For 1,660 reviews, this critic has graded:
  • 45% higher than the average critic
  • 4% same as the average critic
  • 51% lower than the average critic
On average, this critic grades 0.7 points lower than other critics. (0-100 point scale)

Scott Tobias' Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 Amour
Lowest review score: 0 Cats & Dogs: The Revenge of Kitty Galore
Score distribution:
1660 movie reviews
    • 61 Metascore
    • 80 Scott Tobias
    Even without its bleak and affecting story, Beijing Bicycle would work beautifully as a travelogue alone.
    • 71 Metascore
    • 80 Scott Tobias
    Every time the pace starts to flag, it coughs up one hilarious left-field interlude after another.
    • 65 Metascore
    • 80 Scott Tobias
    Not since Lukas Moodysson's "Together" has communal living been depicted with such warmth and feeling for the entire ensemble.
    • 66 Metascore
    • 80 Scott Tobias
    The rare sequel that magnifies the scope of the original without diminishing the fun.
    • 77 Metascore
    • 80 Scott Tobias
    More than a slight, pleasant oddity, Hukkle shows Pálfi's keen attunement to the sensual possibilities, both in nature and in cinema.
    • 68 Metascore
    • 80 Scott Tobias
    As reticent as Nathan is to cast explicit judgment, the film shows the tragic impasse between a street culture that’s reckless and provocative, and a police force that exacerbates the problem with heavy-handed tactics.
    • 68 Metascore
    • 80 Scott Tobias
    Though Cronenberg makes some creepy insinuations, eXistenZ is more effective as a black comedy than as a visceral shocker.
    • 77 Metascore
    • 80 Scott Tobias
    A Touch Of Sin stumbles in the coda, which makes the themes embedded in its title too explicit, but it’s a bold, invigorating statement from a director who keeps reinventing himself.
    • 76 Metascore
    • 80 Scott Tobias
    With Scott playing the perfect foil to Leary's exasperated sage, the fantasy sequences are hilariously caustic, but as they accumulate more rapidly, the distinction between real and imagined situations becomes disturbingly vague.
    • 60 Metascore
    • 80 Scott Tobias
    A joyously demented musical-comedy built on a macabre foundation, like "The Sound Of Music" with a kickline of corpses.
    • 81 Metascore
    • 80 Scott Tobias
    Stunning you-are-there account of a grand swindle in the making. Were the coup not such an outrageous and chilling affront to democracy, their documentary would be a gut-busting comedy along the lines of Woody Allen's "Bananas."
    • 72 Metascore
    • 80 Scott Tobias
    Wiseman's fragmented approach misses the continuity of the show, which mixes erotic dance with comedy, magic and even a little soft shoe, and tells an overarching story that Crazy Horse never quite communicates. Yet there's more than enough compensation in the scenes Wiseman does catch.
    • NPR
    • 71 Metascore
    • 80 Scott Tobias
    Siegel is almost too tasteful, nearly to the point where his coming-of-age story loses color and purpose. But he finds a mesmerizing presence in Ambrose, a terrific young actress who carries the film without a second of showiness.
    • 88 Metascore
    • 80 Scott Tobias
    Poitras fashions Citizenfour into a spy thriller whose intrigues bleed into everyday life. She doesn’t want the audience to feel like Snowden’s revelations are limited to him and potential enemies of the state—or even to activist journalists like her and Greenwald. She makes the threat feel as pervasive as they believe it to be.
    • 92 Metascore
    • 80 Scott Tobias
    Timbuktu’s delicate tone is totally unexpected and specific to Sissako, who keeps finding notes of vulnerability.
    • 78 Metascore
    • 80 Scott Tobias
    A romantic comedy with jagged edges, Fatih Akin's exhilarating Head-On paves the road to love through miles of prickly thatch.
    • 68 Metascore
    • 80 Scott Tobias
    A brainteaser of the first order, Primer ranks among the best of recent thrillers such as "Memento" or "The Matrix," which rupture the fabric of reality and radically destabilize the narrative in kind.
    • 62 Metascore
    • 80 Scott Tobias
    5x2
    Unlike "Eternal Sunshine Of The Spotless Mind," which holds the memories of a doomed affair as precious, there's nothing bittersweet about Ozon's failed romance, but its problems are equally true.
    • 55 Metascore
    • 80 Scott Tobias
    Plays like an old-fashioned romantic comedy with updated hardware.
    • 60 Metascore
    • 80 Scott Tobias
    Using simplicity as another form of deception, Mamet lays out a hand of three-card monte for the audience to see, then tricks it into guessing falsely. In this case, it's worth getting fooled out of a little cash.
    • 66 Metascore
    • 75 Scott Tobias
    Baratz’s apparent willingness to accept everything at face value papers over some of the more troubling aspects of Tenzin’s mission, but Unmistaken Child allows the mysteries of the process to be preserved without judgment.
    • 48 Metascore
    • 75 Scott Tobias
    More than any masculine heroics, Pearce's primary job is maintaining the tone: smug, irreverent, and giddily punch-drunk.
    • 56 Metascore
    • 75 Scott Tobias
    The key point about God Bless America is that it's extreme but not exaggerated, a dark comedy that indulges - and questions - a violent, misanthropic fantasy about laying waste to the cultural landscape while staying grounded in a recognizable reality.
    • 81 Metascore
    • 75 Scott Tobias
    Though the film is too slick and heavy-handed in its pro-integration sloganeering, and it's burdened by Travolta's ill-conceived star turn, its infectious high spirits and catchy tunes still pack one hell of a sugar rush.
    • 89 Metascore
    • 75 Scott Tobias
    What distinguishes Goodbye Solo, beyond Savané’s larger-than-life personality bumping up against West’s intractable curmudgeon, is the continued particularity of Bahrani’s work.
    • 74 Metascore
    • 75 Scott Tobias
    Jolie simply exercises Mariane's persistent will, and honors her in the process.
    • 59 Metascore
    • 75 Scott Tobias
    It's a small victory for flash in its eternal war with substance, but in this case, the flash is enough.
    • 52 Metascore
    • 75 Scott Tobias
    Elegantly scripted by Pulitzer Prize-winner David Auburn, The Lake House never establishes any clear rules about how and when these strands of time can intertwine, but it succeeds at forging a bond between people who only know each other on the page.

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