For 1,413 reviews, this critic has graded:
  • 47% higher than the average critic
  • 3% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 1.2 points higher than other critics. (0-100 point scale)

Scott Tobias' Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 The Long Day Closes
Lowest review score: 0 Atlas Shrugged: Part 2
Score distribution:
1,413 movie reviews
    • 83 Metascore
    • 80 Scott Tobias
    Witherspoon's broad, obsessive comic performance is bound to get the most attention, but Broderick does the best work of his career, finding an affecting spot between the all-purpose defiance of Ferris Bueller and the put-upon foil of his recent work.
    • 59 Metascore
    • 80 Scott Tobias
    Much like David Lynch's "Mulholland Drive," which it resembles in more ways than one, Femme Fatale makes a rich bouillabaisse out of De Palma's trademark themes and obsessions, stacking references to the heavens and operating with an internal logic that may take several viewings to fully unpack.
    • 82 Metascore
    • 80 Scott Tobias
    Chabrol handles the upended family dynamic beautifully until the final third, when a wildly implausible sequence of events lessens the suspense just as he should be turning the screws.
    • 65 Metascore
    • 80 Scott Tobias
    Though some of Slaughter Rule's conclusions are overly tidy, the film's powerful meditation on masculinity gets much of its credibility and punch from the two leads, especially Morse, a reliable character actor who sinks his teeth into a role with heavy physical and psychological demands.
    • 60 Metascore
    • 80 Scott Tobias
    A joyously demented musical-comedy built on a macabre foundation, like "The Sound Of Music" with a kickline of corpses.
    • 72 Metascore
    • 80 Scott Tobias
    Gives the impression of spontaneity while being meticulously planned. Most importantly, Steers and Culkin know that the best way to evoke sympathy is never to beg for it; by the end, their achievement seems hard-won.
    • 73 Metascore
    • 80 Scott Tobias
    Drifting through time and space without firmly situating the viewer, Iwai's elliptical style requires patience, but also a willingness to be carried along by its gorgeous, dreamy lyricism.
    • 78 Metascore
    • 80 Scott Tobias
    Morvern Callar not only attempts to reveal an interior life, usually the province of novels, but also focuses on the interior life of a woman who refuses to open up to anyone.
    • 79 Metascore
    • 80 Scott Tobias
    Riveting testimonial.
    • 71 Metascore
    • 80 Scott Tobias
    Siegel is almost too tasteful, nearly to the point where his coming-of-age story loses color and purpose. But he finds a mesmerizing presence in Ambrose, a terrific young actress who carries the film without a second of showiness.
    • 54 Metascore
    • 80 Scott Tobias
    In keeping with Hong Kong's style-as-substance tradition, Fulltime Killers is beyond reproach.
    • 88 Metascore
    • 80 Scott Tobias
    In the wild and consistently surprising Y Tu Mamá También, anything isn't the half of it.
    • 60 Metascore
    • 80 Scott Tobias
    Honest and moving.
    • 66 Metascore
    • 80 Scott Tobias
    The rare sequel that magnifies the scope of the original without diminishing the fun.
    • 75 Metascore
    • 80 Scott Tobias
    Few scenarios are more cliched than the curmudgeonly father-figure who takes in the precocious imp -- irritation in the first two acts, love in the third -- but Hornby infuses it with warmth and honesty, not to mention his obvious gift for wry observation.
    • 90 Metascore
    • 80 Scott Tobias
    At its best, Bloody Sunday produces the same chilling illusion of history writ large, clearly detailing the strategies of both sides, then blankly observing the conflict through unadorned, newsreel camera stock and the precise orchestration of large-scale chaos.
    • 57 Metascore
    • 80 Scott Tobias
    Flaws and all, Dark Blue has a combustible energy that's usually anathema to Hollywood, reopening an old wound that has festered too quietly for more than a decade.
    • 82 Metascore
    • 80 Scott Tobias
    At times, Goldsworthy's philosophy edges into fuzzy New Age-isms, but with an ever-widening gulf separating humans from their environment, his work demonstrates the enlightening pleasures of reconnecting.
    • 84 Metascore
    • 80 Scott Tobias
    Even as The Quiet American loses focus and urgency, Caine's performance keeps the doomed spirit of Greene's hero intact.
    • 78 Metascore
    • 80 Scott Tobias
    Nolan reverses the emphasis -- no surprise from the director of a plot-driven film like "Memento" -- but achieves the same end, bringing Hollywood noir under the harsh glare of permanent daylight.
    • 84 Metascore
    • 80 Scott Tobias
    Quietly asserts its eccentric romanticism with an assured, matter-of-fact blend of humor and pathos.
    • 71 Metascore
    • 80 Scott Tobias
    Every time the pace starts to flag, it coughs up one hilarious left-field interlude after another.
    • 65 Metascore
    • 80 Scott Tobias
    Not since Lukas Moodysson's "Together" has communal living been depicted with such warmth and feeling for the entire ensemble.
    • 82 Metascore
    • 80 Scott Tobias
    Though tagged as the director's bid for commercial success, School Of Rock is as philosophical in its own way as "Slacker" or "Waking Life." It was made by people who not only know the music well enough to create magnificent flowcharts around it, but also understand how a simple, soul-stirring rock song can seem revolutionary.
    • 69 Metascore
    • 80 Scott Tobias
    It remains to be seen whether Kill Bill is merely a skilled slice of juvenilia or a pastiche with real emotional and thematic underpinnings, but based on Tarantino's storytelling command in the first half, it's worth giving him the benefit of the doubt.
    • 70 Metascore
    • 80 Scott Tobias
    Has a gentle, hypnotic tone that's insistently sweet and elegiac, in spite of the horrors that overwhelm the frame. In its juxtaposition of the serene and the violent, the beautiful and the brutal, the film achieves a balance that's exquisitely judged, tiptoeing artfully through a cultural minefield.
    • 81 Metascore
    • 80 Scott Tobias
    Stunning you-are-there account of a grand swindle in the making. Were the coup not such an outrageous and chilling affront to democracy, their documentary would be a gut-busting comedy along the lines of Woody Allen's "Bananas."
    • 68 Metascore
    • 80 Scott Tobias
    Makes heavy demands of even jaded viewers, who are unlikely to stomach de Van's anatomical noodling from the same curious distance. But for the brave, the film's literal journey to find the "I" inside the body moves forward with a riveting single-mindedness.
    • 81 Metascore
    • 80 Scott Tobias
    Touring his father's magnificent structures, Nathaniel shows signs of coming around to his mother's point of view, and of realizing that Kahn's towering contributions to art and humanity perhaps exceed (if not altogether excuse) his shortcomings as a father, a husband, and a lover.
    • 77 Metascore
    • 80 Scott Tobias
    More than a slight, pleasant oddity, Hukkle shows Pálfi's keen attunement to the sensual possibilities, both in nature and in cinema.