Stephanie Zacharek
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For 1,504 reviews, this critic has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 2.3 points higher than other critics. (0-100 point scale)

Stephanie Zacharek's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 A Christmas Tale
Lowest review score: 0 The Amityville Horror
Score distribution:
1,504 movie reviews
    • 69 Metascore
    • 100 Stephanie Zacharek
    The movie perfectly captures the vibe of late high school, in a way that's both of its time and timeless.
    • 83 Metascore
    • 100 Stephanie Zacharek
    A lush, modern valentine to old-fashioned sentiment, and to old-fashioned moviemaking, too.
    • 88 Metascore
    • 100 Stephanie Zacharek
    Kechiche and his actresses explore the in-between—ecstasy, exploration, the comfort and eventual boredom of domesticity—and the aftermath, the painful shards of feeling we cling to after something has shattered. And they don't mess around when it comes to the ferocity of love, sex, or, God help us, the two combined.
    • 96 Metascore
    • 100 Stephanie Zacharek
    Gravity is harrowing and comforting, intimate and glorious, the kind of movie that makes you feel more connected to the world rather than less.
    • 76 Metascore
    • 100 Stephanie Zacharek
    Even beyond its charismatic star, Jauja is captivating, not least because of Alonso's ability to capture the cruel beauty of the natural landscape — you can almost see the earth itself refusing to accept European imperialism blithely.
    • 92 Metascore
    • 100 Stephanie Zacharek
    I see it as nearly perfect: It's one of the best fantasy pictures ever made.
    • 82 Metascore
    • 100 Stephanie Zacharek
    This is a supreme example of how a filmmaker can make a work of fiction based on fact that, without didacticism or heavy-handed moralizing, leaves us feeling more connected not just with history but with what makes us human in the first place.
    • 87 Metascore
    • 100 Stephanie Zacharek
    Strickland builds the film, artfully, into a complex and ultimately moving essay on the privileges of victimhood and the nuances of what it means to suffer for love.
    • 84 Metascore
    • 100 Stephanie Zacharek
    Leigh and his actors work mysterious magic in Happy-Go-Lucky. This is a movie about hitting the groove of everyday life and, nearly miraculously, getting music out of it.
    • 84 Metascore
    • 100 Stephanie Zacharek
    The Vuillards are not an easy family, and A Christmas Tale is not an easy movie. But by the end, what Desplechin has given us -- in his own inexplicable way, which is sometimes meandering and sometimes piercingly direct, and sometimes both at once -- is a benediction.
    • 77 Metascore
    • 100 Stephanie Zacharek
    Gray has a knack for wrapping big themes into an intimate embrace, and The Immigrant feels both epic and fine-grained.
    • 79 Metascore
    • 100 Stephanie Zacharek
    Only Lovers Left Alive is silly and deeply serious at once, an elegy with a light touch and more than a dash of hope.
    • 82 Metascore
    • 100 Stephanie Zacharek
    Sachs and his performers know that the perfect marriage is a thing of phantom beauty — it doesn't exist, yet we persist in believing that someone out there must have it.
    • 90 Metascore
    • 100 Stephanie Zacharek
    Although there isn't a single kiss in this love story, it's intensely erotic -- and more to the point, it's not afraid of eroticsm's juicier and more forthright twin, carnality.
    • 81 Metascore
    • 100 Stephanie Zacharek
    This is an unsparing picture, one whose violence, though deftly handled, is bone-crunchingly rough. Yet its emotional contours are surprisingly delicate, thanks, in large part to O’Connell’s performance.
    • 91 Metascore
    • 100 Stephanie Zacharek
    This wondrous, absorbing little picture covers a great deal of winding meta-territory, reflecting on the ways in which a single family's story can be told—or maybe, more accurately, examining the idea that there's no such thing as a "single story."
    • 70 Metascore
    • 100 Stephanie Zacharek
    If this Hamlet weren't so perfectly conceived visually, it would probably stand solidly on the basis of its acting alone.
    • 95 Metascore
    • 100 Stephanie Zacharek
    Zero Dark Thirty is precise, definitive filmmaking, yet Bigelow refuses to hand over easy answers. Some people call that evasion. I call it the ultimate despair.
    • 90 Metascore
    • 100 Stephanie Zacharek
    The Incredibles has that rare quality of feeling modern and classic at the same time.
    • 89 Metascore
    • 100 Stephanie Zacharek
    It's a picture that romances its audience into watching in a new way - by, paradoxically, asking us to watch in an old way. The Artist is perhaps the most modern movie imaginable right now.
    • 82 Metascore
    • 100 Stephanie Zacharek
    Sophisticated, brash, sardonic, completely joyful in its execution. It gives anyone who ever loved movie musicals, and lamented their demise, something to live for.
    • 78 Metascore
    • 100 Stephanie Zacharek
    Very little in Under the Skin is clear at all. Its secrets unspool in mysterious, supple ribbons, but that's part of its allure, and its great beauty.
    • 76 Metascore
    • 100 Stephanie Zacharek
    Baumbach has made some fine pictures (Frances Ha) and some deadening, hermetic ones (Margot at the Wedding), but it's While We're Young that really fulfills the promise of his brash but fine-grained debut.
    • 75 Metascore
    • 100 Stephanie Zacharek
    Cheung is one of the finest actresses working today, an expressive, lustrous beauty capable of plumbing a boundless range of emotional hues. This is the greatest performance she's given to date.
    • 92 Metascore
    • 100 Stephanie Zacharek
    The picture is so imaginatively made, so attuned to sensual pleasure, so keyed in to the indescribable something that makes life life, that it speaks of something far more elemental than mere filmmaking skill: This is what movies, at their best, can be.
    • 78 Metascore
    • 100 Stephanie Zacharek
    The most beautiful magic in it is left unseen. And still, it emerges with absolute clarity.
    • 47 Metascore
    • 100 Stephanie Zacharek
    Everything about Pee-wee's Big Adventure, from its toy-box colors to its superb, hyperanimated Danny Elfman score to the butch-waxed hairdo and wooden-puppet walk of its star and mastermind, Pee-wee Herman, is pure pleasure.
    • 80 Metascore
    • 100 Stephanie Zacharek
    Aside from the effectiveness of Set Me Free as a coming-of-age story, it's also one of the most poetic avowals of love for movies that I've seen in years.
    • 92 Metascore
    • 100 Stephanie Zacharek
    Although the Coens are consummate craftsmen, they don't always show the lightness of touch or the depth of feeling they do here.
    • 78 Metascore
    • 100 Stephanie Zacharek
    What Angio captures, beautifully, is that the Mekons make great music because, together and apart, they’re so alive to the world around them.

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