Staff [Not Credited]
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For 84 reviews, this critic has graded:
  • 57% higher than the average critic
  • 5% same as the average critic
  • 38% lower than the average critic
On average, this critic grades 1.5 points lower than other critics. (0-100 point scale)

Staff [Not Credited]'s Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 One Day in September
Lowest review score: 0 Idle Hands
Score distribution:
  1. Positive: 45 out of 84
  2. Negative: 21 out of 84
84 movie reviews
    • 82 Metascore
    • 100 Staff [Not Credited]
    Comprehensive and blisteringly paced.
    • 77 Metascore
    • 100 Staff [Not Credited]
    "The Right Stuff" will endure as the more ambitious movie, but this book-faithful, 2-hour team effort shrewdly keeps its eye on the ball.
    • 85 Metascore
    • 100 Staff [Not Credited]
    With its ceaseless music, large canvas, shrewd casting and flawless ensemble acting and the dexterity of its whiplashing mood switches, the movie recalls Robert Altman's "Nashville" more than any subsequent movie has.
    • 69 Metascore
    • 88 Staff [Not Credited]
    Despite its awkward title, Starter for 10 is a winning coming-of-age tale told with grace and charm.
    • 79 Metascore
    • 88 Staff [Not Credited]
    The sometimes fatiguing slow flow in hour one is worth the labor because the power in this 2-hour triumph reveals itself gradually.
    • USA Today
    • 52 Metascore
    • 88 Staff [Not Credited]
    Increasingly piquant tale of culture clash in 1954 post-independence India.
    • USA Today
    • 75 Metascore
    • 88 Staff [Not Credited]
    A model of what a largely talking-heads documentary should be, with on-camera testimonials and lots of film clips that offer layers of context.
    • USA Today
    • 74 Metascore
    • 88 Staff [Not Credited]
    A robust family comedy that saves its wildest moments for a climactic "get-together."
    • USA Today
    • 78 Metascore
    • 88 Staff [Not Credited]
    Terence Davies' deliberately paced, earnest adaptation of Edith Wharton's breakthrough novel quietly captures the grim complexities of New York's social world nearly a century ago.
    • USA Today
    • 73 Metascore
    • 88 Staff [Not Credited]
    A first-rate office comedy of prickly exchanges.
    • 85 Metascore
    • 88 Staff [Not Credited]
    The best drama you've seen about Anytown, USA, since "American Beauty."
    • USA Today
    • 66 Metascore
    • 88 Staff [Not Credited]
    But let's not mislead about acting gold: Without Nicholson and Keaton, the movie would be fair. With them, it's one of the few good romantic comedies this year. What we gotta give is thanks.
    • 89 Metascore
    • 88 Staff [Not Credited]
    A deeply moving film, it's a powerful reminder of a time not so long ago when, for a large group of Americans, attempting to register to vote could result in a serious threat to their lives.
    • 43 Metascore
    • 75 Staff [Not Credited]
    A tough little hostage thriller with crackling dialogue, surprising intelligence and an emotional wallop.
    • 80 Metascore
    • 75 Staff [Not Credited]
    Seductively pastoral but also a bit slight, the movie saves its best scene for the very end.
    • USA Today
    • 70 Metascore
    • 75 Staff [Not Credited]
    This quirky, winning sleeper from first-time director Jenniphr Goodman has its pokey moments, but it's no insult to say that it is as pleasantly easygoing as its slacker hero.
    • 46 Metascore
    • 75 Staff [Not Credited]
    August Strindberg's psychological drama of erotic class conflict gets a bracing, claustrophobic workout from director Mike Figgis.
    • 32 Metascore
    • 75 Staff [Not Credited]
    Another invigorating, extremely raunchy sports movie from Ron Shelton .
    • 87 Metascore
    • 75 Staff [Not Credited]
    Shine has a story to reckon with and powerhouse male performances.
    • 62 Metascore
    • 75 Staff [Not Credited]
    Though not quite up to "The Full Monty" or "Waking Ned Devine," there's just enough left in that overseas whimsy stockpile to generate good buzz (the word-of-mouth moviegoer kind).
    • 73 Metascore
    • 75 Staff [Not Credited]
    Droll mild amusement.
    • 82 Metascore
    • 75 Staff [Not Credited]
    Though it sounds like a blueprint for either disaster or dynamite, the movie is a bit too controlled to be either.
    • USA Today
    • 73 Metascore
    • 75 Staff [Not Credited]
    The match winners and losers may be preordained, but these modern-day gladiators bleed plenty of real blood.
    • USA Today
    • 81 Metascore
    • 75 Staff [Not Credited]
    The Postman (Il Postino) is slight, but it's tough to imagine anyone not liking it.
    • 48 Metascore
    • 75 Staff [Not Credited]
    A sweet celebration of brotherhood in its many forms. It gently encourages human communion with animals, nature and our fellow man.
    • 70 Metascore
    • 75 Staff [Not Credited]
    Despite a slight tendency to be overly pleased with itself, this is a smart piece of work that got Arcand's screenplay an award at Cannes.
    • 51 Metascore
    • 63 Staff [Not Credited]
    Despite corny one-liners and plot developments that don't always hold water, Aquamarine rises above the flotsam filling theaters this time of year with a likable tale of friendship and charming performances.
    • 51 Metascore
    • 63 Staff [Not Credited]
    A sweet, inspirational movie that doesn't offer any surprises, but entertains youthful audiences in a gentle, almost old-fashioned way.
    • 52 Metascore
    • 63 Staff [Not Credited]
    The best thing about Gridiron Gang is the performance of Dwayne "The Rock" Johnson. He is engaging, affable and wholly believable as a former football star turned officer in a juvenile detention center.
    • 42 Metascore
    • 63 Staff [Not Credited]
    Though the film is not terribly original (and features a jarringly miscast Alicia Silverstone as Alex's nanny), the action scenes are diverting, the veteran cast is amusing and the engaging Pettyfer makes a solid debut.

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