For 1,549 reviews, this critic has graded:
  • 46% higher than the average critic
  • 4% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 0.7 points higher than other critics. (0-100 point scale)

Scott Tobias' Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 The Assassination of Jesse James by the Coward Robert Ford
Lowest review score: 0 Extremely Loud and Incredibly Close
Score distribution:
1,549 movie reviews
    • 84 Metascore
    • 80 Scott Tobias
    Quietly asserts its eccentric romanticism with an assured, matter-of-fact blend of humor and pathos.
    • 71 Metascore
    • 80 Scott Tobias
    Every time the pace starts to flag, it coughs up one hilarious left-field interlude after another.
    • 65 Metascore
    • 80 Scott Tobias
    Not since Lukas Moodysson's "Together" has communal living been depicted with such warmth and feeling for the entire ensemble.
    • 82 Metascore
    • 80 Scott Tobias
    Though tagged as the director's bid for commercial success, School Of Rock is as philosophical in its own way as "Slacker" or "Waking Life." It was made by people who not only know the music well enough to create magnificent flowcharts around it, but also understand how a simple, soul-stirring rock song can seem revolutionary.
    • 69 Metascore
    • 80 Scott Tobias
    It remains to be seen whether Kill Bill is merely a skilled slice of juvenilia or a pastiche with real emotional and thematic underpinnings, but based on Tarantino's storytelling command in the first half, it's worth giving him the benefit of the doubt.
    • 70 Metascore
    • 80 Scott Tobias
    Has a gentle, hypnotic tone that's insistently sweet and elegiac, in spite of the horrors that overwhelm the frame. In its juxtaposition of the serene and the violent, the beautiful and the brutal, the film achieves a balance that's exquisitely judged, tiptoeing artfully through a cultural minefield.
    • 81 Metascore
    • 80 Scott Tobias
    Stunning you-are-there account of a grand swindle in the making. Were the coup not such an outrageous and chilling affront to democracy, their documentary would be a gut-busting comedy along the lines of Woody Allen's "Bananas."
    • 68 Metascore
    • 80 Scott Tobias
    Makes heavy demands of even jaded viewers, who are unlikely to stomach de Van's anatomical noodling from the same curious distance. But for the brave, the film's literal journey to find the "I" inside the body moves forward with a riveting single-mindedness.
    • 81 Metascore
    • 80 Scott Tobias
    Touring his father's magnificent structures, Nathaniel shows signs of coming around to his mother's point of view, and of realizing that Kahn's towering contributions to art and humanity perhaps exceed (if not altogether excuse) his shortcomings as a father, a husband, and a lover.
    • 77 Metascore
    • 80 Scott Tobias
    More than a slight, pleasant oddity, Hukkle shows Pálfi's keen attunement to the sensual possibilities, both in nature and in cinema.
    • 73 Metascore
    • 80 Scott Tobias
    Though Law and Kidman spend much of the movie apart, Minghella and ace editor Walter Murch arrange their interweaving subplots like a running dialogue between two lovers, each compelled to survive on the thin hope that they'll be reunited.
    • 43 Metascore
    • 80 Scott Tobias
    John Woo's smart thriller Paycheck may not intend to be political, but it's marked as much by its era as post-Watergate thrillers like "The Parallax View" or "Three Days Of The Condor."
    • 73 Metascore
    • 80 Scott Tobias
    Millennium Mambo is a resolutely minor work, so enveloped in ennui that it never gets past the surface of things. But those surfaces are remarkable.
    • 75 Metascore
    • 80 Scott Tobias
    A taut, diamond-cut piece of storytelling.
    • 82 Metascore
    • 80 Scott Tobias
    In its dramatic shift from the real to the allegorical, the ending of Andrey Zvyagintsev's auspicious debut feature The Return is likely to leave many viewers scratching their heads.
    • 60 Metascore
    • 80 Scott Tobias
    Using simplicity as another form of deception, Mamet lays out a hand of three-card monte for the audience to see, then tricks it into guessing falsely. In this case, it's worth getting fooled out of a little cash.
    • 59 Metascore
    • 80 Scott Tobias
    The incendiary Dogville confirms the director's sadistic knack for locating his characters' (and his audience's) soft spots and prodding them for a singular emotional experience.
    • 74 Metascore
    • 80 Scott Tobias
    Even without all the other complications, Doillon's handling of the language gap alone gives Raja a pungent dramatic edge.
    • 79 Metascore
    • 80 Scott Tobias
    In a sense, Oasis is an unabashed tearjerker, but Lee keeps knocking the melodrama off-balance, making all the big emotional payoffs a little discomforting, because they're not that far removed from something really disturbing.
    • 64 Metascore
    • 80 Scott Tobias
    Less a story than a situation, the film contends with a difficult transitional period in the lives of its title characters, who face the growing necessity of getting some distance from each other.
    • 71 Metascore
    • 80 Scott Tobias
    At its best, the film sustains the heightened tension of great science fiction, dropping in on a frightening new world that's just this side of familiar.
    • 73 Metascore
    • 80 Scott Tobias
    Goes through its airport-thriller paces with dazzling kinetics and style.
    • 71 Metascore
    • 80 Scott Tobias
    The film insightfully probes into the things that are said and the intense feelings that are merely implied, buzzing at a low level just beneath the surface.
    • 82 Metascore
    • 80 Scott Tobias
    Abortion, incest, infidelity, revenge, and hockey collide at a fever pitch, juxtaposed with such frantic energy that they're pushed to the level of high comedy, funniest at its most dramatic.
    • 74 Metascore
    • 80 Scott Tobias
    With ruthless efficiency and wit, Kahn ratchets up unbearable tension and releases it in startlingly visceral fashion, but his placid denouement is the most chilling scene of all.
    • 87 Metascore
    • 80 Scott Tobias
    Caouette's shattering Tarnation represents a landmark in personal filmmaking: It finally realizes the digital dream of a raw, unsanctioned glimpse into the soul.
    • 68 Metascore
    • 80 Scott Tobias
    A brainteaser of the first order, Primer ranks among the best of recent thrillers such as "Memento" or "The Matrix," which rupture the fabric of reality and radically destabilize the narrative in kind.
    • 83 Metascore
    • 80 Scott Tobias
    The issue may be polarizing, but Vera Drake resonates with such seriousness and truth that it transcends the narrow limitations of polemic.
    • 63 Metascore
    • 80 Scott Tobias
    When she (Breillat) succeeds, as she does in "Fat Girl" and in the final minutes of Sex Is Comedy, the impact can be overwhelming for filmmaker and audience alike.
    • 81 Metascore
    • 80 Scott Tobias
    In accounting for Almodóvar's identity as an artist and a man, Bad Education comes together like a bold and far-reaching summation of his career to date.

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