For 48 reviews, this critic has graded:
  • 56% higher than the average critic
  • 0% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 3.1 points higher than other critics. (0-100 point scale)

Sara Smith's Scores

Average review score: 68
Highest review score: 100 True Detective: Season 1
Lowest review score: 30 The Strain: Season 1
Score distribution:
  1. Positive: 33 out of 48
  2. Negative: 2 out of 48
48 tv reviews
    • 87 Metascore
    • 100 Sara Smith
    After True Detective, all the other TV cops hunting serial killers are going to look like copycats. It’s that the taut script and spot-on dialogue takes us on a ’90s noir roller coaster ride of Shakespearean tragedy with fearless literary aspirations, delivered by two actors at the top of their game.
    • 70 Metascore
    • 90 Sara Smith
    The result is a challenging psychological thriller within a gripping crime procedural.
    • 78 Metascore
    • 80 Sara Smith
    [A] smart espionage drama.
    • 72 Metascore
    • 80 Sara Smith
    Ripper Street was clever enough not to hang its hat on the over-examined killings of the five Ripper victims, and clever fans of police procedurals will relish spending eight hours with cops who have to invent the crime-solving tools at their disposal.
    • 66 Metascore
    • 80 Sara Smith
    It brings its own style of spine-tingling dysfunction to the screen.
    • 82 Metascore
    • 80 Sara Smith
    Flawless production design and lush cinematography make Rectify visually stunning, but its simmering mystery and artfully depicted dysfunction make every scene hum with tension.
    • 74 Metascore
    • 80 Sara Smith
    The freshest take on the single-camera mockumentary since “Curb Your Enthusiasm.”
    • 75 Metascore
    • 80 Sara Smith
    Ray Donovan is undeniably derivative, but it sure is fun. Liev Schreiber leads a stellar cast as Ray Donovan.
    • 79 Metascore
    • 80 Sara Smith
    Orange is scary, smart and relevant, and it will make you wonder why no one thought to give the “Oz” formula a dose of estrogen before now.
    • 74 Metascore
    • 80 Sara Smith
    Paired with the endearing self-awareness and cerebral nods to pop culture Whedon brings to his best projects, it’s the perfect setup for fall’s most promising new TV show.
    • 86 Metascore
    • 80 Sara Smith
    Although it’s a medical drama on one level, Masters of Sex is frequently laugh-out-loud funny, with romances, mysteries and coming-of-age stories unfolding throughout its large cast.
    • 62 Metascore
    • 80 Sara Smith
    While its premise isn’t new--anyone remember “Total Recall 2070” or “Mann and Machine”?--the show’s ambition, solid cast and pure production values make it a worthwhile diversion.
    • 80 Metascore
    • 80 Sara Smith
    In its second season, House of Cards is just like its main character: clever, ruthless, a bit too self-satisfied and surprisingly powerful.
    • 55 Metascore
    • 80 Sara Smith
    Sometimes slasher flick, sometimes courtroom drama, this Lizzie is a cynically dark, shamefully fun account of an all-American crime.
    • 67 Metascore
    • 80 Sara Smith
    Walton and Stockham are a seamless comedy team straight out of the gate. Their banter is more salty and cynical than sappy, but that’s how it gets to you.
    • 70 Metascore
    • 80 Sara Smith
    Penny Dreadful is a smart, self-referential Dracula vs. the Wolf-Man vs. Frankenstein concept delivering the scares, chills and laughs that summer TV needs.
    • 89 Metascore
    • 80 Sara Smith
    [The pasts of the ladies at Litchfield] are less “Shawshank Redemption” than “Goodfellas,” with every episode using sparse, smartly edited scenes to tell one inmate’s story.
    • 52 Metascore
    • 80 Sara Smith
    Thanks to its excellent cast, led by Nat Faxon and Judy Greer as Russ and Lina, Married rises above its cliched setup.
    • 65 Metascore
    • 80 Sara Smith
    It’s Gretchen and Jimmy’s repartee, their unrelenting need to voice their awful thoughts, that makes Worst worth watching.
    • 78 Metascore
    • 80 Sara Smith
    Every time the 1943 of Manhattan begins to feel like 2014, it returns to the nostalgia of movies like “The Right Stuff,” where brains and grit make the peace, back to a time when America trusted its fate to the smartest guys we could find.
    • 75 Metascore
    • 80 Sara Smith
    Like “True Detective,” The Knick benefits from a consistent vision and stellar cinematography. Its turn-of-the-century sets and costuming will transport viewers into the past more vividly than any stuffy sitting room in “Downton Abbey.” But it requires dedication to stick around with The Knick until the action gets going a few episodes in.
    • 62 Metascore
    • 80 Sara Smith
    Gunn and Tennant are flat-out fantastic in Gracepoint. The supporting cast, including Nick Nolte at maximum haggard levels, is compelling. They’re so good, it might take a while to notice that you’ve seen this story before, even if you haven’t seen “Broadchurch.”
    • 89 Metascore
    • 80 Sara Smith
    Frances McDormand delivers another one of her consistent, airbrush-free performances in HBO’s four-part miniseries, an adaptation of Strout’s book that focuses more tightly on its title character and ends up drawing to a simpler, more raw-edged conclusion.
    • 83 Metascore
    • 70 Sara Smith
    Those who accept it for what it is--a funny, manipulative soap that relies on historical upheaval to frame its scarce plots--should be happy to hear that Downton’s new season is better than its last.
    • 52 Metascore
    • 70 Sara Smith
    Deception borrows a lot from that show and others, ending up more fun than challenging.
    • 59 Metascore
    • 70 Sara Smith
    Mr. Selfridge really gets rolling in its third and fourth episodes, when its interlocking stories and Piven’s outsize performance settle into place.
    • 72 Metascore
    • 70 Sara Smith
    Some critics called the book incisive and addictive, while others dismissed it as pulpy and juvenile. Under the Dome checks all those boxes in Monday’s pilot episode.
    • 69 Metascore
    • 70 Sara Smith
    A year after the Rosie Larsen case ended, this new chapter is compelling enough to earn some fan forgiveness.
    • 55 Metascore
    • 70 Sara Smith
    Lead writer Daniel Knauf, who created HBO’s “Carnivale,” has tweaked Bram Stoker’s classic tale in delightful, if heavy-handed ways.
    • 56 Metascore
    • 70 Sara Smith
    The series hits its stride a few episodes in, when Lowe and Blackbeard finally get on a boat together to fight a common enemy, knowing they’re each just waiting for the right moment to kill the other. Their dynamic evokes the tense partnership between Al Swearengen and Sheriff Bullock in "Deadwood."

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