For 1,383 reviews, this critic has graded:
  • 47% higher than the average critic
  • 3% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 1.4 points higher than other critics. (0-100 point scale)

Scott Tobias' Scores

  • Movies
Average review score: 60
Highest review score: 100 35 Shots of Rum
Lowest review score: 0 Bruce Almighty
Score distribution:
1,383 movie reviews
    • 72 Metascore
    • 83 Scott Tobias
    Though Anderson's storytelling gets murky at times, it's still a fine showcase for his versatility, adding to an impressive, under-the-radar résumé that includes the underrated science-fiction comedy "Happy Accidents" and the first-rate horror film "Session 9."
    • 66 Metascore
    • 83 Scott Tobias
    Though it's compelling enough as soap opera, American Teen digs deeply into why kids grudgingly accept the roles they've been given and the brutal consequences that come with straying outside the lines.
    • 62 Metascore
    • 83 Scott Tobias
    Much of the fun of Baghead is that it's unclassifiable, by turns a movie-movie lark, an Eric Rohmer-like relationship comedy, and a surprisingly effective "Friday The 13th" kids-in-the-woods slasher film.
    • 70 Metascore
    • 83 Scott Tobias
    Through it all, Vicky Cristina Barcelona remains unaccountably romantic, a confirmation that love, elusive and painful as it can be, is still worth pursuing.
    • 72 Metascore
    • 83 Scott Tobias
    I Served The King Of England views diabolical events from the sidelines, something like "The Remains Of The Day" reworked as an absurdist comedy.
    • 77 Metascore
    • 83 Scott Tobias
    It's a funny, sweet-natured humanist character piece.
    • 79 Metascore
    • 83 Scott Tobias
    The film deftly sketches a sibling relationship complicated by obligation, guilt, mistrust, and, not least, an abiding love.
    • 67 Metascore
    • 83 Scott Tobias
    For this master of mindfuckery, Synecdoche, New York probably qualifies as a magnum opus, since it essentially multiplies "Adaptation" by an exponential factor and thus grows into a snarling, ungainly beast of self-reflexive absurdities.
    • 68 Metascore
    • 83 Scott Tobias
    Doubt is a complex, thematically loaded piece of work, and though it isn't enhanced on film, it deserves the wider exposure.
    • 83 Metascore
    • 83 Scott Tobias
    The Secret Of The Grain stretches out at the relaxed pace of a seven-course meal, but at the end of it, Kechiche has squeezed the most he can out of percolating dramas within the family and he lets the audience get to know its members without needing to throw them all a subplot.
    • 81 Metascore
    • 83 Scott Tobias
    A caustic, witty, regretful elegy for a place so transformed that it's virtually unrecognizable.
    • 76 Metascore
    • 83 Scott Tobias
    At its best, Serbis is a vibrant slice of life that establishes this theater as a living organism, nurturing a society of outcasts; it's like "Ship Of Fools" with blowjobs and boil-lancings.
    • 61 Metascore
    • 83 Scott Tobias
    Fighting doesn’t break new ground so much as animate B-movie types, but New York movies this gritty and flavorful don't come along very often.
    • 64 Metascore
    • 83 Scott Tobias
    At a minimum, his new film, Adoration, marks a welcome return to the Egoyan of old, the one who could spin seductive mysteries out of disassembled parts and show how images can be manipulated into comforting lies.
    • 81 Metascore
    • 83 Scott Tobias
    District 9 fuses science fiction mayhem and biting social commentary as well as any film since "Starship Troopers." It’s the rare alien invasion story that has the aliens running scared.
    • 66 Metascore
    • 83 Scott Tobias
    The thinking behind Grey's casting, with its obvious sex-industry connections, lends the film a degree of verisimilitude, but it really pays off in a cameo by film critic Glenn Kenny, who brings a hilariously sleazy theatricality to the role of an "escort critic" who expects graft for his reviews.
    • 58 Metascore
    • 83 Scott Tobias
    Though Away We Go lacks the screwball unpredictability of something like "Flirting With Disaster," it compensates with a unexpected depth of feeling, a novelist’s (or memoirist’s) sense of detail, and a panoramic view of what home means.
    • 70 Metascore
    • 83 Scott Tobias
    Bujalski’s funny, diverting character piece has a lived-in quality that’s no small achievement.
    • 61 Metascore
    • 83 Scott Tobias
    Nobody is better at capturing the crushing banality of everyday life than Judge.
    • 66 Metascore
    • 83 Scott Tobias
    The value of No Impact Man, a compelling and suitably exasperating documentary about one family’s attempt to not harm the environment for a year, is that it forces viewers to reflect on their own casual consumption and waste.
    • 69 Metascore
    • 83 Scott Tobias
    It’s not always easy to sort out the legitimately inspired touches from the merely campy ones, but the film has a deranged, go-for-broke spirit that makes such distinctions irrelevant.
    • 81 Metascore
    • 83 Scott Tobias
    A clever, exceedingly wonky procedural about a undercover cop (Dragos Bucur) who quietly refuses to do what he's told.
    • 68 Metascore
    • 83 Scott Tobias
    Given several years’ distance from the media blitz, Téchiné brings clarity, maturity, and perspective to the case while still subtly addressing all the thorny social issues the affair touched off.
    • 77 Metascore
    • 83 Scott Tobias
    The Ghost Writer may not go down as one of Polanski’s masterpieces, but if it does end up being his swan song, it’s the ideal denouement to a life and career of unsettling resonance.
    • 68 Metascore
    • 83 Scott Tobias
    Gibney has enough material for a dozen movies here, but his attempt at an overview, however unwieldy, paints one hell of a nauseating picture.
    • 70 Metascore
    • 83 Scott Tobias
    Currently serving out a sentence that will likely consume the remainder of his life, Spector turns the interview into a trial on his own terms--one that's gripping, revelatory, and a little self-incriminating.
    • 64 Metascore
    • 83 Scott Tobias
    Great casting takes The Other Guys most of the way: Ferrell draws a wealth of good material from his character's oddball ineffectuality, and he partners perfectly with Wahlberg, who's always best at his most incredulous.
    • 76 Metascore
    • 83 Scott Tobias
    Soul Kitchen plays everything big and loud-and sometimes too doggedly conventional-but it's the rare example of a crowd-pleaser made without cynicism or calculation.
    • 69 Metascore
    • 83 Scott Tobias
    Enter The Void is a trance-like experience, feeding the shimmering neon of Tokyo at night into a spectacular hallucinogenic head-trip.
    • 78 Metascore
    • 83 Scott Tobias
    Though narrower in scope and lacking the first-person angle, Waste Land resembles Agnès Varda's great 2000 documentary "The Gleaners & I," particularly in its awe of tough, creative, hard-working people who live on the margins.