metascore
    • 63 Roger Moore
    A ditzy film that offers more evidence that good actors, good action and one-liners don’t solve the one thing missing in every movie video game adaptation – a story that makes sense.
    • 56 Metascore
    • 63 Roger Moore
    Fey flirts and Carell kvetches, Walhberg goes shirtless and Liotta eats Italian. No surprises there. What really clicks is the couple at the core.
    • 44 Metascore
    • 63 Roger Moore
    The movie is a stupid, over-the-top comic-booky action picture with the occasional cheesy effect, oddball casting and an utterly predictable get-that-guy-before-he-gets-us plot, but Evans and a couple of his mates make it passable entertainment.
    • 77 Metascore
    • 63 Roger Moore
    It’s not one of Polanski’s masterpieces, but The Ghost Writer doesn’t dilute his reputation as a master of suspense.
    • 66 Metascore
    • 63 Roger Moore
    City Island is a light “family” romance that goes about as far as its novel location -- an island neighborhood tucked in the middle of New York City -- and a good cast can carry it.
    • 63 Metascore
    • 63 Roger Moore
    Director Thomas Balmes and his editors find moments of humor in “discoveries” or the unfettered urinating of a baby brought up without diapers.
    • 60 Metascore
    • 63 Roger Moore
    This "Inception" meets "Made in Heaven" by way of "They Live" is also the screwiest movie Matt Damon has been in since, what, "Dogma?"
    • 59 Metascore
    • 63 Roger Moore
    It's almost kitschy - the way Stone injects himself into a couple of scenes, an eccentric Eli Wallach cameo, the inclusion of a Charlie Sheen moment that flat out winks at the audience.