For 884 reviews, this critic has graded:
  • 68% higher than the average critic
  • 3% same as the average critic
  • 29% lower than the average critic
On average, this critic grades 6.2 points higher than other critics. (0-100 point scale)

Sean Axmaker's Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 100 Peter Pan
Lowest review score: 0 See Spot Run
Score distribution:
  1. Negative: 53 out of 884
884 movie reviews
    • 45 Metascore
    • 42 Sean Axmaker
    The new parody from the comedy troupe Broken Lizard, takes another swipe at the corpse armed with the same old weapons. This time, rigor mortis has set in.
    • 64 Metascore
    • 42 Sean Axmaker
    The official R rating is for "strong language, sexual content, drug use and some crude humor," but the MPAA is just being polite. It's all crude.
    • 47 Metascore
    • 42 Sean Axmaker
    It all feels pretty empty.
    • 56 Metascore
    • 42 Sean Axmaker
    Loses focus of whom the film is honoring.
    • tbd Metascore
    • 42 Sean Axmaker
    Director Jean Stewart isn't merely clumsy with character; she hasn't the chops to show us the joy and exhilaration Christine feels in the freedom of solo runs.
    • 35 Metascore
    • 42 Sean Axmaker
    Takes itself seriously enough to pull off a clever bit of sleight of hand, but doesn't have much to offer once the twist comes out of hiding.
    • 20 Metascore
    • 42 Sean Axmaker
    A harried, screechy film that goes nowhere at a breakneck pace, full of sound and furious slapstick overkill but devoid of wit.
    • 28 Metascore
    • 42 Sean Axmaker
    Plays like a feature-length sitcom with gay double entendres.
    • 52 Metascore
    • 42 Sean Axmaker
    The film half-heartedly paints their actions as rebel-chic heroism even when it has all the integrity of tomcats spraying outside their yards, and it ends up just as confused as the characters.
    • 42 Metascore
    • 42 Sean Axmaker
    This film is satisfied merely to wallow in women in peril, cinematic sadism and the spectacle of violent death and dismemberment.
    • 41 Metascore
    • 42 Sean Axmaker
    The few genuine moments of connection -- are as refreshing as they are out of place. They only highlight how false and affected the rest of the film is.
    • 55 Metascore
    • 42 Sean Axmaker
    It becomes simply another banal gang film so familiar and predictable you have to wonder why so much potential is wasted on such a confused dramatic mess.
    • 30 Metascore
    • 42 Sean Axmaker
    Don't watch this film unless you have a high tolerance and an undemanding appreciation for penis jokes and humor based more on a capacity to disgust than to surprise.
    • 40 Metascore
    • 42 Sean Axmaker
    There are some surprises to be had amid the cruelty (inflicted by both Jigsaw and his test subjects), but this time around the ordeal is less grueling than simply distasteful.
    • 34 Metascore
    • 42 Sean Axmaker
    All processed sugar and artificial flavor, right down to the sticky but tasteless happy ending.
    • 46 Metascore
    • 42 Sean Axmaker
    Not extreme enough to skate the edge of tasteless farce and not straight enough to play the material for edgy satire, The Ringer is a cheat right down to the final stretch. Breaking the rules should be more fun than this.
    • 41 Metascore
    • 42 Sean Axmaker
    There's every reason to believe the creators stopped taking it seriously a long time ago. What's bothersome is that they don't take the audience seriously enough to deliver an actual movie.
    • 47 Metascore
    • 42 Sean Axmaker
    Has neither the raucous energy and impudence of "Animal House," the defiance of "If ...," nor the grace and wit of "Harold and Kumar Go to White Castle."
    • 38 Metascore
    • 42 Sean Axmaker
    Like too many films of faith, it mixes its message, proclaiming that a life given over to God is a reward unto itself, and then handing over victories to its faithful like some overtime bonus.
    • 36 Metascore
    • 42 Sean Axmaker
    The result of this blender mash of exotic horror isn't much of anything at all, neither suspenseful, terrifying or inventively gory: Turistas is dead on arrival.
    • 39 Metascore
    • 42 Sean Axmaker
    There are cute flourishes, but much of the cleverness is smothered by tired dialogue and doughy animation, which gives the animated characters the personality of mannequins and the look of cheap merchandising knockoffs come to life.
    • 32 Metascore
    • 42 Sean Axmaker
    The resulting hodgepodge has the feel of filmmaking by committee, the look of last-minute reshoots and the whiff of desperation. Not even Braff's cartoonish smirk is distracting enough to hide that.
    • 30 Metascore
    • 42 Sean Axmaker
    A stiff of a supernatural comedy.
    • 31 Metascore
    • 42 Sean Axmaker
    Whether or not Garden Party is an accurate portrait of the shadow L.A. culture where the young, pretty and desperate can find quick rent money, this low-budget production never engages with its characters or stories enough to make you care either way.
    • 35 Metascore
    • 42 Sean Axmaker
    It might be impressive as a made-for-DVD production, but coming from producer George Lucas, it makes for a cheap excuse for a big-screen spectacle.
    • 40 Metascore
    • 42 Sean Axmaker
    Too bad Igor didn't jolt the film to life with his Frankenstein shenanigans.
    • 61 Metascore
    • 42 Sean Axmaker
    In this brand of comedy, nothing succeeds like excess, and this film is seriously deficient.
    • 41 Metascore
    • 42 Sean Axmaker
    Neither clever nor heartwarming, Four Christmases is the coal in the stocking of holiday movies.
    • 38 Metascore
    • 42 Sean Axmaker
    For all the bludgeoning insistence of Kramer's contrived plots and blunt direction, there's not much conviction to the outrage.

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