Ronnie Scheib
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For 513 reviews, this critic has graded:
  • 54% higher than the average critic
  • 5% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 0.9 points lower than other critics. (0-100 point scale)

Ronnie Scheib's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 Gregory Crewdson: Brief Encounters
Lowest review score: 10 Reunion
Score distribution:
  1. Negative: 36 out of 513
513 movie reviews
    • 56 Metascore
    • 60 Ronnie Scheib
    A strong cast, formal visual style and cynical voiceover that propels the action help elevate this Seattle-set gay romp from the ranks of the stereotypical.
    • 54 Metascore
    • 60 Ronnie Scheib
    This offbeat charmer succumbs to the same airless artificiality that has claimed many recent efforts in the genre.
    • 68 Metascore
    • 60 Ronnie Scheib
    Documentary seems best suited to cable: Lake's informal, Oprah-like concern invites the intimacy of home viewing. But the chick-chat approach in no way undermines the gravity of the problems the docu addresses.
    • 50 Metascore
    • 60 Ronnie Scheib
    Piles heavy emotional baggage on a slender story frame. Pic looks ravishing, featuring a nocturnal road trip through a cool kaleidoscopic landscape of shifting colors peopled by three commanding thesps of different generations whose interlocking stories form a cohesive whole.
    • 67 Metascore
    • 60 Ronnie Scheib
    Its extremely narrow focus on the death throes of an art form, rather than the art itself, limits its appeal.
    • 57 Metascore
    • 60 Ronnie Scheib
    Safer, more conventional and closer to broad TV sketch humor than Christopher Guest's comedies of manners, The Grand never quite recoups in laughs what it loses in spontaneity.
    • 57 Metascore
    • 60 Ronnie Scheib
    This inordinately likable and consistently funny boxing saga-cum-romantic comedy doesn't so much ridicule the "Rocky"-type inspirational sports fable as gently deflate its heroic overdrive.
    • 46 Metascore
    • 60 Ronnie Scheib
    Culture shock often proves the stuff of comedy, but the sight of a silver-studded, sombrero-topped mariachi band breaking into a rousing rendition of "Hava Nagila" transports diversity into the realm of the surreal.
    • 79 Metascore
    • 60 Ronnie Scheib
    Uniquely Southern documentary has become surprisingly timely this election year.
    • 63 Metascore
    • 60 Ronnie Scheib
    Picture loses its delicate edge when it builds to a prescribed dramatic flashpoint within an overly compressed timeframe
    • 28 Metascore
    • 60 Ronnie Scheib
    Uneven but enjoyably titillating black comedy should elate Rickman fans while pleasing aficionados of extra-flakey caper flicks.
    • 33 Metascore
    • 60 Ronnie Scheib
    Frank Langella's note-perfect, tour-de-force turn as a man elegantly shaping his own demise is nicely counterpointed by a shambling Elliott Gould as a bird-watching private eye.
    • 44 Metascore
    • 60 Ronnie Scheib
    Likable but lightweight slacker comedy.
    • 69 Metascore
    • 60 Ronnie Scheib
    Director-producer Aviva Kempner's well-researched but unchallenging docu, like "The Goldbergs" itself, has cross-cultural appeal for Jews and goyim alike.
    • 47 Metascore
    • 60 Ronnie Scheib
    Evocatively fleshed out with surprisingly iconic homemovies, passionate love letters and well-chosen pop tunes, Kleine's homegrown Jewish "Madame Bovary" escapes the navel-gazing boundaries of the personal-diary docu by the sheer force of its evocation of bygone sensuality.
    • 62 Metascore
    • 60 Ronnie Scheib
    As a character study and revelation of a possible answer to addiction, the docu rocks. But Negroponte's low-res video camera, trivializes the film's already crude approximations of psychedelic experiences and its recordings of shamanistic rituals.
    • 65 Metascore
    • 60 Ronnie Scheib
    Less cohesive and accessible than "The Maid" (which the Chilean duo co-scripted and Silva helmed solo), picture nonetheless contains unforgettable scenes.
    • 57 Metascore
    • 60 Ronnie Scheib
    Covering familiar ground from an unfamiliar angle, Ted Woods' oddball documentary White Wash examines the history of African-American disenfranchisement from a black surfer's viewpoint, in the process countering the racist myth that black people don't swim or surf.
    • 45 Metascore
    • 60 Ronnie Scheib
    Set in cramped apartments and hole-in-the-wall storefronts in the East Village, Michael M. Bilandic's nanobudget comedy Happy Life plays like a poor schlub's "High Fidelity."
    • 63 Metascore
    • 60 Ronnie Scheib
    The indomitable siblings' unusual background, huge size and highly developed intellects, as well as the dramatic ups, downs and rebounds of their interwoven sagas, should result in a fascinating dual biodoc. But the two-hour pic's lack of economy makes for heavy slogging, with no boxing minutiae too small for exhaustive exposition.
    • tbd Metascore
    • 60 Ronnie Scheib
    Miller deftly navigates his picture's unusual tonal mix, balancing absurdity, melodrama, comedy of manners and an unblinking ethnographic stare. But the film's nearly three-hour length may consign it to cult status.
    • 48 Metascore
    • 60 Ronnie Scheib
    Once Heifetz becomes a household name, Rosen struggles mightily to milk drama not from his musical genius, but from his relatively unremarkable personal life.
    • 67 Metascore
    • 60 Ronnie Scheib
    Documentarian Jarred Alterman emphasizes oddball lyricism in the one-of-a-kind Convento, in which a 400-year-old Portuguese monastery provides the canvas for a Dutch family's artistic experimentation.
    • 40 Metascore
    • 60 Ronnie Scheib
    Watching a consummate pro like Turner navigate an uneven script, veering from farcical determination, her cheeks puffed like those of a demented chipmunk, to utter devastation, can be immensely entertaining, particularly when she's backed by an able cast, as she is here.
    • tbd Metascore
    • 60 Ronnie Scheib
    Though generally engrossing, Ikland's multiscreen displays and cross-cultural theatrical experiments prove more distracting than effective.
    • 62 Metascore
    • 60 Ronnie Scheib
    Moving, engagingly low-key curio.
    • 65 Metascore
    • 60 Ronnie Scheib
    Though the picture meanders somewhat in the absence of a clear throughline, the focus on Scott's music and electronic experimentation remains strong throughout, thanks to an eclectic roster of musicians and scholars and a generous sampling of his compositions.
    • 57 Metascore
    • 60 Ronnie Scheib
    Collectivist in spirit, this mostly entertaining film lacks an official host or voiceover narration, which first works swimmingly but eventually becomes too diffuse.
    • tbd Metascore
    • 60 Ronnie Scheib
    Luft grounds the film with an insistently believable performance, while other thesps float in and out of cliche.
    • 67 Metascore
    • 60 Ronnie Scheib
    A Whisper to a Roar traces a too-familiar step-by-step political pattern: the transformation of a liberator into a despot, his subsequent reign of tyranny and the popular uprising against it.

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