For 1,529 reviews, this critic has graded:
  • 46% higher than the average critic
  • 4% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 0.7 points higher than other critics. (0-100 point scale)

Scott Tobias' Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 The Long Day Closes
Lowest review score: 0 Extremely Loud and Incredibly Close
Score distribution:
1,529 movie reviews
    • 55 Metascore
    • 80 Scott Tobias
    It may not have been what the producers had in mind, but they asked for a Paul Schrader movie, and that's exactly what he delivered.
    • 83 Metascore
    • 80 Scott Tobias
    Herzog also finds extraordinary beauty in what Dorrington is trying to accomplish: Like Jean-Jacques Rousseau in his boat, Dorrington wants to float around the natural world in a reverie, and when he finally does, he experiences a connection with Plage that's genuinely transcendent.
    • 55 Metascore
    • 80 Scott Tobias
    Plays like an old-fashioned romantic comedy with updated hardware.
    • 62 Metascore
    • 80 Scott Tobias
    5x2
    Unlike "Eternal Sunshine Of The Spotless Mind," which holds the memories of a doomed affair as precious, there's nothing bittersweet about Ozon's failed romance, but its problems are equally true.
    • 55 Metascore
    • 80 Scott Tobias
    From the combustible opening-credits sequence, Caan displays a whip-crack sense of timing, pace, and energy that's so rare for a first-time filmmaker that it's tempting to call him a savant.
    • 78 Metascore
    • 80 Scott Tobias
    In light of Apichatpong Weerasethakul's young career, it's fitting that his beguiling, transfixing romantic fable Tropical Malady splits down the middle into two radically different halves.
    • 65 Metascore
    • 80 Scott Tobias
    Does nothing to justify its own existence other than be consistently funny from start to finish.
    • 70 Metascore
    • 80 Scott Tobias
    Storytelling clarity has never been a Kurosawa strong suit, yet Pulse baffles even under those standards, so it's best to just get on his abstract wavelength and ride the thing out.
    • 62 Metascore
    • 80 Scott Tobias
    Lucas' beautiful script and a trio of first-rate performances carry the material with an intermittently breathtaking urgency.
    • 82 Metascore
    • 80 Scott Tobias
    An impeccable minimalist drama that's tailored specifically to Devos' expressive capabilities, which say more than the sparse dialogue.
    • 83 Metascore
    • 80 Scott Tobias
    On a deeper level, Haneke tries to reach for political allegory on the French-Algerian War, but the film functions best as a perfectly calibrated thriller, perhaps his most accessible to date.
    • 71 Metascore
    • 80 Scott Tobias
    Siegel is almost too tasteful, nearly to the point where his coming-of-age story loses color and purpose. But he finds a mesmerizing presence in Ambrose, a terrific young actress who carries the film without a second of showiness.
    • 73 Metascore
    • 80 Scott Tobias
    Drifting through time and space without firmly situating the viewer, Iwai's elliptical style requires patience, but also a willingness to be carried along by its gorgeous, dreamy lyricism.
    • 65 Metascore
    • 80 Scott Tobias
    Though some of Slaughter Rule's conclusions are overly tidy, the film's powerful meditation on masculinity gets much of its credibility and punch from the two leads, especially Morse, a reliable character actor who sinks his teeth into a role with heavy physical and psychological demands.
    • 71 Metascore
    • 80 Scott Tobias
    Every time the pace starts to flag, it coughs up one hilarious left-field interlude after another.
    • 66 Metascore
    • 80 Scott Tobias
    The rare sequel that magnifies the scope of the original without diminishing the fun.
    • 54 Metascore
    • 80 Scott Tobias
    In keeping with Hong Kong's style-as-substance tradition, Fulltime Killers is beyond reproach.
    • 63 Metascore
    • 80 Scott Tobias
    In keeping with his concept that the mind and the body are inseparable, Sade builds to an extraordinarily powerful centerpiece when the two come together, fusing fear and desire, pleasure and pain, innocence and enlightenment.
    • 67 Metascore
    • 80 Scott Tobias
    Smith delights in these offbeat personalities and their jerry-rigged accoutrements, but the real joy in the film comes from the happy interaction between the subjects and their creations.
    • 79 Metascore
    • 80 Scott Tobias
    Riveting testimonial.
    • 72 Metascore
    • 80 Scott Tobias
    In the lively exchanges between the titular duo and the technical innovation that links the past to the present, The Lady And The Duke brings the period to life with surprising immediacy.
    • 82 Metascore
    • 80 Scott Tobias
    A daring and immediate debut feature for Koshashvili, Late Marriage could lead two likeminded people to opposite conclusions, and that may be its greatest strength.
    • 82 Metascore
    • 80 Scott Tobias
    Chabrol handles the upended family dynamic beautifully until the final third, when a wildly implausible sequence of events lessens the suspense just as he should be turning the screws.
    • 60 Metascore
    • 80 Scott Tobias
    Honest and moving.
    • 75 Metascore
    • 80 Scott Tobias
    A taut, diamond-cut piece of storytelling.
    • 76 Metascore
    • 80 Scott Tobias
    With Scott playing the perfect foil to Leary's exasperated sage, the fantasy sequences are hilariously caustic, but as they accumulate more rapidly, the distinction between real and imagined situations becomes disturbingly vague.
    • 57 Metascore
    • 80 Scott Tobias
    Flaws and all, Dark Blue has a combustible energy that's usually anathema to Hollywood, reopening an old wound that has festered too quietly for more than a decade.
    • 84 Metascore
    • 80 Scott Tobias
    Quietly asserts its eccentric romanticism with an assured, matter-of-fact blend of humor and pathos.
    • 75 Metascore
    • 80 Scott Tobias
    Few scenarios are more cliched than the curmudgeonly father-figure who takes in the precocious imp -- irritation in the first two acts, love in the third -- but Hornby infuses it with warmth and honesty, not to mention his obvious gift for wry observation.
    • 81 Metascore
    • 80 Scott Tobias
    Touring his father's magnificent structures, Nathaniel shows signs of coming around to his mother's point of view, and of realizing that Kahn's towering contributions to art and humanity perhaps exceed (if not altogether excuse) his shortcomings as a father, a husband, and a lover.