For 257 reviews, this critic has graded:
  • 66% higher than the average critic
  • 5% same as the average critic
  • 29% lower than the average critic
On average, this critic grades 1.3 points higher than other critics. (0-100 point scale)

Sheri Linden's Scores

  • Movies
Average review score: 61
Highest review score:
Critic Score 100
Lowest review score:
Critic Score 20
Score distribution:
  1. Negative: 18 out of 257
257 movie reviews
    • Metascore: 59
    • Sheri Linden 60
    Boasts appealing leads and dazzling court play, but the film never rises above its by-the-numbers plot to generate emotional heat.
    • Metascore: 53
    • Sheri Linden 60
    Offers proof that the Korean animation industry is poised for the big leagues.
    • Metascore: 52
    • Sheri Linden 60
    Meredith has woven together a half-dozen portraits of contemporary lives-on-the-edge in this quietly searing drama.
    • Metascore: 60
    • Sheri Linden 60
    Despite effective moments, VanAlkemade's film is too diffuse. He gives us snippets of the group's spirited performances, but their effect on audiences remains unclear.
    • Metascore: 68
    • Sheri Linden 60
    The simple but affecting film begins a weeklong award-qualifying run Friday before opening in stateside art houses Jan. 21, and is worth a look for its gutsy and commanding central performance.
    • Metascore: 39
    • Sheri Linden 60
    The picture's quiet performances and occasionally surprising moments take it just far enough off the beaten path to make it more than a transparently formulaic feel-good story.
    • Metascore: 61
    • Sheri Linden 60
    Fine performances and bristling language compel in this overlong, often off-putting but well-observed New York story.
    • Metascore: 57
    • Sheri Linden 60
    A thoughtful piece of advocacy journalism.
    • Metascore: 62
    • Sheri Linden 60
    Delivering visual drama and understated character study, sometimes in disappointingly formulaic fashion, the feature has its incisive moments but falls short as both epic and intimate portrait.
    • Metascore: 48
    • Sheri Linden 60
    The blurring of fact and fiction has been a part of the Amityville saga since it became public, but for Lutz there's no gray area in his memories, whose power is undiminished.
    • Metascore: 34
    • Sheri Linden 50
    Yet another Hollywood romantic comedy that's all but devoid of romance and laughs.
    • Metascore: 61
    • Sheri Linden 50
    Ultimately Fear X feels more like an intellectual exercise than a convincing drama.
    • Metascore: 36
    • Sheri Linden 50
    In an awkward split-personality way, it works some of the time.
    • Metascore: 35
    • Sheri Linden 50
    A winningly restrained lead performance by Tommy Lee Jones, who also exec produced, isn't enough to put the film on the boxoffice scoreboard.
    • Metascore: 48
    • Sheri Linden 50
    The film brings a spectacular but little-known chapter of World War II to the big screen with meticulous attention to period detail -- and almost none to compelling narrative.
    • Metascore: 43
    • Sheri Linden 50
    There's some nice low-key work amid the uneven performances, but the Montana-shot film's key strength is its sense of place.
    • Metascore: 56
    • Sheri Linden 50
    Zeroes in on retail mania with a flimsy wire hanger of a premise.
    • Metascore: 56
    • Sheri Linden 50
    Spends too much time on unconvincing romantic-comedy contrivances to be consistently engaging. Throughout the uneven film and its mixed bag of performances, the compelling point of focus is Diane Keaton's smart, funny, spot-on natural portrait of the formidable Stone matriarch.
    • Metascore: 47
    • Sheri Linden 50
    While the 1977 Fun With Dick and Jane was a reasonably diverting sendup of conspicuous consumption with a subversive if not always razor-sharp comic edge, the new version... replaces smart performances with tired shtick.
    • Metascore: 42
    • Sheri Linden 50
    A small-scale character piece that genuinely likes its protagonists: an overweight teen girl and an overage delivery guy. But for all its quirky touches, the comedy cleaves to formula in its depiction of how they challenge and change each other.
    • Metascore: 56
    • Sheri Linden 50
    With the exception of a few unpredictable moments from Zooey Deschanel and Will Ferrell, Winter Passing finds only cliche as it reaches for profundity.
    • Metascore: 45
    • Sheri Linden 50
    Neither good nor so-bad-it's-good, Perry's odd oeuvre has an allure all its own.
    • Metascore: 52
    • Sheri Linden 50
    A slow-moving, never-igniting tale of calendar-crossed lovers that grows less convincing as it proceeds.
    • Metascore: 45
    • Sheri Linden 50
    The film clicks briefly when capturing the silliness of XXX concerns, especially in script-development scenes. But whatever hilarity might have prevailed on the set doesn't translate to the screen. Intrusive music and last-act contrivances do nothing to lift the flat tone or allow the film to earn its intended emotional payoff.
    • Metascore: 37
    • Sheri Linden 50
    Furiously crossing and double-crossing, the two main story lines never quite fuse or comment on each other.
    • Metascore: 44
    • Sheri Linden 50
    An inert and muddled mash-up of romantic comedy and theater of stupid cruelty.
    • Metascore: 52
    • Sheri Linden 50
    For all the personal ties to the material, the film too often reaches for broad-strokes inspiration in a way that feels generic.
    • Metascore: 53
    • Sheri Linden 50
    The culture-clash procedural, which brings the small-town teen to big bad Hollywood, feels more perfunctory than inspired.
    • Metascore: 21
    • Sheri Linden 50
    Finally, a postfeminist multicultural musical extravaganza for 8-year-old girls. Is Bratz not the most totally stylin' movie ever? Grownups won't think so, but for their daughters who share a "passion for fashion" with the dolls that are giving Barbie a run for her money, it will be the event of the season.
    • Metascore: 45
    • Sheri Linden 50
    Cute and cartoonish rule the day, and teens and tweens will be the film's chief audience.