For 1,677 reviews, this critic has graded:
  • 45% higher than the average critic
  • 4% same as the average critic
  • 51% lower than the average critic
On average, this critic grades 1.4 points lower than other critics. (0-100 point scale)

Scott Tobias' Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 Amour
Lowest review score: 0 Bruce Almighty
Score distribution:
1677 movie reviews
    • 70 Metascore
    • 90 Scott Tobias
    Much like "School Of Rock," Bad Santa salvages a tired, paint-by-numbers formula by resisting it every step of the way, stubbornly refusing to stop its juvenile fun until the last possible moment.
    • 79 Metascore
    • 90 Scott Tobias
    Only Lovers Left Alive accomplishes the neat trick of reinventing a moribund genre as a distinctly Jarmuschian hangout movie.
    • 89 Metascore
    • 90 Scott Tobias
    A surprisingly bittersweet love story at heart, Eternal Sunshine values the sum of experience, which in this case means a thorns-and-all openness to romantic possibilities.
    • 89 Metascore
    • 90 Scott Tobias
    DuVernay stages well-known public events like the “Bloody Sunday” march with scrupulousness, scope, and a gut-wrenching visceral power. But Selma’s true success is as a chamber piece, not a thundering historical epic.
    • 88 Metascore
    • 90 Scott Tobias
    It’s emotionally and sexually explicit, as raw as an exposed nerve at times, but Adèle and Emma have public lives as well as private ones, and the film’s great achievement is holding them in balance and observing how they relate to each other.
    • 88 Metascore
    • 90 Scott Tobias
    There’s nothing lost in his continued refinement of style; if anything, it makes the pleasures of his work that much more acute.
    • 83 Metascore
    • 90 Scott Tobias
    Far from the solemn earnestness of most Holocaust documentaries, Fighter addresses the war and its oft-toxic reverberations with refreshing impudence and candor.
    • 74 Metascore
    • 90 Scott Tobias
    Computer Chess may seem like a novelty item, but it’s that and more, accumulating insight and substance without ever losing the fun of being a lark.
    • 72 Metascore
    • 90 Scott Tobias
    A grand achievement in history and anthropology, supporting its ambition and scope with a sumptuous re-creation of the period and an immediacy that allows a forgotten past to barrel into the present.
    • 83 Metascore
    • 90 Scott Tobias
    Mitchell’s deft handling of the relationships in It Follows gets threaded into an ingenious and exceedingly skillful creepshow.
    • 96 Metascore
    • 90 Scott Tobias
    [McQueen's] film is a tough, soul-sickening, uncompromising work of art that makes certain that when viewers talk about the evils of slavery, they know its full dimension.
    • 81 Metascore
    • 90 Scott Tobias
    The latest bloom from the flourishing garden that is Romanian cinema, Radu Muntean's Tuesday, After Christmas chronicles the emotional fallout from a classic love triangle, but it unfolds with the agonizing tension of a suspense film.
    • 87 Metascore
    • 90 Scott Tobias
    Revisits the past with an eye on the present and future, hoping as McNamara does that his "lessons" are instructive and might keep history from repeating itself.
    • 79 Metascore
    • 90 Scott Tobias
    If The Winslow Boy has a flaw, it's that Mamet's style is impeccable to a fault, too cool and remote to have much of an emotional payoff. But since few directors can even approach his level of precision, that's a very minor complaint.
    • 76 Metascore
    • 90 Scott Tobias
    The simplified, handheld camerawork and the idea of “cutting for emotion” rather than continuity gets the most out of his actors, who are free to clash and improvise within a scene without worrying about hitting their marks.
    • 83 Metascore
    • 90 Scott Tobias
    Fantastic Mr. Fox may be his most purely pleasurable film to date, evoking the Dahl books and Rankin-Bass productions that so transported him as a kid.
    • 86 Metascore
    • 90 Scott Tobias
    Nebraska is one of Payne’s best films, a near-perfect amalgam of the acrid humor, great local color, and stirring resonances that run through his work.
    • 83 Metascore
    • 90 Scott Tobias
    Edited with an impeccable sense of timing and rhythm, with each new revelation and insight planted at just the right moment, Bus 174 examines an already gripping story from a moving and untold perspective.
    • 86 Metascore
    • 90 Scott Tobias
    Fast, exhilarating new comedy.
    • 84 Metascore
    • 90 Scott Tobias
    Stray Dogs evokes the whole of Tsai’s filmography, but also pays off his collaboration with Lee, who shows a side of himself that’s been hidden away for all these years.
    • 72 Metascore
    • 90 Scott Tobias
    A hilarious and unexpectedly profound comedy.
    • 75 Metascore
    • 90 Scott Tobias
    Since Belfort and his crew are complete knuckleheads, every bit the low-class slobs who bray like animals on the trading floor, The Wolf Of Wall Street may be the funniest film of 2013, rife with gross misbehavior, pranks, and tomfoolery.
    • 81 Metascore
    • 90 Scott Tobias
    On a production of this magnitude, few actors have the presence to assert themselves above the cacophony, but Crowe carries the film with the rare combination of charisma and brute masculinity that has made him a star.
    • 75 Metascore
    • 90 Scott Tobias
    Heaven Knows What isn’t interested in merely exploring the world of New York City addicts. It wants to make their experiences felt, with the dissonant, amp-cracking roar of a punk anthem.
    • 66 Metascore
    • 90 Scott Tobias
    A superb portrait of a band and an industry in flux.
    • 84 Metascore
    • 90 Scott Tobias
    An inspired, original, and gracefully integrated collaboration of theater and cinema that complements not only both forms, but also the seductive, dreamlike qualities of the source material.
    • 82 Metascore
    • 90 Scott Tobias
    It takes enormous skill to pull off such a high-wire act without diminishing the gravity of the situation, but Bong and his first-rate cast are up to the task.
    • 87 Metascore
    • 90 Scott Tobias
    It’s a richly imagined drama that gives everyone involved a specific and understandable set of motives for acting the way they do.
    • 81 Metascore
    • 90 Scott Tobias
    Cianfrance and his actors, Michelle Williams and Ryan Gosling, have not made a cold or schematic film. They aim instead for raw emotional experience, one that's full of insight into the ways a relationship can go astray, but mostly feels like a slow-motion punch to the gut.
    • 78 Metascore
    • 90 Scott Tobias
    Clouds Of Sils Maria is a great midlife crisis film, in other words, and, like Irma Vep, it’s also a great meta-commentary on contemporary moviemaking, with Assayas making keen observations about modern celebrity, screen-devouring blockbusters, Internet gossip culture, and the next generation of actresses, represented here by Kristen Stewart and Chloë Grace Moretz.

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