Stephanie Zacharek
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For 1,441 reviews, this critic has graded:
  • 51% higher than the average critic
  • 2% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 1.8 points higher than other critics. (0-100 point scale)

Stephanie Zacharek's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Youth Without Youth
Score distribution:
1,441 movie reviews
    • 94 Metascore
    • 80 Stephanie Zacharek
    The drawback is that even though The Hurt Locker is extremely effective in places, it ultimately feels unformed and somewhat unfinished.
    • 69 Metascore
    • 80 Stephanie Zacharek
    Less like a movie than an interpretive-dance piece, with Cage as its lurching, depressed-satyr star.
    • 64 Metascore
    • 80 Stephanie Zacharek
    Emily Blunt shines as the tough-minded British queen in this lush, and even sexy, period romance
    • 76 Metascore
    • 80 Stephanie Zacharek
    Joseph Gordon-Levitt and Zooey Deschanel charm the pants off us -- and each other! -- in this irresistible comedy.
    • 73 Metascore
    • 80 Stephanie Zacharek
    The picture is beautifully paced, with an exhilarating, comically violent opening, a halcyon middle section where, in what could be viewed as a sideways homage to "Rebel Without a Cause," our rootless wanderers share a brief respite in an empty, lavish mansion, and a finale filled with light and color and movement (as well as piles of vanquished zombies).
    • 67 Metascore
    • 80 Stephanie Zacharek
    Watching it, I saw him from some new angles -- painful as well as celebratory -- and I realized that this isn't it: This, as with Elvis' posthumous career, is only the beginning.
    • 84 Metascore
    • 80 Stephanie Zacharek
    The magic of Summer Hours is that even in its elusiveness, it gives us something to hang onto.
    • 70 Metascore
    • 80 Stephanie Zacharek
    The picture throws off an aura of wistfulness, which may be Mann's acknowledgment that of course he can't re-create the past. The best he can do is to honor the idea of it, storybook-style, and to remind us that before there was gangsta, there were gangsters.
    • 80 Metascore
    • 80 Stephanie Zacharek
    Coraline is essentially faithful to the spirit of its source material. But it's also so visually inventive, and so elaborately tactile, that it stands apart as its own creation.
    • 61 Metascore
    • 80 Stephanie Zacharek
    The kind of smart, openhearted comedy that doesn't come along every day.
    • 66 Metascore
    • 80 Stephanie Zacharek
    Streep isn't playing Julia Child here, but something both more elusive and more truthful -- she's playing our IDEA of Julia Child.
    • 84 Metascore
    • 80 Stephanie Zacharek
    A solemn, haunting picture, but it's also a thrilling one, partly because of the sheer bravado with which it's made. It left me feeling more fortified than drained. CuarĂ³n, the most openhearted of directors, prefers to give rather than take away.
    • 89 Metascore
    • 80 Stephanie Zacharek
    This is a teasingly complex political thriller, but it's also a sort-of romance.
    • 88 Metascore
    • 80 Stephanie Zacharek
    Although there's plenty of music, and plenty of joy, in Once, it's ultimately a quiet, wistful picture.
    • 79 Metascore
    • 80 Stephanie Zacharek
    The movie's climactic battle scene is mildly thrilling -- although it's not nearly as exciting as simply watching Downey and Bridges work together. Bridges makes a great villain precisely because he's such a relaxed, affable presence.
    • 85 Metascore
    • 80 Stephanie Zacharek
    A beautifully shaped piece of work: There are no slack patches, no gratuitous feel-good moments -- if you walk out of Knocked Up feeling good, that means you've earned it.
    • 81 Metascore
    • 80 Stephanie Zacharek
    As lively and entertaining as Juno is, Reitman and Cody have also done the work of shaping the story into something emotionally direct, unsparing and generous.
    • 80 Metascore
    • 80 Stephanie Zacharek
    Carell's physical comedy is close to genius.
    • 64 Metascore
    • 80 Stephanie Zacharek
    An intelligent adult thriller about the death of newspapers.
    • 70 Metascore
    • 80 Stephanie Zacharek
    Rudd's timing has always been good, but in I Love You, Man he gives the finest performance of his career, breaking his comic beats down into weird and wonderful fractional increments. It's as if he's invented a new comedy dialect.
    • 90 Metascore
    • 80 Stephanie Zacharek
    It's an expertly made picture that I wish I could stamp out of my mind. What's the value of artistry that sucks the life out of you?
    • 59 Metascore
    • 80 Stephanie Zacharek
    The good news about Spider-Man 3 is that it's more of the same -- except better.
    • 78 Metascore
    • 80 Stephanie Zacharek
    Vital and affecting romantic drama.
    • 58 Metascore
    • 80 Stephanie Zacharek
    Happily Ever After is an exhilarating, joyous picture, but it's sometimes terrifying, too. It offers a vision of marriage as an adventure we embark on together, alone. If you didn't cry, you'd laugh.
    • 75 Metascore
    • 80 Stephanie Zacharek
    Might not be as intriguingly odd as the picture that inspired it. But like that earlier picture, it bristles with life and energy. It's a movie made with equal measures of bravado and humility -- the same mix of qualities you need to play Beethoven, Mozart or Bach.
    • 72 Metascore
    • 80 Stephanie Zacharek
    Charlie and the Chocolate Factory is absinthe in movie form, a white chocolate space egg of a picture that has a giddy hallucinatory quality in some places and an overcalculated glossiness in others. But for better or worse, it's fascinating.
    • 64 Metascore
    • 80 Stephanie Zacharek
    Wedding Crashers may be the most optimistic Hollywood comedy of the year, because it restores at least some dim hope that directors, writers and actors with actual brains in their heads can somehow triumph over unimaginative studio execs. In that way, Wedding Crashers isn't just the life of the party, but its pulse.
    • 65 Metascore
    • 80 Stephanie Zacharek
    At least Linklater isn't just picking the bones of his forebears; he honors them as they deserve.
    • 72 Metascore
    • 80 Stephanie Zacharek
    The picture itself is so ebullient and celebratory that it practically beams with perverted innocence.
    • 73 Metascore
    • 80 Stephanie Zacharek
    This is a superb, delicately calibrated comic performance: Carell never allows the character to swerve into excessive cuddliness.