For 78 reviews, this critic has graded:
  • 43% higher than the average critic
  • 7% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 0.8 points lower than other critics. (0-100 point scale)

Scott Tobias' Scores

  • Movies
Average review score: 59
Highest review score:
Critic Score 95
Lowest review score:
Critic Score 10
Score distribution:
  1. Positive: 32 out of 78
  2. Negative: 8 out of 78
78 movie reviews
    • Metascore: 80
    • Scott Tobias 95
    There are times when the title is more a wish than an action - because just as cocaine addicts are forever chasing that first high, there's always the hunger to recapture a lost feeling again, even for those who have spent years in recovery. Pity those who fall off the wagon.
    • Metascore: 81
    • Scott Tobias 90
    Cianfrance and his actors, Michelle Williams and Ryan Gosling, have not made a cold or schematic film. They aim instead for raw emotional experience, one that's full of insight into the ways a relationship can go astray, but mostly feels like a slow-motion punch to the gut.
    • Metascore: 81
    • Scott Tobias 90
    The latest bloom from the flourishing garden that is Romanian cinema, Radu Muntean's Tuesday, After Christmas chronicles the emotional fallout from a classic love triangle, but it unfolds with the agonizing tension of a suspense film.
    • Metascore: 72
    • Scott Tobias 90
    Replace the toy box with the arcade machine, and Wreck-It Ralph is basically a repurposed "Toy Story" movie, suffused with the same mix of adventure and nostalgia and themes of friendship and the existential crises that come with age. A cynic might dismiss the film as reheated leftovers. But that cynic would be wrong, because those leftovers are delicious.
    • Metascore: 80
    • Scott Tobias 85
    Greenfield's refusal to pass judgment on the Siegels lends her subjects and their marriage unexpected complexity and depth - especially Jackie, a true force of nature.
    • Metascore: 81
    • Scott Tobias 85
    Leon isn't a flashy director, but he has an excellent sense of proportion. Gimme the Loot unfolds in a series of loose, funny, naturalistic scenes, but they never trail off into improvisational vapors.