Sheri Linden, Los Angeles Times
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For 257 reviews, this critic has graded:
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66% higher than the average critic
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5% same as the average critic
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29% lower than the average critic
On average, this critic grades 1.3 points higher than other critics.
(0-100 point scale)
Sheri Linden's Scores
- Movies
| Average review score: | 61 |
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| Highest review score: |
Critic Score
100
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| Lowest review score: |
Critic Score
20
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Score distribution:
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Positive: 124 out of 257
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Mixed: 115 out of 257
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Negative: 18 out of 257
257
movie reviews
- By critic score
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Sheri Linden 60
Boasts appealing leads and dazzling court play, but the film never rises above its by-the-numbers plot to generate emotional heat. -
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Sheri Linden 60
Offers proof that the Korean animation industry is poised for the big leagues. -
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Sheri Linden 60
Meredith has woven together a half-dozen portraits of contemporary lives-on-the-edge in this quietly searing drama. -
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Sheri Linden 60
Despite effective moments, VanAlkemade's film is too diffuse. He gives us snippets of the group's spirited performances, but their effect on audiences remains unclear. -
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Sheri Linden 60
The simple but affecting film begins a weeklong award-qualifying run Friday before opening in stateside art houses Jan. 21, and is worth a look for its gutsy and commanding central performance.- Posted Dec 6, 2010
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Sheri Linden 60
The picture's quiet performances and occasionally surprising moments take it just far enough off the beaten path to make it more than a transparently formulaic feel-good story.- Posted Jun 24, 2011
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Sheri Linden 60
Fine performances and bristling language compel in this overlong, often off-putting but well-observed New York story.- Posted Sep 28, 2011
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- Posted Nov 8, 2011
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Sheri Linden 60
Delivering visual drama and understated character study, sometimes in disappointingly formulaic fashion, the feature has its incisive moments but falls short as both epic and intimate portrait.- Posted Apr 1, 2013
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Sheri Linden 60
The blurring of fact and fiction has been a part of the Amityville saga since it became public, but for Lutz there's no gray area in his memories, whose power is undiminished.- Posted Mar 14, 2013
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Sheri Linden 50
Yet another Hollywood romantic comedy that's all but devoid of romance and laughs. -
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Sheri Linden 50
Ultimately Fear X feels more like an intellectual exercise than a convincing drama. -
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Sheri Linden 50
In an awkward split-personality way, it works some of the time. -
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Sheri Linden 50
A winningly restrained lead performance by Tommy Lee Jones, who also exec produced, isn't enough to put the film on the boxoffice scoreboard. -
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Sheri Linden 50
The film brings a spectacular but little-known chapter of World War II to the big screen with meticulous attention to period detail -- and almost none to compelling narrative. -
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Sheri Linden 50
There's some nice low-key work amid the uneven performances, but the Montana-shot film's key strength is its sense of place. -
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Sheri Linden 50
Spends too much time on unconvincing romantic-comedy contrivances to be consistently engaging. Throughout the uneven film and its mixed bag of performances, the compelling point of focus is Diane Keaton's smart, funny, spot-on natural portrait of the formidable Stone matriarch. -
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Sheri Linden 50
While the 1977 Fun With Dick and Jane was a reasonably diverting sendup of conspicuous consumption with a subversive if not always razor-sharp comic edge, the new version... replaces smart performances with tired shtick. -
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Sheri Linden 50
A small-scale character piece that genuinely likes its protagonists: an overweight teen girl and an overage delivery guy. But for all its quirky touches, the comedy cleaves to formula in its depiction of how they challenge and change each other. -
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Sheri Linden 50
With the exception of a few unpredictable moments from Zooey Deschanel and Will Ferrell, Winter Passing finds only cliche as it reaches for profundity. -
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Sheri Linden 50
Neither good nor so-bad-it's-good, Perry's odd oeuvre has an allure all its own. -
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Sheri Linden 50
A slow-moving, never-igniting tale of calendar-crossed lovers that grows less convincing as it proceeds. -
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Sheri Linden 50
The film clicks briefly when capturing the silliness of XXX concerns, especially in script-development scenes. But whatever hilarity might have prevailed on the set doesn't translate to the screen. Intrusive music and last-act contrivances do nothing to lift the flat tone or allow the film to earn its intended emotional payoff. -
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Sheri Linden 50
Furiously crossing and double-crossing, the two main story lines never quite fuse or comment on each other. -
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Sheri Linden 50
An inert and muddled mash-up of romantic comedy and theater of stupid cruelty. -
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Sheri Linden 50
For all the personal ties to the material, the film too often reaches for broad-strokes inspiration in a way that feels generic. -
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Sheri Linden 50
The culture-clash procedural, which brings the small-town teen to big bad Hollywood, feels more perfunctory than inspired. -
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Sheri Linden 50
Finally, a postfeminist multicultural musical extravaganza for 8-year-old girls. Is Bratz not the most totally stylin' movie ever? Grownups won't think so, but for their daughters who share a "passion for fashion" with the dolls that are giving Barbie a run for her money, it will be the event of the season. -
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Sheri Linden 50
Cute and cartoonish rule the day, and teens and tweens will be the film's chief audience. -