For 478 reviews, this critic has graded:
  • 55% higher than the average critic
  • 6% same as the average critic
  • 39% lower than the average critic
On average, this critic grades 1.2 points lower than other critics. (0-100 point scale)

Ronnie Scheib's Scores

  • Movies
Average review score: 58
Highest review score: 100 Let the Fire Burn
Lowest review score: 10 The Reunion
Score distribution:
  1. Negative: 35 out of 478
478 movie reviews
    • 49 Metascore
    • 50 Ronnie Scheib
    Proves a welcome addition to the growing body of films on Iraq, but ultimately promises more than it delivers.
    • 50 Metascore
    • 50 Ronnie Scheib
    Generates enough mild humor to keep the spoof rolling, but lacks the commitment and scope.
    • tbd Metascore
    • 50 Ronnie Scheib
    Boasts dazzling hockey action, but its off-ice piousness makes for tough sledding for non-Canucks.
    • 62 Metascore
    • 50 Ronnie Scheib
    Aggressively upbeat docu, helmed by two males ill-equipped to bring any distance to the camp's pervasive feel-good feminism, tends to relentlessly reiterate points better served by example.
    • 40 Metascore
    • 50 Ronnie Scheib
    The overly simplistic script by Zac Stanford (“The Chumscrubber”) hits nothing but high notes, making the whole dramatically less than the sum of its parts.
    • 52 Metascore
    • 50 Ronnie Scheib
    A convoluted bilingual thriller about a kidnapping in Colombia, Towards Darkness may be too clever for its own good. Frosh director Antonio Negret intertwines so many disparate characters, each with a flashback-studded backstory, that after a while the exhausted viewer, assaulted by sudden time-jumps, agitated handheld camerawork and tediously protracted suspense, ceases to care.
    • 43 Metascore
    • 50 Ronnie Scheib
    Beyond its cool, reflective surfaces and infinite plays with perspective lies nothing -- character, relationships, motives all seemingly irrelevant. Even Willem Dafoe as a haunted cop cannot ground these artfully grisly optical illusions, unconnected to any comprehensible storyline.
    • 55 Metascore
    • 50 Ronnie Scheib
    With Swaziland providing this mother lode of material, helmer Michael Skolnik extracts only the most pedestrian of films.
    • 51 Metascore
    • 50 Ronnie Scheib
    Although it avoids overt moralizing or clunky lesson-learning, pic's careful balancing act between tragedy and comedy eventually becomes its sole raison d'etre.
    • tbd Metascore
    • 50 Ronnie Scheib
    Shiota piles tons of symbolic baggage on his pint-size protagonists, who luckily rise to the challenge.
    • 40 Metascore
    • 50 Ronnie Scheib
    Wide-ranging educational documentary attaches itself to the rise and fall of a 12-year-old fashion model, and indeed, its sincere, cautionary tone seems best suited to younger auds and small screen exposure.
    • 56 Metascore
    • 50 Ronnie Scheib
    Filmmakers underline the immediate relevance of their conclusion: In matters of war and peace, who we elect president is crucial.
    • 46 Metascore
    • 50 Ronnie Scheib
    Once Choose Connor ventures into the larger political arena, it begins to work against itself.
    • 59 Metascore
    • 50 Ronnie Scheib
    Meandering mindlessly, Wizards comes off as yet another humdrum Pottery artifact.
    • 31 Metascore
    • 50 Ronnie Scheib
    That Blitstein pulls off this tiredly self-reflexive conceit with relative panache is due in no small part to the scruffy grace of leads Justin Rice ("Mutual Appreciation") and indie fixture Brendon Sexton III.
    • 34 Metascore
    • 50 Ronnie Scheib
    Lacks seismic guffaws but elicits many mild smiles.
    • 32 Metascore
    • 50 Ronnie Scheib
    Luke Meyer and Andrew Neel's New World Order is less about an international cabal seeking world enslavement than about those who fervently believe such conspiracies exist and who crusade to defeat them.
    • 42 Metascore
    • 50 Ronnie Scheib
    Ultimately, nothing can save this pic from the warm fuzzies.
    • 45 Metascore
    • 50 Ronnie Scheib
    This far-fetched, deliberately artificial game of musical chairs -- in which mismatched characters encircle, attract and repel each other -- feels forced, often losing itself in excess verbiage.
    • 60 Metascore
    • 50 Ronnie Scheib
    The filmmakers' metaphor of the housing market as a casino, with hard-working people's homes used as chips, although apt, may lack the visual and visceral excitement.
    • 45 Metascore
    • 50 Ronnie Scheib
    Picture touchingly conveys the everyday closeness of the Rashevskis, who are wont to tango their troubles away, but spiritual upheavals and tonal shifts feel artificial and strained.
    • 49 Metascore
    • 50 Ronnie Scheib
    A radiant perf by Annie Parisse and a virtuoso turn by Eli Wallach are insufficient to lift this male intergenerational angst-fest out of the ghetto.
    • 50 Metascore
    • 50 Ronnie Scheib
    The bros are built, and "Hand," with its gorgeous shots of mist-shrouded woods and sun-burnished hay, plus a brief but rapturous foray into gay sex, may attract queer auds.
    • 16 Metascore
    • 50 Ronnie Scheib
    Kalmbach’s laid-back approach proves more likable than revelatory.
    • 35 Metascore
    • 50 Ronnie Scheib
    Simultaneously insightful and idiotic.
    • 34 Metascore
    • 50 Ronnie Scheib
    Amiable but uneven.
    • 43 Metascore
    • 50 Ronnie Scheib
    A startling wake-up call about appalling conditions prevailing in American schools, The War on Kids contradicts popular wisdom.
    • 40 Metascore
    • 50 Ronnie Scheib
    It is the presence of Duncan as a Mike Tyson-esque, malaprop-spouting ex-champion that, at least momentarily, lifts the pic out of its mediocrity.
    • 56 Metascore
    • 50 Ronnie Scheib
    Israeli helmer Dror Sahavi's well-meaning but simplistic terrorist melodrama, gingerly counterbalancing religious fanatics on either side of the Israeli-Palestinian divide, utilizes a lyrical "Romeo and Juliet"-type encounter between a reluctant suicide bomber and a Jewish escapee from Orthodox closed-mindedness to plead mutual tolerance.