For 265 reviews, this critic has graded:
  • 64% higher than the average critic
  • 4% same as the average critic
  • 32% lower than the average critic
On average, this critic grades 1.1 points higher than other critics. (0-100 point scale)

Sheri Linden's Scores

  • Movies
Average review score: 61
Highest review score:
Critic Score 100
Lowest review score:
Critic Score 20
Score distribution:
  1. Negative: 19 out of 265
265 movie reviews
    • Metascore: 53
    • Sheri Linden 50
    Oscar-nominee John Hawkes' convincing portrayal of real-life "crop artist" Stan Herd is the exceedingly quiet center of an exceedingly nonabrasive film that has all the dramatic energy of plants growing.
    • Metascore: 41
    • Sheri Linden 50
    Amid the would-be and actual laughs, the screenplay tries to drum up drama, but every disagreement and tension is treated superficially and summarily resolved.
    • Metascore: 56
    • Sheri Linden 50
    Moll's restraint gives way to a tastefully overwrought checklist of Gothic imagery. In the cloistered shadows and the harsh Castilian sun, the visuals are handsome, even as the movie threatens to tip into parody.
    • Metascore: 55
    • Sheri Linden 50
    Propelled by enthusiastic reviews, the entertaining but ultimately disappointing documentary will entice the fashion-forward and fashion-curious.
    • Metascore: 54
    • Sheri Linden 50
    A challenge to eco-orthodoxy, Pandora's Promise subscribes to its own dogma. The lack of opposing voices diminishes the film, even as Stone raises issues that shouldn't be discounted out of hand.
    • Metascore: 21
    • Sheri Linden 40
    This tale of the theater could have used more time on the road.
    • Metascore: 34
    • Sheri Linden 40
    Even as agile a performer as Sandra Bullock seems to be straining here amid the repetitive jokes and muddled girl-power message.
    • Metascore: 30
    • Sheri Linden 40
    Aims for whimsy and poignancy and mostly comes up empty.
    • Metascore: 30
    • Sheri Linden 40
    Doesn't serve up enough laughs to build a theatrical following but could find life on video as a takeout item.
    • Metascore: 38
    • Sheri Linden 40
    Well-meaning but woefully unconvincing.
    • Metascore: 34
    • Sheri Linden 40
    If state-of-the-art cross-gender fat suits and drunken Chihuahuas were the stuff of comic genius, Big Momma's House 2 still wouldn't be very funny.
    • Metascore: 50
    • Sheri Linden 40
    Sour, joyless affair.
    • Metascore: 41
    • Sheri Linden 40
    Heavy-handedness prevails, with the schmaltzy original score as unconvincing as the script. An over-reliance on song, from pop to Puccini to Ellington to hip-hop, doesn't compensate for what's lacking in the storytelling.
    • Metascore: 30
    • Sheri Linden 40
    Rudd is an underappreciated comic actor, and his line readings are the best thing in the film, but the bland role barely taps his talent. Amid the rest of the cast's one-note posing, his scenes with a parrot have a spontaneity and wit otherwise in short supply.
    • Metascore: 52
    • Sheri Linden 40
    Every triumph registers low on the emotion meter, and most of the supporting characters are two-dimensional at best.
    • Metascore: 35
    • Sheri Linden 40
    Simon Pegg is likably smart and obnoxious as the fish-out-of-water Brit in high-gloss Manhattan, but he's swimming upstream in a feature that substitutes slapstick for scathing wit.
    • Metascore: 42
    • Sheri Linden 40
    Contributions of the accomplished cast notwithstanding, this period drama takes a few too many spins around the downward spiral, making it hard to believe as well as unpleasant.
    • Metascore: 40
    • Sheri Linden 40
    Augurs well for dazzling visual work but struggles mightily on the storytelling front.
    • Metascore: 33
    • Sheri Linden 40
    Starts out as an exuberant romp but soon gets trapped in a holding pattern of dumb sex and toilet jokes.
    • Metascore: 35
    • Sheri Linden 40
    The finely observed moments in Stateside accumulate little emotional power. The promise of something startling and compelling goes unfulfilled, and the arc of the central love story isn't interesting enough to sustain the drama.
    • Metascore: 28
    • Sheri Linden 40
    Tries to be too many things, none very convincingly: plea for tolerance, docu-style character study, old-fashioned weepie.
    • Metascore: 37
    • Sheri Linden 40
    Assembling this vehicle for his young clients, music producer/manager/video director Christopher B. Stokes has attached an anemic plot to a series of dynamic hip-hop dance sequences.
    • Metascore: 36
    • Sheri Linden 40
    Generally succeeds -- in hit-and-miss fashion -- at bridging the gap between unlikable jerk and misunderstood good guy, though it's still something of a leap to leading-man territory.
    • Metascore: 33
    • Sheri Linden 40
    Compounding the sense of predictability and deja vu is the presence of well-known TV actors portraying the sorts of characters they've perfected on the small screen.
    • Metascore: 32
    • Sheri Linden 40
    Actual footage of Afghanistan makes it an interesting experiment, but as a dramatic thriller, the story of an American documaker is not as taut or compelling as it could be; instead, it's often confusing and irritating.
    • Metascore: 32
    • Sheri Linden 40
    Too squeaky-clean to convey the turbulence of the period.
    • Metascore: 30
    • Sheri Linden 40
    As the film veers between cartoonish and earnest, it doesn't so much find bliss as try very hard to manufacture it.
    • Metascore: 36
    • Sheri Linden 40
    Ben Stiller and Vince Vaughn play the guys they always play in this sci-fi comedy misfire.
    • Metascore: 51
    • Sheri Linden 40
    It buzzes along for a while, the promising plot innovations inviting suspension of disbelief, before by-the-numbers implausibility, over-the-top valor and unsavory contrivances take over and the line goes dead.
    • Metascore: 38
    • Sheri Linden 40
    More than a gimmick, that self-conscious visual strategy suits the self-impressed creative-class characters, even as it is, finally, more interesting than they are.