Stephanie Zacharek
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For 1,447 reviews, this critic has graded:
  • 51% higher than the average critic
  • 2% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 1.9 points higher than other critics. (0-100 point scale)

Stephanie Zacharek's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Pride & Prejudice
Lowest review score: 0 Over Her Dead Body
Score distribution:
1,447 movie reviews
    • 64 Metascore
    • 80 Stephanie Zacharek
    Something New is the perfect date movie, not only because it explores a range of suitably romantic sentiments, but because it's so canny sociologically, as well as being delightfully good-natured.
    • 76 Metascore
    • 80 Stephanie Zacharek
    It's Foster who rules the movie like an ice queen.
    • 64 Metascore
    • 80 Stephanie Zacharek
    A picture that's fully open to some pretty rough truths. But it's also a joyful, heartfelt movie, one that speaks to the openness and vitality we see in Bettie's pictures.
    • 90 Metascore
    • 80 Stephanie Zacharek
    It's an expertly made picture that I wish I could stamp out of my mind. What's the value of artistry that sucks the life out of you?
    • 80 Metascore
    • 80 Stephanie Zacharek
    In these three potent miniatures, Hou Hsiao-hsien suggests that time passes differently when you're deeply in love. He captures the mystical quality of that time on film, making us feel as if we're living in it, rather than simply watching it.
    • 73 Metascore
    • 80 Stephanie Zacharek
    Heading South is a seemingly straightforward and simple picture that's really defiantly complex, sexually, politically and emotionally.
    • 80 Metascore
    • 80 Stephanie Zacharek
    Carell's physical comedy is close to genius.
    • 74 Metascore
    • 80 Stephanie Zacharek
    This is a wonderful, horrifying performance: Whitaker doesn't take the easy way out by playing Amin as a killer clown, a treacherous buffoon.
    • 65 Metascore
    • 80 Stephanie Zacharek
    Coppola captures the luxe insularity of Marie Antoinette's world in a way that leaves no doubt why the revolution had to happen. The picture's final image is a moment of devastating stillness that wouldn't be out of place in Luchino Visconti's end-of-an-era masterpiece "The Leopard."
    • 79 Metascore
    • 80 Stephanie Zacharek
    The flaws in Flags of Our Fathers are at least partly attributable to Eastwood's attempts to do too much. Still, even when he overreaches, he somehow hits the mark.
    • 89 Metascore
    • 80 Stephanie Zacharek
    This is a teasingly complex political thriller, but it's also a sort-of romance.
    • 68 Metascore
    • 80 Stephanie Zacharek
    Best of all may be the narration, by Sam Shepard: His voice, the kind of voice God might have if he'd ever smoked Camels, frames this gentle but potent little story with good-natured authority, making it feel modern and ageless at once.
    • 64 Metascore
    • 80 Stephanie Zacharek
    The picture's ending -- which is satisfying, possibly even happy, depending on how you look at it -- is almost inconsequential; it's the texture of everything leading up to it that matters. The Pursuit of Happyness, even within its slickness, gets at intangibles that allegedly grittier movies fail to capture -- like how heavy a wallet can feel when you're down to your last dollar.
    • 84 Metascore
    • 80 Stephanie Zacharek
    A solemn, haunting picture, but it's also a thrilling one, partly because of the sheer bravado with which it's made. It left me feeling more fortified than drained. CuarĂ³n, the most openhearted of directors, prefers to give rather than take away.
    • 74 Metascore
    • 80 Stephanie Zacharek
    Cooper also pulls off the near-impossible, making us feel dashes of sympathy for this twisted and unscrupulous man.
    • 65 Metascore
    • 80 Stephanie Zacharek
    In the first 10 minutes, I feared the picture would be dull and earnest -- until, about a half-hour later, I realized it was lively and earnest, and also refreshingly, unapologetically movielike.
    • 73 Metascore
    • 80 Stephanie Zacharek
    So refreshingly straightforward that at first you may not know what to make of it.
    • 81 Metascore
    • 80 Stephanie Zacharek
    At once deeply affectionate and sharply observed: There's never anything smart-alecky about Wright's approach as a director.
    • 71 Metascore
    • 80 Stephanie Zacharek
    As human beings, we're geared to desire an actual plot in our movies, and I regret to inform you that nothing really happens in Syndromes and a Century -- and yet the experience of the movie is all about the NOT happening.
    • 59 Metascore
    • 80 Stephanie Zacharek
    The good news about Spider-Man 3 is that it's more of the same -- except better.
    • 88 Metascore
    • 80 Stephanie Zacharek
    Although there's plenty of music, and plenty of joy, in Once, it's ultimately a quiet, wistful picture.
    • 85 Metascore
    • 80 Stephanie Zacharek
    A beautifully shaped piece of work: There are no slack patches, no gratuitous feel-good moments -- if you walk out of Knocked Up feeling good, that means you've earned it.
    • 74 Metascore
    • 80 Stephanie Zacharek
    That sense of one small, private world shattering within the larger and even more unstable one around it is the essence of Michael Winterbottom's unmooring, bleakly beautiful film version of A Mighty Heart.
    • 80 Metascore
    • 80 Stephanie Zacharek
    The picture works because, despite the fact that it took nearly six years for the filmmakers to bring it to the screen, it doesn't strive for greatness. It's fleet, concise and clever in a nut-ball way.
    • 82 Metascore
    • 80 Stephanie Zacharek
    Instead of taking control of the movie in any overt way, Clooney commands our attention by swimming just beneath its surface. He's a disappearing act with staying power.
    • 67 Metascore
    • 80 Stephanie Zacharek
    This tale of filial love and family baggage is Wes Anderson's most heartfelt feature film yet. Its companion short, "Hotel Chevalier," is darn near perfect.
    • 78 Metascore
    • 80 Stephanie Zacharek
    Lovely and deeply touching picture.
    • 81 Metascore
    • 80 Stephanie Zacharek
    As lively and entertaining as Juno is, Reitman and Cody have also done the work of shaping the story into something emotionally direct, unsparing and generous.
    • 69 Metascore
    • 80 Stephanie Zacharek
    Philip Seymour Hoffman utters one of the year's most refreshing lines in this terrific tale of political wheeling and dealing.
    • 69 Metascore
    • 80 Stephanie Zacharek
    Entertaining and subtle at once, it doesn't just dazzle us with the hows and whys of a particularly wily brand of thievery; it transports us to a specific time and place that often seems to fall between significant eras. The Bank Job is set in a country that's in transition, an extended metaphor for the way its characters are in transition, too.