Staff [Not Credited]
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For 82 reviews, this critic has graded:
  • 58% higher than the average critic
  • 4% same as the average critic
  • 38% lower than the average critic
On average, this critic grades 1.9 points lower than other critics. (0-100 point scale)

Staff [Not Credited]'s Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 Boogie Nights
Lowest review score: 0 Idle Hands
Score distribution:
  1. Positive: 43 out of 82
  2. Negative: 21 out of 82
82 movie reviews
    • 67 Metascore
    • 63 Staff [Not Credited]
    The movie is still too solemn.
    • USA Today
    • 47 Metascore
    • 63 Staff [Not Credited]
    Agreeable and slipshod in equal fashion, The Guru illustrates the subtle distinction between stupidity and goofiness.
    • 38 Metascore
    • 63 Staff [Not Credited]
    Longer on action than comedy. But with Chan's affable charm and stunning leaps, kicks and jumps, it's a good-natured and amusing spectacle.
    • 55 Metascore
    • 63 Staff [Not Credited]
    The script's clichés have nowhere to hide.
    • 49 Metascore
    • 63 Staff [Not Credited]
    Easygoing and easy to take, the movie isn't much.
    • 56 Metascore
    • 63 Staff [Not Credited]
    This wee trinket of a comedy, one of the more offbeat stabs at capturing the absurdity of the religious and political strife in Ireland, is for those who like their Guinness with a shot of wry.
    • USA Today
    • 41 Metascore
    • 63 Staff [Not Credited]
    The slapstick would put Curly and Moe to shame. The raunch is crude as often as it is clever.
    • 51 Metascore
    • 63 Staff [Not Credited]
    Despite corny one-liners and plot developments that don't always hold water, Aquamarine rises above the flotsam filling theaters this time of year with a likable tale of friendship and charming performances.
    • 51 Metascore
    • 63 Staff [Not Credited]
    A sweet, inspirational movie that doesn't offer any surprises, but entertains youthful audiences in a gentle, almost old-fashioned way.
    • 52 Metascore
    • 63 Staff [Not Credited]
    The best thing about Gridiron Gang is the performance of Dwayne "The Rock" Johnson. He is engaging, affable and wholly believable as a former football star turned officer in a juvenile detention center.
    • 42 Metascore
    • 63 Staff [Not Credited]
    Though the film is not terribly original (and features a jarringly miscast Alicia Silverstone as Alex's nanny), the action scenes are diverting, the veteran cast is amusing and the engaging Pettyfer makes a solid debut.
    • 51 Metascore
    • 63 Staff [Not Credited]
    Vaughn could have used an editor, but Wild West still is a romp with a likable bunch.
    • 45 Metascore
    • 63 Staff [Not Credited]
    Though entertaining, Spurlock's lighthearted approach doesn't work as well here.
    • 62 Metascore
    • 50 Staff [Not Credited]
    The actors seem as frozen as the landscape in this unsuccessful attempt at a grand and profound Western about the California Gold Rush.
    • USA Today
    • 57 Metascore
    • 50 Staff [Not Credited]
    The material has enough meat to enable charitable viewers to drift in and out, but the result is too arch to conjure up much affection.
    • USA Today
    • 55 Metascore
    • 50 Staff [Not Credited]
    Great slabs of blarney are washed down with tears and Guinness in this yarn about a struggling Irish clan, and the resulting sentiment is blatant enough to wake Ned Devine.
    • USA Today
    • 41 Metascore
    • 50 Staff [Not Credited]
    It's an awkward jumble whose only value is as a forum for movie junkies to track the progress of half-a-dozen screen careers at once.
    • 54 Metascore
    • 50 Staff [Not Credited]
    With almost as many subplots as corpses, the movie maintains its mild watchability only because the Ripper saga still engrosses.
    • 44 Metascore
    • 50 Staff [Not Credited]
    Compelling almost in spite of itself, thanks to the impressionistic imagery of cinematographer Robert Richardson.
    • 45 Metascore
    • 50 Staff [Not Credited]
    A dreary poke-along adaptation of the Angela Sommer-Bodenburg children's stories.
    • 57 Metascore
    • 50 Staff [Not Credited]
    There's a lot to talk about but so much outrageousness that the end effect is wearying and not a little absurd.
    • 62 Metascore
    • 50 Staff [Not Credited]
    Great movies are sometimes described as filet mignon or champagne, but this one is more like a pacifier.
    • 56 Metascore
    • 50 Staff [Not Credited]
    If one of its points is to show that underused thirtyish actresses still are attractive, it succeeds with Leigh and Cates -- and Jennifer Beals, who also provides a flashback feeling playing Cummings' ex-squeeze.
    • USA Today
    • 70 Metascore
    • 50 Staff [Not Credited]
    Skirts dangerously close to being the thing it parodies: a second-rate space opera.
    • USA Today
    • 25 Metascore
    • 50 Staff [Not Credited]
    When Kevin Costner goes into sensitive-guy mode, beware.
    • 55 Metascore
    • 50 Staff [Not Credited]
    Never recovers from its failure to grip or engage in the early going.
    • 34 Metascore
    • 50 Staff [Not Credited]
    This could be the start of an awful new genre: Nannies Gone Wild.
    • 39 Metascore
    • 50 Staff [Not Credited]
    It's tough to make it through Nights in Rodanthe without wincing at its sticky-sweet sentimentality.
    • 52 Metascore
    • 50 Staff [Not Credited]
    Mediocre family fare that's simply not that much fun.
    • 56 Metascore
    • 50 Staff [Not Credited]
    It's an odd blend - a sentimental story in a futuristic world of brutal machine-maneuvered fights. There are some ringside thrills, but it's not a seamless mesh.

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