Scott Foundas
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For 839 reviews, this critic has graded:
  • 54% higher than the average critic
  • 3% same as the average critic
  • 43% lower than the average critic
On average, this critic grades 1.4 points higher than other critics. (0-100 point scale)

Scott Foundas' Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Taxi
Lowest review score: 0 Grind
Score distribution:
839 movie reviews
    • 63 Metascore
    • 70 Scott Foundas
    Emerges as a surprisingly smart, gripping and imaginative addition to the zombie-movie canon, owing as much to scientific disaster movies like “The China Syndrome” and “Contagion” as it does to undead ur-texts like the collected works of George Romero.
    • 52 Metascore
    • 70 Scott Foundas
    Itself owing much to such lone-man-of-action hallmarks as “Die Hard” and “Speed,” this welcome throwback to an earlier, more generously entertaining era of summer blockbusters delivers a wide array of close-quarters combat and large-scale destruction, all grounded in an immensely appealing star turn by Channing Tatum and ace support from imperiled POTUS Jamie Foxx.
    • 61 Metascore
    • 70 Scott Foundas
    This rare femme-centric addition to the loss-of-virginity canon (dominated by the likes of “Porky’s,” “Risky Business” and “American Pie”) hits its fair share of outrageously funny highs amid lots of so-so filler, but stays buoyant and likable throughout thanks to the winning presence of “Parks and Recreation” star Aubrey Plaza in the lead.
    • 34 Metascore
    • 70 Scott Foundas
    The genially goofy shenanigans, incredibly corny punchlines and Hank Azaria’s go-for-broke performance as the incompetent wizard Gargamel are very much the same ― an entirely welcome thing in a summer movie season full of so much apocalyptic Sturm und Drang.
    • 36 Metascore
    • 70 Scott Foundas
    The major exception is Lohan, who gives one of those performances, like Marlon Brando’s in “Last Tango in Paris,” that comes across as some uncanny conflagration of drama and autobiography. Lohan may not go as deep or as far as Brando, but with her puffy skin, gaudy hoop earrings and thick eye makeup, there’s a little-girl-lost quality to the onetime Disney teen princess that’s very affecting.
    • 55 Metascore
    • 70 Scott Foundas
    Kormakur shows he knows his way around an action movie better than most, keeping the pace quick, the banter lively and the old-school, mostly CGI-free thrills delivering right on schedule.
    • 66 Metascore
    • 70 Scott Foundas
    Marking does an admirable job of ceding centerstage to the Panthers without letting the film turn soft or letting her subjects turn themselves into latter-day Robin Hoods.
    • 66 Metascore
    • 70 Scott Foundas
    There’s no denying, though, that Daniels knows how to push an audience’s buttons, and as crudely obvious as The Butler can be...it’s also genuinely rousing. By the end, it’s hard not to feel moved, if also more than a bit manhandled.
    • 49 Metascore
    • 70 Scott Foundas
    An improbable but very enjoyable sequel that recaptures much of the stripped-down intensity of Diesel and director David Twohy’s franchise starter "Pitch Black."
    • 83 Metascore
    • 70 Scott Foundas
    There is something too dry and austere about Greengrass and Ray’s telescoped vision, which touches only fleetingly on the pirates’ motives, the suffering of the Somali people and the collateral damage of global capitalism.
    • 63 Metascore
    • 70 Scott Foundas
    It’s a measure of Benson’s sure, skillful hand with actors that all the relationships in the movie — husband and wife, parent and child — feel lived-in and true, even when the dialogue strains too hard for the meaningful and poetic.
    • 54 Metascore
    • 70 Scott Foundas
    Even at its low ebb, the movie effuses an infectious, mischief-making joy.
    • 53 Metascore
    • 70 Scott Foundas
    An exceedingly good-natured Z-grade creature feature.
    • 74 Metascore
    • 70 Scott Foundas
    This always enjoyable tale of mysterious magic, imperiled princesses and square-jawed men of action proves longer on striking visuals than on truly engaging or memorable characters.
    • 83 Metascore
    • 70 Scott Foundas
    Sweet Dreams finds and sustains a delicate balance, seizing on small moments of hope in a place where the horrors of 1994 are in many ways still an open wound.
    • 61 Metascore
    • 70 Scott Foundas
    A modestly less quotable but generously funny new adventure for scotch-and-mahogany-loving 1970s newsman Ron Burgundy.
    • 60 Metascore
    • 70 Scott Foundas
    A lively comic jamboree that’s sometimes smarter than it is funny and hits about as often as it misses, but is, on balance, a good deal of fun.
    • 76 Metascore
    • 70 Scott Foundas
    At more than two hours, The Dance of Reality unquestionably has its longueurs, but on balance it is alive with enough images and ideas for several movies — as if Jodorowsky were afraid he might have to wait 20 more years before making another.
    • 48 Metascore
    • 70 Scott Foundas
    Anchored by Eva Green’s fearsome performance as a Persian naval commander whose vengeful bloodlust makes glowering King Xerxes seem a mere poseur, this highly entertaining time-filler lacks the mythic resonances that made “300” feel like an instant classic, but works surprisingly well on its own terms.
    • 70 Metascore
    • 70 Scott Foundas
    It’s to the credit of the Russos that they give the characters such room to breathe in a movie that easily might have been about rushing from one gargantuan setpiece to the next.
    • 54 Metascore
    • 70 Scott Foundas
    Draft Day affords the simple but uncommon pleasure of watching intelligent characters who are passionate about what they do trying to do the best that they can.
    • 72 Metascore
    • 70 Scott Foundas
    This brisk, stylish and extremely heartfelt portrait of Nas’ rise from the housing projects of Queensbridge to the heights of hip-hop royalty ably stands on its own, marked by an admirable focus on the man and his music rather than hype and hagiography.
    • 56 Metascore
    • 70 Scott Foundas
    Sometimes a hard-hitting expose, sometimes a big-hearted crowdpleaser, Million Dollar Arm wants it both ways to be sure, but its instincts are mostly right on the money, as are its actors.
    • 67 Metascore
    • 70 Scott Foundas
    [A] loosely structured, always informative, sometimes illuminating portrait docu.
    • 75 Metascore
    • 70 Scott Foundas
    A fast-paced valentine to Russell and his quixotic vision so rife with underdog victors and hairpin twists of fortune that, if it weren’t all true, no one would believe it.
    • 47 Metascore
    • 70 Scott Foundas
    It’s a grandly staged, solidly entertaining, old-fashioned adventure movie that does something no other Hercules movie has quite done before: it cuts the mythical son of Zeus down to human size (or as human as you can get while still being played by Dwayne Johnson).
    • 76 Metascore
    • 70 Scott Foundas
    Director James Gunn’s presumptive franchise-starter is overlong, overstuffed and sometimes too eager to please, but the cheeky comic tone keeps things buoyant — as does Chris Pratt’s winning performance as the most blissfully spaced-out space crusader this side of Buckaroo Banzai.
    • 56 Metascore
    • 70 Scott Foundas
    An enjoyable if never electrifying record of his Unity Through Laughter stand-up tour.
    • 71 Metascore
    • 70 Scott Foundas
    Boseman is an empathic presence, and nothing he does smacks of mimicry. He feels Brown from the inside out, the way Brown felt his own distinctive rhythms, and even when the movie itself seems to be on autopilot, Boseman never leaves the captain’s chair.
    • 57 Metascore
    • 70 Scott Foundas
    At its core is a most affecting portrait of two people who love each other, but may no longer be able to live as one, and it is mostly a pleasure to spend two, or three, or five hours in their company.

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