For 1,673 reviews, this critic has graded:
  • 45% higher than the average critic
  • 4% same as the average critic
  • 51% lower than the average critic
On average, this critic grades 1.4 points lower than other critics. (0-100 point scale)

Scott Tobias' Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 Eyes Without a Face [re-release]
Lowest review score: 0 United Passions
Score distribution:
1673 movie reviews
    • 80 Metascore
    • 83 Scott Tobias
    The grand concept is really just a vehicle for a more intimate study of depression and its dangerous, shifting polarities.
    • 61 Metascore
    • 83 Scott Tobias
    Fighting doesn’t break new ground so much as animate B-movie types, but New York movies this gritty and flavorful don't come along very often.
    • 74 Metascore
    • 83 Scott Tobias
    His film powerfully suggests that violent death of any kind, whether personal or state-mandated, transforms everyone in its vicinity.
    • 71 Metascore
    • 83 Scott Tobias
    Mara's Salander is the film's lifeblood, a shrewd yet vulnerable outsider whose resilience and pluck help Fincher elevate The Girl With The Dragon Tattoo above the standard procedural. But just barely.
    • 87 Metascore
    • 83 Scott Tobias
    Miller directs with intelligence, though not flair, but the script makes up for any flagging energy with crackling Sorkin dialogue and performances that sing with revolutionary fervor.
    • 76 Metascore
    • 83 Scott Tobias
    His outrageous, self-destructive journey lands him in a place just as ironic as Rupert Pupkin’s in "The King Of Comedy," but it’s haunting and mysterious, too, reflecting the dream that consumes his life.
    • 73 Metascore
    • 83 Scott Tobias
    The Lookout's thriller elements could stand to be more surprising, but they're ultimately in service of a better understanding of the characters. Usually, it's the other way around.
    • 58 Metascore
    • 83 Scott Tobias
    Though Away We Go lacks the screwball unpredictability of something like "Flirting With Disaster," it compensates with a unexpected depth of feeling, a novelist’s (or memoirist’s) sense of detail, and a panoramic view of what home means.
    • 81 Metascore
    • 83 Scott Tobias
    A caustic, witty, regretful elegy for a place so transformed that it's virtually unrecognizable.
    • 54 Metascore
    • 83 Scott Tobias
    It's a hilariously half-baked scheme, one that quickly turns them from hunters to hunted, but the strength of The Hunting Party is its shaggy-dog quality.
    • 85 Metascore
    • 83 Scott Tobias
    Most of all, The Host functions as a popcorn movie par excellence, loaded with the most familiar conventions, but shot through with such conviction and visual panache that even its clichés seem invigorating.
    • 61 Metascore
    • 83 Scott Tobias
    Edmond would probably be completely unapproachable were it not spiked with so much dark wit, much of it coming from Macy's painful naïveté and cheapness, which comes through in negotiations with various women of the night.
    • 68 Metascore
    • 83 Scott Tobias
    Given several years’ distance from the media blitz, Téchiné brings clarity, maturity, and perspective to the case while still subtly addressing all the thorny social issues the affair touched off.
    • 63 Metascore
    • 83 Scott Tobias
    Over a difficult three-hour sprawl, Cristi Puiu's Aurora fully explores the time before and after a killer strikes, and it has the cumulative effect of making what passes for a "motive" seem absurdly simplistic.
    • 69 Metascore
    • 83 Scott Tobias
    Though it occasionally dips too deep into a well of redneck humor, Slither cleverly exploits the nervous laughter that fills a theater whenever a horror movie gets too frightening to bear.
    • 65 Metascore
    • 83 Scott Tobias
    While it never approaches the richness and gravity of a great Mann film like "Heat," Miami Vice blurs the thin blue line to similar effect, and he features a couple of bravura setpieces, including a tense raid on an enemy hideout and a shootout with chaotic, you-are-there immediacy. If only all summer movies were this majestically slight.
    • 72 Metascore
    • 83 Scott Tobias
    Though Anderson's storytelling gets murky at times, it's still a fine showcase for his versatility, adding to an impressive, under-the-radar résumé that includes the underrated science-fiction comedy "Happy Accidents" and the first-rate horror film "Session 9."
    • 61 Metascore
    • 83 Scott Tobias
    Nobody is better at capturing the crushing banality of everyday life than Judge.
    • 61 Metascore
    • 83 Scott Tobias
    Meet The Robinsons takes a large step toward making 3D a sustainable format, the CinemaScope of tomorrow.
    • 76 Metascore
    • 83 Scott Tobias
    Shine A Light pays tribute to the band's essential agelessness.
    • 72 Metascore
    • 83 Scott Tobias
    Though Climates lacks "Distant's" haunted, poetic melancholy, it has a vivid, sensual texture that's unmistakably Ceylan's. He's one of those rare directors who doesn't need a credit for identification.
    • 79 Metascore
    • 83 Scott Tobias
    Bale's live-wire performance typifies the many major and minor elements that elevate The Fighter from the deeply conventional sports movie it might have been into the endearingly offbeat sports movie it turns out to be.
    • 57 Metascore
    • 83 Scott Tobias
    While Raimi’s Stooges aesthetic — which was really more prominently displayed in the sequels than in 1981’s The Evil Dead — isn’t played up here, there’s enough outrageous unreality to make the brutality go down a little easier. It isn’t quite a cartoon, but it’s close enough.
    • 76 Metascore
    • 83 Scott Tobias
    Arriving on the heels of "13 Assassins," Miike's gloriously irreverent take on the samurai action genre, Hara-Kiri seems conventional by his standards, especially in a long middle section that occasionally dips into sentimentality.
    • 64 Metascore
    • 83 Scott Tobias
    At a minimum, his new film, Adoration, marks a welcome return to the Egoyan of old, the one who could spin seductive mysteries out of disassembled parts and show how images can be manipulated into comforting lies.
    • 58 Metascore
    • 83 Scott Tobias
    Still, there’s no doubt that To The Wonder is a fans-only proposition, continuing Malick’s evolution (or devolution, for some) from the narrative grounding of "Badlands" to much more abstract, poeticized notions of the human condition.
    • 53 Metascore
    • 83 Scott Tobias
    It's all done in questionable taste, mucking around in the nasty terrain of snuff films and children in constant peril, but Sinister is smart and well-crafted, and it scarcely gives the audience a moment to breathe.
    • 64 Metascore
    • 83 Scott Tobias
    Great casting takes The Other Guys most of the way: Ferrell draws a wealth of good material from his character's oddball ineffectuality, and he partners perfectly with Wahlberg, who's always best at his most incredulous.
    • 73 Metascore
    • 83 Scott Tobias
    Côté and Henriquez err in pressing their case too hard on occasion, especially when they cut to reaction shots of Khadr supporters watching footage of his agony; there's a line between providing context and manipulating the audience that they don't care to acknowledge. Then again, subtlety isn't likely the goal: You Don't Like The Truth beats the drum, and beats it loudly.
    • 75 Metascore
    • 83 Scott Tobias
    Though the lightness of Bernie can get disconcerting at times, even cartoonish, Linklater approaches the story with a bemused curiosity that seems about right under the circumstances.

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