For 24 reviews, this critic has graded:
  • 70% higher than the average critic
  • 0% same as the average critic
  • 30% lower than the average critic
On average, this critic grades 8.2 points higher than other critics. (0-100 point scale)

Sonia Saraiya's Scores

  • TV
Average review score: 73
Highest review score: 100 The Hollow Crown: Season 1
Lowest review score: 0 I Wanna Marry Harry: Season 1
Score distribution:
  1. Positive: 19 out of 24
  2. Negative: 3 out of 24
24 tv reviews
    • 90 Metascore
    • 100 Sonia Saraiya
    This isn’t just a story, it’s a history, and admirably, the work of the players has brought it to life.
    • 89 Metascore
    • 100 Sonia Saraiya
    With Masters and Johnson occupying a space in between love, work, and friendship, the heart of the Masters feels like it is finally beating; the joy of the show is watching the two of them interact with each other, and Lizzy Caplan and Michael Sheen have thrown themselves wholeheartedly into their roles. Ashford and her team have also become more confident with pacing and plotting.
    • 81 Metascore
    • 91 Sonia Saraiya
    Burton And Taylor is not comprehensive or perfect as a film--the direction in particular is lackluster--but as a character study in both writing and acting it is, as Burton says of Taylor herself, “peerless.”
    • 94 Metascore
    • 91 Sonia Saraiya
    Game Of Thrones has not moved away from “sexposition,” prostitution, and casual rape as titillating plot points, and that will always tarnish what is otherwise a groundbreaking show. But the good outweighs the bad. Game Of Thrones was and is an astonishing achievement.
    • 71 Metascore
    • 91 Sonia Saraiya
    Penny Dreadful is a surprising show, one that offers both some putrid rotting at the core of London’s soul and a way of going about excavating humanity’s inherent darkness in a different and unexpected way. That is easily worth a penny, and maybe more.
    • 64 Metascore
    • 91 Sonia Saraiya
    As of right now, Satisfaction is actually suspenseful--leaving the audience unsure if its protagonists will embrace their better natures or succumb to their special version of suburban ennui. And though some of that suspense is a result of some messy decision-making, those types of messes look a lot like life.
    • 66 Metascore
    • 91 Sonia Saraiya
    The result is a show that isn’t always “ha ha” funny, but is scathingly brilliant.
    • 82 Metascore
    • 91 Sonia Saraiya
    The series is ambitious and shaggy--those two go hand-in-hand--but despite its blurry spots, The Honorable Woman is hard not to watch all the way through. The story sucks viewers in farther and farther down a rabbit hole that does not end.
    • 77 Metascore
    • 83 Sonia Saraiya
    Despite what feels like risky storytelling, Homeland is staying true to its characters, following through on its fireworks to examine the ashes as well. It’s hard to tell which way it’s going to go, but for its performances and sheer courage, it’s worth watching.
    • 49 Metascore
    • 83 Sonia Saraiya
    It’s not doing a whole lot of work to examine the role of women in society, but it is a show with a single and still-novel goal: to entertain women, without patronizing them.
    • 76 Metascore
    • 83 Sonia Saraiya
    Now, three seasons in, Dunham and her team are better at doing what they’ve been trying to do all along: create a string of lovely character vignettes, with a deliberate disinterest in plot and a fascination with a certain zeitgeist. This is specific enough that it has its disadvantages, but now that the characters have been around for two seasons, it’s become easier to understand their different versions of cluelessness.
    • 61 Metascore
    • 83 Sonia Saraiya
    It’s not exactly groundbreaking, but it’s fun to watch and slightly addictive.
    • 78 Metascore
    • 83 Sonia Saraiya
    Where Bletchley succeeds is in its unapologetic, decidedly feminine take on British life in the ’50s.
    • 85 Metascore
    • 83 Sonia Saraiya
    Fargo is a singular idea with, so far, not-so-singular execution, perhaps suffering from the fact that what was revelatory in 1996 might be just humdrum in 2014.
    • 45 Metascore
    • 83 Sonia Saraiya
    Black Box doesn’t have that show’s [HBO's Enlightened] subtlety, but it’s certainly demonstrated an interest in creating a portrait of a contradictory and flawed, but powerful and engaging female character.
    • 51 Metascore
    • 83 Sonia Saraiya
    There’s something lighthearted about the proceedings, murder and mayhem aside, because the show is more interested in the character drama than the procedure. Taxi Brooklyn embraces the New York-ness of both its main characters, and that bodes well for its future--and provides something fascinating to watch through the summer, in the meantime.
    • 78 Metascore
    • 83 Sonia Saraiya
    Ultimately it’s that frisson of complication that makes Manhattan worth watching--the performances are good, the writing is good, and the premise is good, but the complication of our own history is involving and fantastic.
    • 58 Metascore
    • 75 Sonia Saraiya
    It’s got some of the same appeal [as Scandal], but at its core, it’s a strong spy thriller with a few fascinating characters, not a splashy nighttime soap. And that’s okay.
    • 65 Metascore
    • 75 Sonia Saraiya
    Even though the father-son territory has been trod before--in Halpern’s body of work alone!--it’s also where the show feels most alive.
    • 62 Metascore
    • 67 Sonia Saraiya
    The original film’s strengths are washed out in this version, which is instead mining it for televisual drama.
    • 45 Metascore
    • 42 Sonia Saraiya
    For a show so bent on shock value, it has to this point failed to surprise much.
    • 53 Metascore
    • 42 Sonia Saraiya
    The premise is ambitious and messily executed, as several contestants and judges are introduced without any clear metric of accomplishment or difference between the two.
    • 73 Metascore
    • 33 Sonia Saraiya
    Ray Donovan is in the remarkable position of being a show that appears to be built entirely of moments that are gratuitous, provocative, and emptily thrilling.
    • 40 Metascore
    • 25 Sonia Saraiya
    It sits at the intersection of just enough sincerity and just enough script, which made shows like Laguna Beach famous. But clearly, the show hasn’t done enough to hide its PR tracks.
    • 23 Metascore
    • 0 Sonia Saraiya
    Instead of just creating the horror show that is 12 women competing for a man, it chooses also to play them for fools.