For 1,615 reviews, this critic has graded:
  • 46% higher than the average critic
  • 4% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 0.3 points higher than other critics. (0-100 point scale)

Scott Tobias' Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 Silent Light
Lowest review score: 0 Cats & Dogs: The Revenge of Kitty Galore
Score distribution:
1,615 movie reviews
    • 72 Metascore
    • 90 Scott Tobias
    A grand achievement in history and anthropology, supporting its ambition and scope with a sumptuous re-creation of the period and an immediacy that allows a forgotten past to barrel into the present.
    • 83 Metascore
    • 90 Scott Tobias
    Mitchell’s deft handling of the relationships in It Follows gets threaded into an ingenious and exceedingly skillful creepshow.
    • 97 Metascore
    • 90 Scott Tobias
    [McQueen's] film is a tough, soul-sickening, uncompromising work of art that makes certain that when viewers talk about the evils of slavery, they know its full dimension.
    • 81 Metascore
    • 90 Scott Tobias
    The latest bloom from the flourishing garden that is Romanian cinema, Radu Muntean's Tuesday, After Christmas chronicles the emotional fallout from a classic love triangle, but it unfolds with the agonizing tension of a suspense film.
    • 87 Metascore
    • 90 Scott Tobias
    Revisits the past with an eye on the present and future, hoping as McNamara does that his "lessons" are instructive and might keep history from repeating itself.
    • 79 Metascore
    • 90 Scott Tobias
    If The Winslow Boy has a flaw, it's that Mamet's style is impeccable to a fault, too cool and remote to have much of an emotional payoff. But since few directors can even approach his level of precision, that's a very minor complaint.
    • 76 Metascore
    • 90 Scott Tobias
    The simplified, handheld camerawork and the idea of “cutting for emotion” rather than continuity gets the most out of his actors, who are free to clash and improvise within a scene without worrying about hitting their marks.
    • 83 Metascore
    • 90 Scott Tobias
    Fantastic Mr. Fox may be his most purely pleasurable film to date, evoking the Dahl books and Rankin-Bass productions that so transported him as a kid.
    • 86 Metascore
    • 90 Scott Tobias
    Nebraska is one of Payne’s best films, a near-perfect amalgam of the acrid humor, great local color, and stirring resonances that run through his work.
    • 83 Metascore
    • 90 Scott Tobias
    Edited with an impeccable sense of timing and rhythm, with each new revelation and insight planted at just the right moment, Bus 174 examines an already gripping story from a moving and untold perspective.
    • 86 Metascore
    • 90 Scott Tobias
    Fast, exhilarating new comedy.
    • 84 Metascore
    • 90 Scott Tobias
    Stray Dogs evokes the whole of Tsai’s filmography, but also pays off his collaboration with Lee, who shows a side of himself that’s been hidden away for all these years.
    • 72 Metascore
    • 90 Scott Tobias
    A hilarious and unexpectedly profound comedy.
    • 75 Metascore
    • 90 Scott Tobias
    Since Belfort and his crew are complete knuckleheads, every bit the low-class slobs who bray like animals on the trading floor, The Wolf Of Wall Street may be the funniest film of 2013, rife with gross misbehavior, pranks, and tomfoolery.
    • 81 Metascore
    • 90 Scott Tobias
    On a production of this magnitude, few actors have the presence to assert themselves above the cacophony, but Crowe carries the film with the rare combination of charisma and brute masculinity that has made him a star.
    • 76 Metascore
    • 90 Scott Tobias
    Heaven Knows What isn’t interested in merely exploring the world of New York City addicts. It wants to make their experiences felt, with the dissonant, amp-cracking roar of a punk anthem.
    • 66 Metascore
    • 90 Scott Tobias
    A superb portrait of a band and an industry in flux.
    • 84 Metascore
    • 90 Scott Tobias
    An inspired, original, and gracefully integrated collaboration of theater and cinema that complements not only both forms, but also the seductive, dreamlike qualities of the source material.
    • 82 Metascore
    • 90 Scott Tobias
    It takes enormous skill to pull off such a high-wire act without diminishing the gravity of the situation, but Bong and his first-rate cast are up to the task.
    • 87 Metascore
    • 90 Scott Tobias
    It’s a richly imagined drama that gives everyone involved a specific and understandable set of motives for acting the way they do.
    • 81 Metascore
    • 90 Scott Tobias
    Cianfrance and his actors, Michelle Williams and Ryan Gosling, have not made a cold or schematic film. They aim instead for raw emotional experience, one that's full of insight into the ways a relationship can go astray, but mostly feels like a slow-motion punch to the gut.
    • 78 Metascore
    • 90 Scott Tobias
    Clouds Of Sils Maria is a great midlife crisis film, in other words, and, like Irma Vep, it’s also a great meta-commentary on contemporary moviemaking, with Assayas making keen observations about modern celebrity, screen-devouring blockbusters, Internet gossip culture, and the next generation of actresses, represented here by Kristen Stewart and Chloë Grace Moretz.
    • 79 Metascore
    • 90 Scott Tobias
    Tsai's latest, What Time Is It There?, runs his usual themes and obsessions through a whimsical premise worthy of Wong Kar-Wai, striking such an exquisite balance between humor and despair that the moods comfortably coexist, just as they do in real life.
    • 81 Metascore
    • 85 Scott Tobias
    Leon isn't a flashy director, but he has an excellent sense of proportion. Gimme the Loot unfolds in a series of loose, funny, naturalistic scenes, but they never trail off into improvisational vapors.
    • 80 Metascore
    • 85 Scott Tobias
    Greenfield's refusal to pass judgment on the Siegels lends her subjects and their marriage unexpected complexity and depth - especially Jackie, a true force of nature.
    • 83 Metascore
    • 83 Scott Tobias
    Though Chop Shop is an American film, it feels more like an Iranian movie or the Dardenne Brothers’ "Rosetta"; Bahrani introduces something like a plot point in the late-going, but he mostly focuses, to riveting effect, on how his young hero hustles and claws through everyday life.
    • 49 Metascore
    • 83 Scott Tobias
    With a few self-conscious exceptions, Soderbergh makes an earnest attempt to return to that place and time in both history and American filmmaking, and his risk-taking pays fascinating dividends.
    • 72 Metascore
    • 83 Scott Tobias
    Through the ceaseless efforts of two dedicated pro bono lawyers-both with personal reasons to keep up the fight for five or six grueling years-director Yoav Potash follows every revelation and setback with an urgency most fiction films can't muster.
    • 65 Metascore
    • 83 Scott Tobias
    Taylor and Frankel go too broad when they try for comic relief - and the on-the-nose soundtrack is borderline criminal - but Hope Springs handles marriage and advanced-age sexuality with a refreshing, down-to-earth candor. In today's Hollywood, that counts as radical.
    • 68 Metascore
    • 83 Scott Tobias
    Doubt is a complex, thematically loaded piece of work, and though it isn't enhanced on film, it deserves the wider exposure.

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