Stephanie Zacharek
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For 1,507 reviews, this critic has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 2.1 points higher than other critics. (0-100 point scale)

Stephanie Zacharek's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 Something in the Air
Lowest review score: 0 Over Her Dead Body
Score distribution:
1,507 movie reviews
    • 87 Metascore
    • 90 Stephanie Zacharek
    Now that Pitt no longer has brash youth on his side, he's digging deeper and doing more with less. It's the kind of acting - understated but woven with golden threads of movie-star style - that gives us more to look at rather than less.
    • 58 Metascore
    • 90 Stephanie Zacharek
    Brewer, who spent most of his childhood in Memphis, is one of the few contemporary filmmakers I know of who can make movies about the South without sentimentalizing it, glorifying it or looking down on it.
    • 82 Metascore
    • 90 Stephanie Zacharek
    Le Havre proceeds from the usual Kaurismäkian premise: Things are only going to get worse, so why not just go with it?
    • 53 Metascore
    • 90 Stephanie Zacharek
    In Time has so much style and energy that it comes across as an act of boldness rather than just a liberal-minded tract, though of course, it's that too. If there were ever a movie made for the 99 percent, this is it.
    • 83 Metascore
    • 90 Stephanie Zacharek
    Hugo states, in its adamant, straightforward poetry, that old things do matter.
    • 83 Metascore
    • 90 Stephanie Zacharek
    What's remarkable about Pina is how democratic it is, how casual it is about opening up the world of modern dance to people who know, or perhaps care, little about it.
    • 72 Metascore
    • 90 Stephanie Zacharek
    The picture is celebratory, in its own quiet way, as well as clear-eyed.
    • 76 Metascore
    • 90 Stephanie Zacharek
    This is the kind of sophisticated storytelling you rarely get even in live-action movies any more, full of unexpected turns and unruly human complications.
    • 63 Metascore
    • 90 Stephanie Zacharek
    The picture sparkles, but in the nighttime way - its charms have a noirish gleam.
    • 83 Metascore
    • 87 Stephanie Zacharek
    I recently heard someone describe Gloria as a midlife-crisis drama, which stunned me. In the most convenient terms, I guess that’s what it is. But what Lelio and Garcia pull off here is so delicate and sturdy that it defies such easy categorization.
    • 50 Metascore
    • 85 Stephanie Zacharek
    Redgrave puts all she’s got into something other actors might just toss off or throw away. She’s present every moment; this is an actress who doesn’t have a second to waste.
    • 85 Metascore
    • 85 Stephanie Zacharek
    The low-key quality of the filmmaking in Restrepo only intensifies the reality of how much these kids are risking.
    • 65 Metascore
    • 85 Stephanie Zacharek
    Like its star, Salt is a spare and lean piece of work; it's everything a modern action movie should be, a picture made with confidence but not arrogance, one that believes so wholeheartedly in its outlandish plot twists that they come to make perfect alt-universe sense.
    • 56 Metascore
    • 85 Stephanie Zacharek
    The Extra Man is something of a love letter to the marvelous weirdos of New York.
    • 76 Metascore
    • 85 Stephanie Zacharek
    This is a picture whose dance steps are determined by any number of mishaps and misfortunes; like the dance floor of a great club on a good night, it's gorgeous, unruly and exhilarating all at once.
    • 86 Metascore
    • 85 Stephanie Zacharek
    The Tillman Story isn't designed to be a shockeroo exposé; it's more a slow, steady rumble of anger and dismay at what the U.S. military, and the government, can get away with in the name of public relations, as if PR - and not human lives - were the most important consideration during wartime.
    • 79 Metascore
    • 85 Stephanie Zacharek
    Let Me In is a chilly little story set in a very cold place. But Reeves still knows when to go for the burn.
    • 69 Metascore
    • 85 Stephanie Zacharek
    The thrill of Tony Scott's Unstoppable, in which a runaway freight train hurtles through rural - and toward not-so-rural - Pennsylvania, is that its setup asks us to believe only in human ineptitude.
    • 80 Metascore
    • 85 Stephanie Zacharek
    Mattie is a no-nonsense mite with a forthright manner and a mean head for figures; she wears her hair in two sturdy braids whose tips have never seen the inside of any inkwell, believe you me.
    • 81 Metascore
    • 85 Stephanie Zacharek
    The faces of these performers - particularly Williams' - are the key to Blue Valentine.
    • 50 Metascore
    • 85 Stephanie Zacharek
    The picture is rambunctiously affectionate; Guiterrez may go for the broad joke, but never the cheap one.
    • 52 Metascore
    • 85 Stephanie Zacharek
    One of those big, extravagant-looking romances that you might automatically deem "conventional" - except for the fact that almost nobody makes big, extravagant-looking romances anymore.
    • 81 Metascore
    • 85 Stephanie Zacharek
    Beginners is all about beginnings that begin with endings - the point, Mills seems to be saying, is that sometimes you need to say good-bye to make room for hello.
    • 82 Metascore
    • 85 Stephanie Zacharek
    In the early moments of The Trip, you wonder if either actor will survive the enterprise.
    • 68 Metascore
    • 85 Stephanie Zacharek
    While the media desk isn't the whole of the New York Times, it does give Rossi a solid perch from which to survey the paper's recent and ongoing struggle for both relevancy and revenues.
    • 64 Metascore
    • 85 Stephanie Zacharek
    O'Brien describes a number of those basic human feelings that drop-kick all of us from time to time, like being resentful of anyone and everyone who still has a job when we don't.
    • 47 Metascore
    • 85 Stephanie Zacharek
    Bad Teacher is hardly a perfect picture, but in the context of every other comedy on the summer movie landscape - from the faux empowerment of "Bridesmaids" to the neurotic frat-guy heteromania of "The Hangover Part II" - it feels revolutionary.
    • 69 Metascore
    • 85 Stephanie Zacharek
    Breillat manages to give us a lush, quiet spectacle with The Sleeping Beauty.
    • 62 Metascore
    • 85 Stephanie Zacharek
    The "black maid" may be a cliché. But when was the last time we saw a story told from her point of view?
    • 75 Metascore
    • 85 Stephanie Zacharek
    I've seen Detective Dee twice now, and I still don't think I've taken the full measure of the visual nuttiness, and lushness, Tsui has packed in there.

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