For 1,535 reviews, this critic has graded:
  • 46% higher than the average critic
  • 3% same as the average critic
  • 51% lower than the average critic
On average, this critic grades 0.7 points higher than other critics. (0-100 point scale)

Scott Tobias' Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 The Leopard (re-release)
Lowest review score: 0 Date Movie
Score distribution:
1,535 movie reviews
    • 85 Metascore
    • 90 Scott Tobias
    Payne, the great satirist behind "Citizen Ruth" and "Election," loves to populate his films with throwaway details, which in About Schmidt accumulate into a portrait of Midwestern life that's almost chilling in its exactitude.
    • 90 Metascore
    • 90 Scott Tobias
    First-time director Jarecki, better known as the co-founder of MovieFone, skillfully integrates the home-movie footage with his own thorough inquiry, weaving past and present into a patient, deeply engrossing piece of storytelling that's rich in ambiguities.
    • 80 Metascore
    • 90 Scott Tobias
    Few directors are capable of marrying ideas and entertainment—one is often sacrificed for the other—but Spielberg peppers one gripping action setpiece after another with trenchant details about a near-future robbed of the most basic freedoms and privacy.
    • 86 Metascore
    • 90 Scott Tobias
    Fast, exhilarating new comedy.
    • 86 Metascore
    • 90 Scott Tobias
    The Dardennes sustain that tension through a masterful closing drive that resembles the final third of "In The Bedroom," only without the same dreadful inevitability.
    • 65 Metascore
    • 90 Scott Tobias
    Though glazed in chilly surfaces -- the Kubrickian spaces, Cliff Martinez's gorgeous ambient score, the elliptical editing rhythms of Soderbergh's recent work, particularly "The Limey" -- the film contains a surprising depth of feeling within its egg-shaped head.
    • 79 Metascore
    • 90 Scott Tobias
    If The Winslow Boy has a flaw, it's that Mamet's style is impeccable to a fault, too cool and remote to have much of an emotional payoff. But since few directors can even approach his level of precision, that's a very minor complaint.
    • 72 Metascore
    • 90 Scott Tobias
    A grand achievement in history and anthropology, supporting its ambition and scope with a sumptuous re-creation of the period and an immediacy that allows a forgotten past to barrel into the present.
    • 83 Metascore
    • 90 Scott Tobias
    Edited with an impeccable sense of timing and rhythm, with each new revelation and insight planted at just the right moment, Bus 174 examines an already gripping story from a moving and untold perspective.
    • 81 Metascore
    • 90 Scott Tobias
    On a production of this magnitude, few actors have the presence to assert themselves above the cacophony, but Crowe carries the film with the rare combination of charisma and brute masculinity that has made him a star.
    • 70 Metascore
    • 90 Scott Tobias
    Much like "School Of Rock," Bad Santa salvages a tired, paint-by-numbers formula by resisting it every step of the way, stubbornly refusing to stop its juvenile fun until the last possible moment.
    • 87 Metascore
    • 90 Scott Tobias
    Revisits the past with an eye on the present and future, hoping as McNamara does that his "lessons" are instructive and might keep history from repeating itself.
    • 81 Metascore
    • 90 Scott Tobias
    Provides one of the rare glimpses of the upper class to come out of recent Iranian cinema--the last one in memory was 1996's exquisite, Ibsen-esque melodrama "Leila"--and director Jafar Panahi (The Circle) captures it vividly through his hero's wounded obsession.
    • 72 Metascore
    • 90 Scott Tobias
    A hilarious and unexpectedly profound comedy.
    • 89 Metascore
    • 90 Scott Tobias
    A surprisingly bittersweet love story at heart, Eternal Sunshine values the sum of experience, which in this case means a thorns-and-all openness to romantic possibilities.
    • 90 Metascore
    • 90 Scott Tobias
    In the spirit of the original, Linklater closes with one of the best endings of its kind since George Romero's "Martin."
    • 86 Metascore
    • 90 Scott Tobias
    Dazzling cinema-essay.
    • 94 Metascore
    • 90 Scott Tobias
    Good comedies are rare, but rarer still are those that conflate laughter with intimacy.
    • 79 Metascore
    • 90 Scott Tobias
    Tsai's latest, What Time Is It There?, runs his usual themes and obsessions through a whimsical premise worthy of Wong Kar-Wai, striking such an exquisite balance between humor and despair that the moods comfortably coexist, just as they do in real life.
    • 82 Metascore
    • 90 Scott Tobias
    It takes enormous skill to pull off such a high-wire act without diminishing the gravity of the situation, but Bong and his first-rate cast are up to the task.
    • 74 Metascore
    • 90 Scott Tobias
    Breaking from the Spielberg oeuvre, Munich isn't a particularly hopeful movie, but it's a fair and morally dignified one.
    • 81 Metascore
    • 90 Scott Tobias
    Cianfrance and his actors, Michelle Williams and Ryan Gosling, have not made a cold or schematic film. They aim instead for raw emotional experience, one that's full of insight into the ways a relationship can go astray, but mostly feels like a slow-motion punch to the gut.
    • 81 Metascore
    • 90 Scott Tobias
    The latest bloom from the flourishing garden that is Romanian cinema, Radu Muntean's Tuesday, After Christmas chronicles the emotional fallout from a classic love triangle, but it unfolds with the agonizing tension of a suspense film.
    • 72 Metascore
    • 90 Scott Tobias
    Replace the toy box with the arcade machine, and Wreck-It Ralph is basically a repurposed "Toy Story" movie, suffused with the same mix of adventure and nostalgia and themes of friendship and the existential crises that come with age. A cynic might dismiss the film as reheated leftovers. But that cynic would be wrong, because those leftovers are delicious.
    • 74 Metascore
    • 90 Scott Tobias
    Computer Chess may seem like a novelty item, but it’s that and more, accumulating insight and substance without ever losing the fun of being a lark.
    • 97 Metascore
    • 90 Scott Tobias
    [McQueen's] film is a tough, soul-sickening, uncompromising work of art that makes certain that when viewers talk about the evils of slavery, they know its full dimension.
    • 88 Metascore
    • 90 Scott Tobias
    It’s emotionally and sexually explicit, as raw as an exposed nerve at times, but Adèle and Emma have public lives as well as private ones, and the film’s great achievement is holding them in balance and observing how they relate to each other.
    • 86 Metascore
    • 90 Scott Tobias
    Nebraska is one of Payne’s best films, a near-perfect amalgam of the acrid humor, great local color, and stirring resonances that run through his work.
    • 85 Metascore
    • 90 Scott Tobias
    Farhadi isn’t interested in judging his characters so much as comprehending them in all their complexity, and registering the consequences of their actions, particularly on children.
    • 75 Metascore
    • 90 Scott Tobias
    Since Belfort and his crew are complete knuckleheads, every bit the low-class slobs who bray like animals on the trading floor, The Wolf Of Wall Street may be the funniest film of 2013, rife with gross misbehavior, pranks, and tomfoolery.