Stephanie Zacharek
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For 1,447 reviews, this critic has graded:
  • 51% higher than the average critic
  • 2% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 1.9 points higher than other critics. (0-100 point scale)

Stephanie Zacharek's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Zero Dark Thirty
Lowest review score: 0 Over Her Dead Body
Score distribution:
1,447 movie reviews
    • 71 Metascore
    • 80 Stephanie Zacharek
    A character who triumphs over a clumsy story line is a very rare creature. It takes a smart director and a sensitive actor to bring him to life, and to keep him breathing all the way through.
    • 68 Metascore
    • 80 Stephanie Zacharek
    Dancing, like being in love, sometimes means making a mess of things. Born Romantic makes glorious sense of that mess, trampled toes and all.
    • 72 Metascore
    • 80 Stephanie Zacharek
    Quaid doesn't make the best of the movie's baloney; he presents it to us as a believable truth.
    • 58 Metascore
    • 80 Stephanie Zacharek
    This intelligent, breezy romantic comedy sings a love song to theater. Plus, there's a hunky lug and Mira Sorvino in drag.
    • 56 Metascore
    • 80 Stephanie Zacharek
    CQ
    A frothy, sexy, '60s delight with a movie lover's heart.
    • 72 Metascore
    • 80 Stephanie Zacharek
    Westfeldt and Juergensen keep Kissing Jessica Stein bright and funny and loose.
    • 75 Metascore
    • 80 Stephanie Zacharek
    Catherine Keener, Emily Mortimer and Brenda Blethyn shine in a delicate, loose-limbed and tremendously alive indie about women, family, self-image and survival.
    • 77 Metascore
    • 80 Stephanie Zacharek
    Jackie Chan's latest teams him up in 1880s America with Owen Wilson -- and gives a giddy glimpse of what he'll be doing after he gets too old to do his death-defying stunts.
    • 66 Metascore
    • 80 Stephanie Zacharek
    The script is teasingly, pleasingly raunchy in places.
    • 62 Metascore
    • 80 Stephanie Zacharek
    It's a breezy and entertaining little charmer.
    • 78 Metascore
    • 80 Stephanie Zacharek
    The Deep End doesn't have a knotty message, but it's a much more meaningful picture than "Suture."
    • 80 Metascore
    • 80 Stephanie Zacharek
    It's such a lovely piece of work -- and, especially for a filmmaker whose name is barely known outside of art-house circles, so pleasingly accessible -- that it's troubling to think that few people outside of major cities will be able to see it.
    • 62 Metascore
    • 80 Stephanie Zacharek
    Fans of "Swingers" may be disappointed. Made doesn't give us as many jazzy catchphrases to latch onto, or figuratively hoist us aloft on a giant martini glass of prolonged adolescence. But then that's precisely why it's the better movie.
    • 73 Metascore
    • 80 Stephanie Zacharek
    Isn't bold or daring, but it is delicately distinctive; it's the kind of picture that stirs subterranean rumbles of empathy in us rather than flashy, gushing waves.
    • 75 Metascore
    • 80 Stephanie Zacharek
    The kicker is that Joy Ride is funny, too. In fact, it would be a superbly frightening entertainment if not for the way Dahl fixates, disturbingly, on sadistic details.
    • 73 Metascore
    • 80 Stephanie Zacharek
    This quiet French thriller gets to the heart of motherhood, and then pays off with comfort and calm.
    • 73 Metascore
    • 80 Stephanie Zacharek
    It's mournful and troubling in a way that goes beyond ordinary movie manipulation. It burns clean.
    • 85 Metascore
    • 80 Stephanie Zacharek
    The picture is so dramatically textured that you feel something's happening every minute.
    • 48 Metascore
    • 80 Stephanie Zacharek
    May be the best Farrellys movie yet, even though it doesn't live up to the pair's usual level of uproarious, crass comic genius. They're learning, movie by movie, to articulate ideas that are more and more sophisticated, without being oppressively heavy-handed.
    • 51 Metascore
    • 80 Stephanie Zacharek
    Windtalkers is the best of Woo's American movies, and the one with the sturdiest and most direct links to his earlier pictures.
    • 52 Metascore
    • 80 Stephanie Zacharek
    Grand, juicy fun regardless, tapping as it does into some archetypal pleasure center.
    • 77 Metascore
    • 80 Stephanie Zacharek
    As good as Harris is, though, it's Harden's performance that sticks with you long after you've seen the movie. She understands what Krasner must have known intuitively. Greatness comes not from cleaning up messes, but from allowing them to be made in the first place.
    • 69 Metascore
    • 80 Stephanie Zacharek
    A rare and tender delight.
    • 32 Metascore
    • 80 Stephanie Zacharek
    See it in one glorious shot, grab as much from it as you can and run like hell. I say that not because I hated Masked & Anonymous, but because I loved it.
    • 48 Metascore
    • 80 Stephanie Zacharek
    A highly entertaining and refreshingly nonjudgmental movie
    • 60 Metascore
    • 80 Stephanie Zacharek
    The scenes between LaPaglia and Weaver, directed and played with a straightforward austerity that occasionally moved me to tears, make up for every one of The Guys flaws.
    • 75 Metascore
    • 80 Stephanie Zacharek
    Is legendary Hollywood producer Robert Evans feeding us a load of crap in this documentary? When it's this much fun, who really cares?
    • 83 Metascore
    • 80 Stephanie Zacharek
    A modest and tightly focused picture, and its very directness makes it piercingly intimate.
    • 86 Metascore
    • 80 Stephanie Zacharek
    Gripping, and it's moving, but it isn't particularly subtle. There's a strong thread of tabloid drama running through its core -- but at least it's sensationalistic storytelling with a heart.
    • 78 Metascore
    • 80 Stephanie Zacharek
    Guest revels in the eccentricities of dog lovers everywhere, but there's kindness at his core. He's a mensch among mutts.