Ronnie Scheib
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For 523 reviews, this critic has graded:
  • 54% higher than the average critic
  • 6% same as the average critic
  • 40% lower than the average critic
On average, this critic grades 1 point lower than other critics. (0-100 point scale)

Ronnie Scheib's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 Sweet Land
Lowest review score: 10 Reunion
Score distribution:
  1. Negative: 36 out of 523
523 movie reviews
    • 36 Metascore
    • 60 Ronnie Scheib
    An ambitious, low-budget neo-noir, Stephen Purvis' El Cortez navigates the genre's tawdry twists and crosses and double-crosses with intermittent flair.
    • 44 Metascore
    • 60 Ronnie Scheib
    Brand has assembled a cast of world class improvisers, yet doesn't take advantage of their own particularized, inflected rhythms, as each ritualistically experiences a jump-cut fragmentary flashback in front of the same bathroom mirror.
    • 57 Metascore
    • 60 Ronnie Scheib
    Greif obviously ascribes to the Blake Edwardian school of comedy, laying out gags with commendable topographical precision. But, unlike Edwards' unique mixture of sophistication and slapstick, Funny Money falls squarely in the tradition of pure farce, itself an anomaly in this age of aggressively abrasive personality comedies.
    • 68 Metascore
    • 60 Ronnie Scheib
    Perhaps the least accessible of Tian's films, this serenely elliptical poser will elude all but the most devoted arthouse auds.
    • 56 Metascore
    • 60 Ronnie Scheib
    A strong cast, formal visual style and cynical voiceover that propels the action help elevate this Seattle-set gay romp from the ranks of the stereotypical.
    • 54 Metascore
    • 60 Ronnie Scheib
    This offbeat charmer succumbs to the same airless artificiality that has claimed many recent efforts in the genre.
    • 68 Metascore
    • 60 Ronnie Scheib
    Documentary seems best suited to cable: Lake's informal, Oprah-like concern invites the intimacy of home viewing. But the chick-chat approach in no way undermines the gravity of the problems the docu addresses.
    • 50 Metascore
    • 60 Ronnie Scheib
    Piles heavy emotional baggage on a slender story frame. Pic looks ravishing, featuring a nocturnal road trip through a cool kaleidoscopic landscape of shifting colors peopled by three commanding thesps of different generations whose interlocking stories form a cohesive whole.
    • 67 Metascore
    • 60 Ronnie Scheib
    Its extremely narrow focus on the death throes of an art form, rather than the art itself, limits its appeal.
    • 57 Metascore
    • 60 Ronnie Scheib
    Safer, more conventional and closer to broad TV sketch humor than Christopher Guest's comedies of manners, The Grand never quite recoups in laughs what it loses in spontaneity.
    • 57 Metascore
    • 60 Ronnie Scheib
    This inordinately likable and consistently funny boxing saga-cum-romantic comedy doesn't so much ridicule the "Rocky"-type inspirational sports fable as gently deflate its heroic overdrive.
    • 46 Metascore
    • 60 Ronnie Scheib
    Culture shock often proves the stuff of comedy, but the sight of a silver-studded, sombrero-topped mariachi band breaking into a rousing rendition of "Hava Nagila" transports diversity into the realm of the surreal.
    • 79 Metascore
    • 60 Ronnie Scheib
    Uniquely Southern documentary has become surprisingly timely this election year.
    • 63 Metascore
    • 60 Ronnie Scheib
    Picture loses its delicate edge when it builds to a prescribed dramatic flashpoint within an overly compressed timeframe
    • 28 Metascore
    • 60 Ronnie Scheib
    Uneven but enjoyably titillating black comedy should elate Rickman fans while pleasing aficionados of extra-flakey caper flicks.
    • 33 Metascore
    • 60 Ronnie Scheib
    Frank Langella's note-perfect, tour-de-force turn as a man elegantly shaping his own demise is nicely counterpointed by a shambling Elliott Gould as a bird-watching private eye.
    • 44 Metascore
    • 60 Ronnie Scheib
    Likable but lightweight slacker comedy.
    • 69 Metascore
    • 60 Ronnie Scheib
    Director-producer Aviva Kempner's well-researched but unchallenging docu, like "The Goldbergs" itself, has cross-cultural appeal for Jews and goyim alike.
    • 47 Metascore
    • 60 Ronnie Scheib
    Evocatively fleshed out with surprisingly iconic homemovies, passionate love letters and well-chosen pop tunes, Kleine's homegrown Jewish "Madame Bovary" escapes the navel-gazing boundaries of the personal-diary docu by the sheer force of its evocation of bygone sensuality.
    • 62 Metascore
    • 60 Ronnie Scheib
    As a character study and revelation of a possible answer to addiction, the docu rocks. But Negroponte's low-res video camera, trivializes the film's already crude approximations of psychedelic experiences and its recordings of shamanistic rituals.
    • 65 Metascore
    • 60 Ronnie Scheib
    Less cohesive and accessible than "The Maid" (which the Chilean duo co-scripted and Silva helmed solo), picture nonetheless contains unforgettable scenes.
    • 57 Metascore
    • 60 Ronnie Scheib
    Covering familiar ground from an unfamiliar angle, Ted Woods' oddball documentary White Wash examines the history of African-American disenfranchisement from a black surfer's viewpoint, in the process countering the racist myth that black people don't swim or surf.
    • 45 Metascore
    • 60 Ronnie Scheib
    Set in cramped apartments and hole-in-the-wall storefronts in the East Village, Michael M. Bilandic's nanobudget comedy Happy Life plays like a poor schlub's "High Fidelity."
    • 63 Metascore
    • 60 Ronnie Scheib
    The indomitable siblings' unusual background, huge size and highly developed intellects, as well as the dramatic ups, downs and rebounds of their interwoven sagas, should result in a fascinating dual biodoc. But the two-hour pic's lack of economy makes for heavy slogging, with no boxing minutiae too small for exhaustive exposition.
    • tbd Metascore
    • 60 Ronnie Scheib
    Miller deftly navigates his picture's unusual tonal mix, balancing absurdity, melodrama, comedy of manners and an unblinking ethnographic stare. But the film's nearly three-hour length may consign it to cult status.
    • 48 Metascore
    • 60 Ronnie Scheib
    Once Heifetz becomes a household name, Rosen struggles mightily to milk drama not from his musical genius, but from his relatively unremarkable personal life.
    • 67 Metascore
    • 60 Ronnie Scheib
    Documentarian Jarred Alterman emphasizes oddball lyricism in the one-of-a-kind Convento, in which a 400-year-old Portuguese monastery provides the canvas for a Dutch family's artistic experimentation.
    • 40 Metascore
    • 60 Ronnie Scheib
    Watching a consummate pro like Turner navigate an uneven script, veering from farcical determination, her cheeks puffed like those of a demented chipmunk, to utter devastation, can be immensely entertaining, particularly when she's backed by an able cast, as she is here.
    • tbd Metascore
    • 60 Ronnie Scheib
    Though generally engrossing, Ikland's multiscreen displays and cross-cultural theatrical experiments prove more distracting than effective.
    • 62 Metascore
    • 60 Ronnie Scheib
    Moving, engagingly low-key curio.

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