Stephanie Zacharek
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For 1,459 reviews, this critic has graded:
  • 51% higher than the average critic
  • 2% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 1.9 points higher than other critics. (0-100 point scale)

Stephanie Zacharek's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 The Incredibles
Lowest review score: 0 Miss March
Score distribution:
1,459 movie reviews
    • 74 Metascore
    • 90 Stephanie Zacharek
    Sin City is the first mainstream American picture I've seen this year that feels even remotely brash or original. It's a hard, viciously funny little movie, one with all the subtlety of a billy club. But there's artistry here.
    • 79 Metascore
    • 90 Stephanie Zacharek
    There's more drama, and more heartbreak, in March of the Penguins than in most movies that are actually scripted to tug at our feelings.
    • 68 Metascore
    • 90 Stephanie Zacharek
    In a world of movies that try far too hard to move, entertain and dazzle us, the artistry of Hustle & Flow lies in the way it waits for us to come to it. We can walk as slowly as we want, but sooner or later, it's going to get us.
    • 82 Metascore
    • 90 Stephanie Zacharek
    Intelligent, visually rich filmmaking.
    • 65 Metascore
    • 90 Stephanie Zacharek
    This is that rare movie version of a great novel in which watching IS reading.
    • 74 Metascore
    • 90 Stephanie Zacharek
    Serenity is a trim little picture of epic proportions.
    • 87 Metascore
    • 90 Stephanie Zacharek
    So much modern animation is technically brilliant and yet comes off as cold and indifferent. But Wallace, Gromit, and the people and creatures in their world always look warm to the touch. Someone made, and moved, all those bunnies by hand. It's impossible NOT to believe in them.
    • 47 Metascore
    • 90 Stephanie Zacharek
    The picture is almost shamefully entertaining, bold and self-effacing at once: Its intelligence reveals itself as a devilish gleam, not a pompous layer of shellac. Why can't more Hollywood movies be like this one?
    • 81 Metascore
    • 90 Stephanie Zacharek
    Its look has the same grudging beauty that, once you get used to it, English weather does: It's so defiant in its grayness that you come to appreciate its conviction.
    • 75 Metascore
    • 90 Stephanie Zacharek
    There's nothing too clean or too overbright about it. It's magic, but not the loud, shiny kind: It has the texture of worn velvet, or a painstakingly hand-knit sweater stored away for years in tissue paper.
    • 84 Metascore
    • 90 Stephanie Zacharek
    At a time when our country feels divided to the point of cracking, Dave Chappelle's Block Party feels like a salve. It's a defiant act of optimistic patriotism.
    • 72 Metascore
    • 90 Stephanie Zacharek
    Superman, born in 1938, is still very much alive in 2006. The Man of Steel has so skillfully bent the bars of our imagination that he seems real to us. And in a sense, he is.
    • 55 Metascore
    • 90 Stephanie Zacharek
    Idlewild has just about everything a popular entertainment can offer. It also has a soul, and that comes free with the price of a ticket.
    • 70 Metascore
    • 90 Stephanie Zacharek
    There's something grand and enveloping about Fearless.
    • 91 Metascore
    • 90 Stephanie Zacharek
    Mirren's performance is glorious: Rather than impersonate the queen -- which would have been all too easy to do -- she reaches deeper to locate the buried, calcified thoughts and feelings that might guide this deeply inscrutable woman.
    • 86 Metascore
    • 90 Stephanie Zacharek
    Scorsese didn't need to remake "Infernal Affairs," but what he has done with it is a compliment rather than an affront to the original: The Departed reimagines its source material rather than just leeching off it, preserving the bone structure of the first movie while finding new curves in it. The story has been clarified; the ellipses of the original have been filled in with just the right amount of exploratory shading. This is a picture of grand gestures and subtle intricacies, a movie that, even at more than two hours long, feels miraculously lean. It's a smart shot of lucid storytelling.
    • 89 Metascore
    • 90 Stephanie Zacharek
    Borat is an astonishingly entertaining picture, and it's a testament to Cohen's gifts that he can pull off a feat as extravagant and as fully realized as this one is.
    • 84 Metascore
    • 90 Stephanie Zacharek
    Part noir-comedy, part ghost story, but it's mostly a potent reflection on how where we come from shapes us, in ways we can't understand until we've been away for a long, long while.
    • 81 Metascore
    • 90 Stephanie Zacharek
    This is Bond as we've never seen him, more naked, alive and mysterious than ever.
    • 69 Metascore
    • 90 Stephanie Zacharek
    Curran, his actors and screenwriter Ron Nyswaner have made an old-fashioned melodramatic epic that, as steeped as it is in the language and tradition of old movies, is never less than thrummingly alive.
    • 82 Metascore
    • 90 Stephanie Zacharek
    Venus belongs to O'Toole. This is, hands down, my favorite performance of the year, largely because I love the way O'Toole (and the filmmakers) refuse to yield to the all-too-pervasive idea that it's "icky" for old people to even think about sex.
    • 98 Metascore
    • 90 Stephanie Zacharek
    This is a true fairy tale, and one of the finest fantasy pictures ever made, but please do not take your young children to see it unless you want them to be scarred for life.
    • 88 Metascore
    • 90 Stephanie Zacharek
    Sordi is an elegant comic actor in the vein of America's William Powell; the world may confound him, but it can never rumple him.
    • 77 Metascore
    • 90 Stephanie Zacharek
    We need filmmakers who can move us forward even as they maintain a sense of the past. To that end, Grindhouse captures a bit of rowdy movie history in a bell jar.
    • 66 Metascore
    • 90 Stephanie Zacharek
    Imaginative and intricate, but it's also joyfully casual, maybe to the point of being a little messy in places. But even its flaws work in its favor.
    • 73 Metascore
    • 90 Stephanie Zacharek
    One of the most inventive and joyous movies of the year.
    • 78 Metascore
    • 90 Stephanie Zacharek
    It's rare to see a movie adaptation in which a filmmaker has taken so much care in translating the odd little qualities that make a particular novel special, to preserve the complex and fragile threads of feeling between characters that are often much easier to grasp on the page.
    • 85 Metascore
    • 90 Stephanie Zacharek
    May not hit every note perfectly, but the picture they've come up with is full-bodied and intelligent.
    • 79 Metascore
    • 90 Stephanie Zacharek
    Eloquent and unassuming, it's a picture that hits home precisely because it doesn't overreach its grasp.
    • 65 Metascore
    • 90 Stephanie Zacharek
    It miraculously pulled off the effect of feeling like a surprise: The picture both fulfilled some vague, unexpressed hopes I didn't know I had and also left me with the sense that I'd just seen something I wasn't quite prepared for -- the kind of contradiction that great showmanship can bridge.

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