For 398 reviews, this critic has graded:
  • 56% higher than the average critic
  • 2% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 3.6 points higher than other critics. (0-100 point scale)

Ruthe Stein's Scores

  • Movies
Average review score: 63
Highest review score:
Critic Score 100
Lowest review score:
Critic Score 0
Score distribution:
  1. Negative: 55 out of 398
398 movie reviews
    • Metascore: 98
    • Ruthe Stein 100
    Visually stunning, it meshes haunting images with a complex multilevel story about the enchantment of youth.
    • Metascore: 82
    • Ruthe Stein 100
    Deliriously charming.
    • Metascore: 80
    • Ruthe Stein 100
    Sly, near-perfect comedy.
    • Metascore: 88
    • Ruthe Stein 100
    To say it is about a debilitating disease is as reductive as saying "Little Miss Sunshine" is about a beauty pageant. Both are intimate stories of family ties that bind but sometimes also choke.
    • Metascore: 62
    • Ruthe Stein 100
    Richly satisfying entertainment the way movies are at their best, when they prod you to think.
    • Metascore: 67
    • Ruthe Stein 100
    The humor manages to be simultaneously sophisticated, supremely silly and very dark.
    • Metascore: 63
    • Ruthe Stein 100
    Wise and wondrous.
    • Metascore: 74
    • Ruthe Stein 100
    Utterly enchanting.
    • Metascore: 59
    • Ruthe Stein 100
    Nobody into lush melodramas dripping in sex should miss this pulsating Italian import.
    • Metascore: 79
    • Ruthe Stein 100
    An engrossing new drama from France.
    • Metascore: 76
    • Ruthe Stein 100
    Imaginative and immensely engrossing film.
    • Metascore: 76
    • Ruthe Stein 100
    Totally original yet filled with familiar human frailties, "Everyone" leaps off the screen to become one of those rare movie-going experiences.
    • Metascore: 82
    • Ruthe Stein 100
    Instantly captivating.
    • Metascore: 70
    • Ruthe Stein 100
    It grabs you from a symbolic opening scene of gang members rolling the dice -- the odds, it soon becomes clear, are stacked against them getting lucky -- and never lets go.
    • Metascore: 76
    • Ruthe Stein 100
    The thrills in Spike Lee's singularly savvy thriller are in small unexpected moments.
    • Metascore: 84
    • Ruthe Stein 100
    The movie is a stunner, so hypnotic that the length hardly matters.
    • Metascore: 64
    • Ruthe Stein 100
    A film that must be seen to understand the sad truths of our times. It's been made with a sensitivity and creativity that's come to exemplify Winterbottom's work.
    • Metascore: 59
    • Ruthe Stein 100
    Family entertainment at its best.
    • Metascore: 72
    • Ruthe Stein 100
    Glatzer and Westmoreland live in Echo Park, and they have given their film a remarkable sense of place.
    • Metascore: 74
    • Ruthe Stein 100
    Unlike Sean Penn's demagogue in "All the King's Men," you're able to forget that Whitaker is acting. He embodies the role. When clips of the real Amin are shown at the end, it's almost shocking to realize the extent to which Whitaker has become him.
    • Metascore: 68
    • Ruthe Stein 100
    There's an edge to this exemplary family movie, just as there is in the story.
    • Metascore: 73
    • Ruthe Stein 100
    Notes on a Scandal won't be everyone's cup of tea. But if you like your films strong, this one is not to be missed.
    • Metascore: 82
    • Ruthe Stein 100
    Immediately has you in its thrall and doesn't let go -- a reminder of how powerful and moving cinema set in wartime can be when all the elements align.
    • Metascore: 50
    • Ruthe Stein 100
    Among the many strengths of the sweetly touching Introducing the Dwights, a small gem from Australia unearthed at the Sundance Film Festival, is that Jean never becomes Godzilla.
    • Metascore: 66
    • Ruthe Stein 100
    A richly textured and compelling film.
    • Metascore: 63
    • Ruthe Stein 100
    Frothy and exuberantly entertaining - in part because of the sexual innuendoes - it's the best romantic comedy so far this year.
    • Metascore: 55
    • Ruthe Stein 100
    Exhilarating and enchanting family picture. It's the best I've seen this year and highly recommended for girls and for boys, too.
    • Metascore: 79
    • Ruthe Stein 100
    The Visitor, is, if anything, more imaginative and touching than his first.
    • Metascore: 51
    • Ruthe Stein 100
    Much of that appeal comes from compelling performances by the two main actors.
    • Metascore: 75
    • Ruthe Stein 100
    Evokes grand emotions -- anxiety, sadness, joy -- sometimes within moments of one another. Broken Wings has heart and a poetic soul.
    • Metascore: 53
    • Ruthe Stein 100
    Often is on the verge of spilling over into melodrama, but that doesn't bother me because life is the same way.
    • Metascore: 74
    • Ruthe Stein 100
    One of very few films to accurately portray the experience of growing up male.
    • Metascore: 61
    • Ruthe Stein 100
    Woody Allen's strongest and most mordantly funny movie in years, even if it is also his bleakest.
    • Metascore: 72
    • Ruthe Stein 100
    Daring in its affirmation that a dowdy woman in her late 60s still can let go of her inhibitions and exhibit a lascivious side.
    • Metascore: 64
    • Ruthe Stein 100
    A breed apart from anything coming off the Hollywood assembly line or, for that matter, from the saccharine romances Britain has lately produced.
    • Metascore: 60
    • Ruthe Stein 100
    The very best thrillers -- a select group to which The Clearing clearly belongs -- exploit subconscious fears that bubble up at vulnerable moments.
    • Metascore: 68
    • Ruthe Stein 100
    I don't claim to have seen every entry from around the world, but it's hard to imagine five better than this deliciously offbeat comedy, as wildly inventive as anything Billy Wilder ever conceived.
    • Metascore: 87
    • Ruthe Stein 100
    A revelatory independent film whose moments of incredible sadness are offset by the same state of grace that blesses its astonishing title character.
    • Metascore: 76
    • Ruthe Stein 100
    Hauntingly tells a story older than the Odyssey and as timely as today's body count from Iraq.
    • Metascore: 60
    • Ruthe Stein 100
    The real wonder becomes how British filmmaker Sandra Goldbacher was able to write and direct such an accomplished, touching and original movie her first time out.
    • Metascore: 77
    • Ruthe Stein 100
    Block's hypnotic documentary, among the finest of the year.
    • Metascore: 88
    • Ruthe Stein 75
    This is a very little film with a very large heart.
    • Metascore: 85
    • Ruthe Stein 75
    Sad yet offering glimpses of hope.
    • Metascore: 53
    • Ruthe Stein 75
    An old-fashioned and occasionally schmaltzy movie that delivers an emotional wallop
    • Metascore: 59
    • Ruthe Stein 75
    Sweet and deeply moving.
    • Metascore: 92
    • Ruthe Stein 75
    The film has aged gracefully.
    • Metascore: 65
    • Ruthe Stein 75
    Hits a bulls-eye.
    • Metascore: 63
    • Ruthe Stein 75
    Wondrous performances.
    • Metascore: 61
    • Ruthe Stein 75
    The directors pull off this faux documentary.
    • Metascore: 64
    • Ruthe Stein 75
    Schizo offers not just the proverbial window into village life in Kazakhstan, but a panoramic view.
    • Metascore: 53
    • Ruthe Stein 75
    At its warmhearted center, Beauty Shop is a workshop in how to walk around like Oprah with a feeling of confidence and entitlement.
    • Metascore: 78
    • Ruthe Stein 75
    Vivid and madcap but fails to connect on any emotional level.
    • Metascore: 58
    • Ruthe Stein 75
    A marital comedy as perceptive as it is delectable.
    • Metascore: 70
    • Ruthe Stein 75
    A very human story.
    • Metascore: 72
    • Ruthe Stein 75
    The sooner you let yourself go with Kim's flow, the more likely you are to come away satisfied. Think of it as South Korea's answer to "Memento," just don't think too hard.
    • Metascore: 75
    • Ruthe Stein 75
    A hauntingly lyrical study of sexual awakening.
    • Metascore: 84
    • Ruthe Stein 75
    Though overly long and difficult to digest, it's a feast you won't want to miss.
    • Metascore: 72
    • Ruthe Stein 75
    Engaging and perceptive.
    • Metascore: 66
    • Ruthe Stein 75
    An argument could be made that too many bad things happen to the good members of this sisterhood. The movie does occasionally teeter on the brink of soap opera, but then, so does life.
    • Metascore: 53
    • Ruthe Stein 75
    The humor is all over the place, veering from light to dark and from broad to subtle -- as if an "I Love Lucy" episode had been retooled by Woody Allen.
    • Metascore: 59
    • Ruthe Stein 75
    Perversely fascinating.
    • Metascore: 74
    • Ruthe Stein 75
    Riveting.
    • Metascore: 57
    • Ruthe Stein 75
    Extremely pleasurable and well worth seeing.
    • Metascore: 83
    • Ruthe Stein 75
    Deliriously original.
    • Metascore: 71
    • Ruthe Stein 75
    Quietly unsettling.
    • Metascore: 74
    • Ruthe Stein 75
    A slow seduction.
    • Metascore: 58
    • Ruthe Stein 75
    A heartwarming, inspirational tale.
    • Metascore: 66
    • Ruthe Stein 75
    Like its singular central character, Before the Fall stands out from the pack.
    • Metascore: 47
    • Ruthe Stein 75
    High-gloss trash but compulsively watchable.
    • Metascore: 68
    • Ruthe Stein 75
    Richard Jenkins gives the standout supporting performance, worthy of Oscar consideration, as Josey's father, a miner unable to conceal his anger at his daughter for having a child out of wedlock and, now, creating dissension at his workplace.
    • Metascore: 66
    • Ruthe Stein 75
    Heart-wrenching.
    • Metascore: 80
    • Ruthe Stein 75
    An emotionally satisfying example of a genre whose sketchiness can be off-putting.
    • Metascore: 74
    • Ruthe Stein 75
    Gut-wrenching.
    • Metascore: 61
    • Ruthe Stein 75
    It works as an intriguingly offbeat character study while offering Nicolas Cage a chance to show why he used to be considered one of the top actors of his generation.
    • Metascore: 71
    • Ruthe Stein 75
    A compelling, tightly made political thriller.
    • Metascore: 67
    • Ruthe Stein 75
    The movie harks back to a time before state-of-the-art technology when writers and directors had to rely mostly on imagination.
    • Metascore: 63
    • Ruthe Stein 75
    Funny, original, occasionally poignant and almost all of it too dirty to repeat in a newspaper.
    • Metascore: 59
    • Ruthe Stein 75
    A warmhearted film.
    • Metascore: 81
    • Ruthe Stein 75
    Offers a brew of wondrous chimera combined with the wonders of human nature.
    • Metascore: 59
    • Ruthe Stein 75
    Known for his visual images, Jordan outdoes himself in "Breakfast,'' a feast for the eyes.
    • Metascore: 70
    • Ruthe Stein 75
    By focusing on one family's dilemma, the movie brings home the messy Middle Eastern situation in a way easier to relate to than the headlines and opinion pieces.
    • Metascore: 53
    • Ruthe Stein 75
    Columbus' schizoid approach works more often than not.
    • Metascore: 67
    • Ruthe Stein 75
    The casting, at least, is magical. Plowright shows both her character's strength and her heartbreaking vulnerability, sometimes at once.
    • Metascore: 71
    • Ruthe Stein 75
    Has an old-fashioned feel, as if it had been made in the period of its setting. I mean this as a compliment.
    • Metascore: 87
    • Ruthe Stein 75
    Accomplishes the near impossible, bringing a fresh perspective to a horrific subject.
    • Metascore: 63
    • Ruthe Stein 75
    It's reassuring to see Steven Soderbergh return to riveting down-and-dirty filmmaking with Bubble.
    • Metascore: 64
    • Ruthe Stein 75
    At its exhilarating best, Following Sean is reminiscent of the lauded British documentaries that began with "7 Up.''
    • Metascore: 80
    • Ruthe Stein 75
    A highly amusing combination period film and mockumentary.
    • Metascore: 58
    • Ruthe Stein 75
    A wildly entertaining fantasy thriller that propels Russian cinema into the 21st century.
    • Metascore: 51
    • Ruthe Stein 75
    The movie has a sweetness and innocence that makes it near perfect entertainment for its target audience.
    • Metascore: 43
    • Ruthe Stein 75
    As good as family entertainment gets.
    • Metascore: 74
    • Ruthe Stein 75
    While hardly glorifying abusive husbands, Take My Eyes, a mesmerizing and deeply disturbing film from Spain, makes an attempt to understand their thought processes.
    • Metascore: 52
    • Ruthe Stein 75
    Don't Tell often has the eerie feel of a Hitchcock film -- "Vertigo" in particular -- where you're not always sure if what you're seeing is really happening.
    • Metascore: 87
    • Ruthe Stein 75
    For all the squalor and extremely upsetting subject matter, you can't take your eyes off the screen.
    • Metascore: 63
    • Ruthe Stein 75
    ATL
    An emotionally charged coming-of-age saga that will make you laugh and cry, maybe at the same time.
    • Metascore: 72
    • Ruthe Stein 75
    Akeelah and the Bee connects where it counts most, on an emotional level. Only a curmudgeon could watch this feisty but vulnerable youngster rack up victories against all odds without tearing up.
    • Metascore: 77
    • Ruthe Stein 75
    Mehta has created the perfect guide to this strange female world.
    • Metascore: 46
    • Ruthe Stein 75
    Fun to watch although falling short of a real hoot, this latest in a barrage of family movies largely succeeds at keeping the kiddies entertained and their parents from nodding off.
    • Metascore: 73
    • Ruthe Stein 75
    A spellbinding Australian Western.
    • Metascore: 58
    • Ruthe Stein 75
    Dark, disturbing and audaciously original in a way only indies are given license to be anymore, the film never telegraphs where it's heading. But you don't need a pathfinder to sense the general direction is toward hell.