For 466 reviews, this critic has graded:
  • 54% higher than the average critic
  • 6% same as the average critic
  • 40% lower than the average critic
On average, this critic grades 1.3 points lower than other critics. (0-100 point scale)

Ronnie Scheib's Scores

  • Movies
Average review score: 58
Highest review score: 100 Sweet Land
Lowest review score: 10 Fading of the Cries
Score distribution:
  1. Negative: 34 out of 466
466 movie reviews
    • 40 Metascore
    • 50 Ronnie Scheib
    Wide-ranging educational documentary attaches itself to the rise and fall of a 12-year-old fashion model, and indeed, its sincere, cautionary tone seems best suited to younger auds and small screen exposure.
    • 56 Metascore
    • 50 Ronnie Scheib
    Filmmakers underline the immediate relevance of their conclusion: In matters of war and peace, who we elect president is crucial.
    • 46 Metascore
    • 50 Ronnie Scheib
    Once Choose Connor ventures into the larger political arena, it begins to work against itself.
    • 59 Metascore
    • 50 Ronnie Scheib
    Meandering mindlessly, Wizards comes off as yet another humdrum Pottery artifact.
    • 31 Metascore
    • 50 Ronnie Scheib
    That Blitstein pulls off this tiredly self-reflexive conceit with relative panache is due in no small part to the scruffy grace of leads Justin Rice ("Mutual Appreciation") and indie fixture Brendon Sexton III.
    • 34 Metascore
    • 50 Ronnie Scheib
    Lacks seismic guffaws but elicits many mild smiles.
    • 32 Metascore
    • 50 Ronnie Scheib
    Luke Meyer and Andrew Neel's New World Order is less about an international cabal seeking world enslavement than about those who fervently believe such conspiracies exist and who crusade to defeat them.
    • 42 Metascore
    • 50 Ronnie Scheib
    Ultimately, nothing can save this pic from the warm fuzzies.
    • 45 Metascore
    • 50 Ronnie Scheib
    This far-fetched, deliberately artificial game of musical chairs -- in which mismatched characters encircle, attract and repel each other -- feels forced, often losing itself in excess verbiage.
    • 60 Metascore
    • 50 Ronnie Scheib
    The filmmakers' metaphor of the housing market as a casino, with hard-working people's homes used as chips, although apt, may lack the visual and visceral excitement.
    • 45 Metascore
    • 50 Ronnie Scheib
    Picture touchingly conveys the everyday closeness of the Rashevskis, who are wont to tango their troubles away, but spiritual upheavals and tonal shifts feel artificial and strained.
    • 49 Metascore
    • 50 Ronnie Scheib
    A radiant perf by Annie Parisse and a virtuoso turn by Eli Wallach are insufficient to lift this male intergenerational angst-fest out of the ghetto.
    • 50 Metascore
    • 50 Ronnie Scheib
    The bros are built, and "Hand," with its gorgeous shots of mist-shrouded woods and sun-burnished hay, plus a brief but rapturous foray into gay sex, may attract queer auds.
    • 16 Metascore
    • 50 Ronnie Scheib
    Kalmbach’s laid-back approach proves more likable than revelatory.
    • 35 Metascore
    • 50 Ronnie Scheib
    Simultaneously insightful and idiotic.
    • 34 Metascore
    • 50 Ronnie Scheib
    Amiable but uneven.
    • 43 Metascore
    • 50 Ronnie Scheib
    A startling wake-up call about appalling conditions prevailing in American schools, The War on Kids contradicts popular wisdom.
    • 40 Metascore
    • 50 Ronnie Scheib
    It is the presence of Duncan as a Mike Tyson-esque, malaprop-spouting ex-champion that, at least momentarily, lifts the pic out of its mediocrity.
    • 56 Metascore
    • 50 Ronnie Scheib
    Israeli helmer Dror Sahavi's well-meaning but simplistic terrorist melodrama, gingerly counterbalancing religious fanatics on either side of the Israeli-Palestinian divide, utilizes a lyrical "Romeo and Juliet"-type encounter between a reluctant suicide bomber and a Jewish escapee from Orthodox closed-mindedness to plead mutual tolerance.
    • 47 Metascore
    • 50 Ronnie Scheib
    Dancing Across Borders, Anne Bass' uneven docu debut, traces the fortunes of Cambodian ballet dancer Sokvannara "Sy" Sar from the time Bass first discovered him performing traditional temple dances at Angkor Wat to his conquests on the world stage.
    • 56 Metascore
    • 50 Ronnie Scheib
    Happily, "Upwards" picks up immeasurably when three legit luminaries (Andrea Martin, Julie White, Peter Friedman) enter the picture as the couple's parents.
    • 59 Metascore
    • 50 Ronnie Scheib
    Beginning promisingly enough, "Handsome" soon turns monotonously angst-ridden, with all humor and personality falling by the wayside.
    • 30 Metascore
    • 50 Ronnie Scheib
    This mildly amusing, resolutely inoffensive outing lacks serious sexual tension -- which might just make it a viable compromise date pick in limited release.
    • 24 Metascore
    • 50 Ronnie Scheib
    Despite its infotainment look, Burzynski ultimately proves convincing.
    • 48 Metascore
    • 50 Ronnie Scheib
    Even if Matteo Garrone's "Gomorrah" hadn't dramatically raised the bar for mafioso movies, The Sicilian Girl would have repped a mediocre entry in the Cosa Nostra canon and a waste of an extraordinary true story.
    • 63 Metascore
    • 50 Ronnie Scheib
    Unfortunately, picture's concept doesn't stretch to 74 minutes.
    • 52 Metascore
    • 50 Ronnie Scheib
    Bubbles along with a jaunty but unoriginal blend of the sweet, tart, cute and weepy.
    • 27 Metascore
    • 50 Ronnie Scheib
    Its straight-ahead rape, humiliation and ingenious revenge competently executed but not aestheticized, the essential grunginess never overly slicked up.
    • 63 Metascore
    • 50 Ronnie Scheib
    Teper buries his material in gimcrack mod trappings that trivialize rather than celebrate Sassoon's accomplishments.