Ronnie Scheib
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For 507 reviews, this critic has graded:
  • 54% higher than the average critic
  • 5% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 0.9 points lower than other critics. (0-100 point scale)

Ronnie Scheib's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 First Cousin Once Removed
Lowest review score: 10 The Reunion
Score distribution:
  1. Negative: 36 out of 507
507 movie reviews
    • 53 Metascore
    • 70 Ronnie Scheib
    A curiously warm-and-fuzzy hindsight interpretation of artistic aggression, delivered by the artists themselves.
    • 65 Metascore
    • 70 Ronnie Scheib
    Filled with colorful, articulate neighborhood champions, this absorbing picture eschews militant outrage for a quietly devastating look at social commodification.
    • 73 Metascore
    • 70 Ronnie Scheib
    Amid the flood of documentaries about the Arab Spring in general and the Egyptian Revolution in particular, Uprising takes a clear, cohesive approach to the spontaneous events at its center.
    • 57 Metascore
    • 70 Ronnie Scheib
    Unlike Steven Soderbergh's twisty "Side Effects," Karpovsky's picture seldom surprises, its strengths lying in a leisurely journey toward a clearly predestined denouement.
    • 52 Metascore
    • 70 Ronnie Scheib
    With its convincingly antique-looking artifacts and hilarious “re-creations,” the March 1 release should please audiences searching for an intelligent, satiric spin on historical hindsight.
    • 56 Metascore
    • 70 Ronnie Scheib
    Craig Rosebraugh’s docu Greedy, Lying Bastards covers ground well-traveled by environmental exposes from “An Inconvenient Truth” to “The Island President.” Rosebraugh, however, focuses less on the issue of global warming itself and more on the deniers and their big-money backers.
    • 63 Metascore
    • 70 Ronnie Scheib
    Cindy Kleine pays tribute to her famed theater-director hubby in Andre Gregory: Before and After Dinner, with thoroughly delightful results.
    • 58 Metascore
    • 70 Ronnie Scheib
    Spearheaded by phenomenal pint-sized lead Sydney Aguirre, this challenging third feature from the Zellner Brothers retains much of their provocative trademark idiocy but navigates darker waters.
    • 68 Metascore
    • 70 Ronnie Scheib
    The film’s rather simplistic cultural juxtapositions, pitting artistic appreciators against status-seeking philistines, work best when narrowly focused on the subject of wine.
    • 83 Metascore
    • 70 Ronnie Scheib
    [A] deft assemblage of homemovies, work tapes and interviews is further invigorated by 1980s interviews with Pomus and a dynamite soundtrack of his rock ‘n’ roll perennials.
    • 54 Metascore
    • 70 Ronnie Scheib
    This engaging if somewhat underwhelming tale of unlikely redemption builds a funny-sad web of intersecting interactions around its strong central perfs.
    • 75 Metascore
    • 70 Ronnie Scheib
    Morrison has always closely collaborated with musicians, but here the helmer goes one better, making music the ultimate product of the Great Flood.
    • 56 Metascore
    • 70 Ronnie Scheib
    Works better as a series of well-conceived, impeccably timed and executed physical gags, with light dustings of pathos, than as the story of a woman sacrificing her artistic identity on the altar of motherhood.
    • 68 Metascore
    • 70 Ronnie Scheib
    Laid-back yet incisive, The New Black examines the complexity of black attitudes toward same-sex marriage, which the mainstream media tend to oversimplify as church-dominated and uniformly negative.
    • 76 Metascore
    • 70 Ronnie Scheib
    Giving not an inch to any sort of readable moral paradigm, this third installment in Potrykus’ Grand Rapids-set animal trilogy (including his 2010 short “Coyote” and his 2012 feature “Ape”) proves as fascinating as it is off-putting.
    • 61 Metascore
    • 70 Ronnie Scheib
    The constant, genial comic undercurrent of teenspeak exchanges, penned by the writing team of helmer Meyer and Luke Matheny, contrasts satisfyingly with Kingsley’s wry musings and the more serious treatment given to David’s evolving maturity.
    • 73 Metascore
    • 70 Ronnie Scheib
    Mistaken for Strangers, a documentary about indie group the National, comes off like an exercise in self-deprecation. As much a diary film as a rockumentary, it almost compulsively veers away from its ostensible subject.
    • 56 Metascore
    • 70 Ronnie Scheib
    [A] meticulous postmortem.
    • 49 Metascore
    • 70 Ronnie Scheib
    Alain Gsponer’s well-crafted romantic comedy, glides along on the sheer power of rising German star Daniel Bruhl’s boyish charm.
    • 75 Metascore
    • 70 Ronnie Scheib
    Maintaining a bemused, sometimes comic distance, Betbeder traces how happenstance crystallizes into biography as his characters traverse the titular seasons.
    • 73 Metascore
    • 70 Ronnie Scheib
    Competently written and skillfully acted, the film seems to be melodrama-bound, when a shocking discovery and the sudden arrival of friends instead send it careening into comedy.
    • 68 Metascore
    • 70 Ronnie Scheib
    Hentoff presides over a film rich in the sounds and occasional sights of legendary cultural figures, from Lenny Bruce and Malcolm X to Bob Dylan and Coleman Hawkins.
    • 52 Metascore
    • 70 Ronnie Scheib
    Thanks to Saville’s tightly controlled direction and a superlative cast, the mere exchange of glances builds as much suspense as the kinetic action sequence that opens the pic.
    • 65 Metascore
    • 70 Ronnie Scheib
    Altina makes for loose, exasperating but oddly endearing viewing.
    • 57 Metascore
    • 70 Ronnie Scheib
    The movie belongs to thesps Jacobs and Meester. Jacobs fully inhabits her less-than-completely-sympathetic role with warmth and just the right touch of unconscious entitlement, while Meester luminously expands the film’s affective core.
    • 67 Metascore
    • 70 Ronnie Scheib
    Beneath the strings of gags and wisecracks run parallel threads of ruthlessness and hysteria which bring “Motivation” a little closer to “Full Metal Jacket” than “Private Benjamin” as off-screen conflicts invade the closed-in encampment.
    • 78 Metascore
    • 70 Ronnie Scheib
    The amazing invincibility of Hollywood-entrenched pedophiles creates a thematic unity of its own in Berg’s otherwise somewhat shakily constructed film.
    • 71 Metascore
    • 70 Ronnie Scheib
    By the film's underwater finale, director Matteo Garrone has bestowed a tragic stature on the pint-size Othello who loves "not wisely but too well."
    • 57 Metascore
    • 70 Ronnie Scheib
    A magnificent performance by Sarah Polley illuminates every frame of this relatively upbeat melodrama.
    • 56 Metascore
    • 70 Ronnie Scheib
    The excellent cast in Christophe Barratier's loose remake of a 1945 Jean Dreville film ensures that the predictable, nostalgic ride remains enjoyable throughout.

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