For 1,533 reviews, this critic has graded:
  • 46% higher than the average critic
  • 4% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 0.7 points higher than other critics. (0-100 point scale)

Scott Tobias' Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 Zodiac
Lowest review score: 0 The Real Cancun
Score distribution:
1,533 movie reviews
    • 58 Metascore
    • 35 Scott Tobias
    Produced in partnership with YouTube and distributed by National Geographic Films, the documentary Life in a Day is offspring with the worst genetic traits of both: narcissism on a global scale, speckled with pretty pictures. In a world without books or magazines, this is the movie people would watch in the waiting room at the dentist's office.
    • 18 Metascore
    • 33 Scott Tobias
    With minimal flare and maximal gore, Boll simply delivers the turgid drama and incompetently staged action sequences that have made him the unstoppable Big Boss of the gaming community.
    • 43 Metascore
    • 33 Scott Tobias
    Okay, so when does the fun start?
    • 45 Metascore
    • 33 Scott Tobias
    Though he labors endlessly to account for her behavior, which is explained away by flashbacks to her decadent parents and a glamorous mother-figure played under Vaseline lens by an uncredited Sandra Bullock, Bacon fails to make her seem human.
    • 37 Metascore
    • 33 Scott Tobias
    Arriving late to the scene, Another Gay Movie coughs up the same awkward gags about coming of age via false starts and sexual humiliation, only the genuine sweetness and camaraderie that made the first "Pie" movie bearable has been replaced by glib self-awareness.
    • 48 Metascore
    • 33 Scott Tobias
    Stiller's continued efforts to court the broadest possible audience has taken the edge off his comedy. Whenever he shares screen time with Williams, it looks like the grim future he's mapping out for himself.
    • 35 Metascore
    • 33 Scott Tobias
    If there were a shred of sincerity to its straight-faced exposé of African strife, the film would be easier to forgive, but since it's really just a cheap horror-thriller about an ancient predator, the austere tone does it no favors.
    • 25 Metascore
    • 33 Scott Tobias
    Krasinski knows how to play off Williams--his pained looks are all too appropriate in the face of Williams' desperate shtick--but it's disillusioning to see him here, because he seems too smart for this film.
    • 41 Metascore
    • 33 Scott Tobias
    Thornton is one of America's finest actors, but after this, "Bad News Bears," and "School For Scoundrels," his run of loveably irascible authority-figure roles should probably come to a close. He's kicked around one child too many.
    • 47 Metascore
    • 33 Scott Tobias
    The emotions at play in Bella are no doubt heartfelt--and must have resonated with a few hundred people, anyway--but they're so cut-and-dried that the mawkish script virtually writes itself.
    • 49 Metascore
    • 33 Scott Tobias
    No doubt the list of talent involved in this remake sounded great, but the project hasn't been thought through as anything more than an arch exercise in style. And even in that trifling end, it fails utterly.
    • 33 Metascore
    • 33 Scott Tobias
    Only the so-bad-it's-good crowd need apply.
    • 32 Metascore
    • 33 Scott Tobias
    It's a measure of the film's lack of imagination that Morris Chestnut, as an aspiring songwriter logging time as a mall Santa, can't even think of a good fake occupation.
    • 31 Metascore
    • 33 Scott Tobias
    Taken together, these stories are a symphony of inconsequentiality, drained of tension and purpose until all that remains is a vague sense of collective ennui.
    • 34 Metascore
    • 33 Scott Tobias
    Dane Cook plays a smug jerk in the dismal comedy My Best Friend's Girl. Strike that: He's only ACTING like a smug jerk.
    • 35 Metascore
    • 33 Scott Tobias
    The film looks to do for reflective surfaces what "Amityville 4" did for killer lamps.
    • 17 Metascore
    • 33 Scott Tobias
    It takes guts to remake what many believe to be Hitchcock's first masterpiece, but what Ondaatje's done with The Lodger could not be mistaken for ambition.
    • 42 Metascore
    • 33 Scott Tobias
    It's now a straight-up crime and retribution flick, capped off by the dumbest wolf-feeding coda a 13-year-old ever dreamed up.
    • 50 Metascore
    • 33 Scott Tobias
    Nowrasteh constantly overplays his hand, not realizing that some horrors speak for themselves.
    • 23 Metascore
    • 33 Scott Tobias
    Features a running gag about a little boy in the midst of potty training who doesn’t always go where it’s appropriate. In a nutshell, that subplot explains everything that’s wrong about the film.
    • 47 Metascore
    • 33 Scott Tobias
    Cody’s script fails in the fundamentals.
    • 45 Metascore
    • 33 Scott Tobias
    The characters in The Burning Plain are so narrowly defined by tragedy that they reveal no other facets of humanity.
    • 31 Metascore
    • 33 Scott Tobias
    With Cop Out, Smith works from a script other than his own for the first time--this one penned by siblings Mark and Robb Cullen--but his slack direction siphons the energy out of this tongue-in-cheek throwback to ’80s mismatched-buddy comedies.
    • 42 Metascore
    • 33 Scott Tobias
    Few of the scenes in The Perfect Game feel authentic, but the ones in Monterrey are especially lacking in flavor.
    • 47 Metascore
    • 33 Scott Tobias
    Bratt’s character is stuck in old ways of thinking, and the movie, for all its well-meaning social intent, is right there with him.
    • 52 Metascore
    • 33 Scott Tobias
    On balance, more dignity is lost than gained.
    • 49 Metascore
    • 33 Scott Tobias
    Disney has once again constructed a digital environment out of cutting-edge special effects, only this time, it isn't merely silly; it's as dry and talky as a PBS panel show.
    • 51 Metascore
    • 33 Scott Tobias
    Spacey has made a career out of projecting the smarmy elitism of the powerful, but Casino Jack is so painfully clunky that he gets dragged down along with it.
    • 37 Metascore
    • 33 Scott Tobias
    It's loud, relentless, and difficult to endure, capturing the experience of ground-level alien warfare with woeful verisimilitude.
    • 28 Metascore
    • 33 Scott Tobias
    The film is curiously sterile and lifeless, hardly the stuff of revolution. It feels more like an ideologically reversed "Tucker: The Man And His Dream," written and performed by robots.