Sheila Benson
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For 86 reviews, this critic has graded:
  • 56% higher than the average critic
  • 2% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 9.2 points higher than other critics. (0-100 point scale)

Sheila Benson's Scores

  • Movies
  • TV
Average review score: 69
Highest review score: 100 The Accidental Tourist
Lowest review score: 10 Highlander
Score distribution:
  1. Positive: 51 out of 86
  2. Negative: 11 out of 86
86 movie reviews
    • 86 Metascore
    • 100 Sheila Benson
    Electrifying… As writer, director and editor, [Soderbergh’s] control is mesmerizing. It's also more than a little creepy; as though Soderbergh were drawing us, a step at a time, into a warm pool where intimate secrets flowed back and forth as simply as currents of water. [4 Aug 1989, Calendar, p.6-1]
    • Los Angeles Times
    • 53 Metascore
    • 100 Sheila Benson
    Irresistibly funny… Just about the best holiday gift imaginable. [23 Dec 1988, Calendar, p.6-1]
    • Los Angeles Times
    • 93 Metascore
    • 100 Sheila Benson
    The performances of Close and Silver are flawless, but it is Irons' portrait that remains behind, an enigmatic after-image… Reversal of Fortune is a delectable tour through facets of the lives of the rich and famous that Robin Leach wouldn't touch with a forked stick. [17 Oct 1990]
    • Los Angeles Times
    • 76 Metascore
    • 100 Sheila Benson
    It's as engaging, as modest, as utterly American and as thrilling as the true-life story it's based on. [11 Dec 1986, Calendar, p.6-1]
    • Los Angeles Times
    • 91 Metascore
    • 100 Sheila Benson
    Stirred up impassioned debate everywhere; it would seem the greatest compliment that could be paid a stunning entertainment. [30 June 1989, Calendar, p.6-1]
    • Los Angeles Times
    • 80 Metascore
    • 100 Sheila Benson
    A convulsively funny affair.[15 July 1988, Calendar, p. 6-1]
    • Los Angeles Times
    • 76 Metascore
    • 100 Sheila Benson
    The summer's uncorseted, unqualified delight. [14 July 1989, Calendar, p.6-1]
    • Los Angeles Times
    • 83 Metascore
    • 100 Sheila Benson
    Dense, satisfying, feverishly inventive and a technical marvel… But--animation aside--the treasure of the piece is Hoskins' pungent, visceral comic performance. [22 June 1988]
    • Los Angeles Times
    • 86 Metascore
    • 100 Sheila Benson
    To think of a film this assured, this unified and this dizzyingly potent, you have to go back to "Blue Velvet." [22 Sept 1988]
    • Los Angeles Times
    • 84 Metascore
    • 100 Sheila Benson
    Hopkins' insinuating performance puts him right up there with the screen's great bogymen. [13 February 1991, Calendar, p.F-1}
    • Los Angeles Times
    • 72 Metascore
    • 100 Sheila Benson
    A clear-eyed vision. Authentic as an Edward Curtis photograph, lyrical as a George Catlin oil or a Karl Bodmer landscape, this is a film with a pure ring to it. It's impossible to call it anything but epic [9 Nov 1990, Calendar, p.F-1]
    • Los Angeles Times
    • 86 Metascore
    • 100 Sheila Benson
    Diamond-hard and mesmerizing… Bening and Cusack are perfection at what they are doing, she twinkly as any rhinestone, he dangerously passive; it's hardly their fault that Huston is the motor of the piece and so ferociously seductive that one cannot look away from her. [5 Dec 1990]
    • Los Angeles Times
    • 89 Metascore
    • 100 Sheila Benson
    GoodFellas is "Raging Bull" squared. [20 September 1990, Calendar, p.F-1]
    • Los Angeles Times
    • 90 Metascore
    • 100 Sheila Benson
    Mellow, beautiful, rich and brimming with love, "Hannah" is the best Woody Allen yet and, quite simply, a great film. [7 February 1986, Calendar, p.6-1]
    • Los Angeles Times
    • 75 Metascore
    • 100 Sheila Benson
    The most brilliantly disturbing film ever to have its roots in small-town American life. [19 September 1986, Calendar, p.6-1]
    • Los Angeles Times
    • 83 Metascore
    • 100 Sheila Benson
    Such nourishing comedy. It satisfies every hunger, especially the irrational ones that seem to hit hardest at holidays: hunger for impetuous romance and for the reassuring warmth of family, for reckless abandon, and for knowing who we are and what we want. [16 Dec 1987]
    • Los Angeles Times
    • 92 Metascore
    • 100 Sheila Benson
    One of the bloodiest and most beautiful reflections on atonement in the Scorsese canon... It is still one of cinema's most breathtaking films.
    • Los Angeles Times
    • 94 Metascore
    • 100 Sheila Benson
    The Manchurian Candidate proves that its fascination is intact. [12 Jan 1998, p.C1; Re-Release]
    • Los Angeles Times
    • 86 Metascore
    • 90 Sheila Benson
    A film of warmth, insight, humor and surprising originality… [It] isn't perfect, but when it's good, which is every moment John Cusack is on screen, it's a living joy. And when it's not-so-good--earthbound and not inventive enough--it s till almost single-handedly redeems the breed. [14 April 1989]
    • Los Angeles Times
    • 79 Metascore
    • 90 Sheila Benson
    Biting and vicious, a styptic pencil on the battered face of "civilized divorce." It's also thoughtful, laceratingly funny, and bravely true to its own black-and-blue comic vision. [8 Dec 1989]
    • Los Angeles Times
    • 73 Metascore
    • 90 Sheila Benson
    Working Girl is the sparkling success that it is because of the sheer irresistibility of Melanie Griffith. [21 Dec 1988, Calendar, p.6-1]
    • Los Angeles Times
    • 73 Metascore
    • 90 Sheila Benson
    It's just that when a movie is this close, with so much of the sports flavor (co-producer Thom Mount is co-owner of the real Durham Bulls), you like to see it perfect. [15 June 1988]
    • Los Angeles Times
    • 78 Metascore
    • 90 Sheila Benson
    In a superb cast of mostly unknowns -- with the exception of Matthew Modine and Dorain Harewood -- D'Onofrio, who put on 60 pounds for this pivotal role, and Ermey are exceptional. [26 June 1987]
    • Los Angeles Times
    • 65 Metascore
    • 90 Sheila Benson
    Smart and funny, touching and unabashedly sensual... the sweet sleeper of a hot season. [21 Aug 1987]
    • Los Angeles Times
    • 65 Metascore
    • 90 Sheila Benson
    Somehow, Hoffman makes all this hypnotically interesting, and, through impeccable timing, sometimes terribly funny--a sweet humor which never betrays Raymond's unalterable character. [16 Dec 1988]
    • Los Angeles Times
    • 73 Metascore
    • 90 Sheila Benson
    Demme finds haunting overtones in the somewhat old-hat situations of E. Max Frye's first screenplay. Something Wild also has three first-class performances: by Daniels, who seems to have resources that his earlier roles never touched; by electrifying newcomer Ray Liotta, and by Griffith as the maddening, mysterious Lulu. [6 Nov 1986]
    • Los Angeles Times
    • 82 Metascore
    • 90 Sheila Benson
    Drugstore Cowboy, an electrifying movie without one misstep or one conventional moment. [11 Oct 1989]
    • Los Angeles Times
    • 80 Metascore
    • 90 Sheila Benson
    It would seem impossible that anyone looking into the heart and the clear intent of the film would fail to see Scorsese's passion for his subject. And if our world is becoming so dangerously constricted that we're forbidden even to look, that is something we should all worry about. [12 Aug 1988, p.1]
    • Los Angeles Times
    • 82 Metascore
    • 90 Sheila Benson
    Ron Howard reaches real maturity here, as he pulls together the script's tendency to skitter between sociology and sitcom, making it into one perceptive, delicious whole. [2 Aug 1989, p.1]
    • Los Angeles Times
    • 84 Metascore
    • 90 Sheila Benson
    Broadcast News is so diabolically clever that you rather expect it to be heartless, in the way that so much surface cleverness can be. No such thing. Heartless is the wrong word for this movie: It's insightful and understanding and marvelous fun, while giving up none of its thoughtfulness. [16 Dec 1987, p.1]
    • Los Angeles Times