Stephanie Zacharek

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For 1,607 reviews, this critic has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 1.7 points higher than other critics. (0-100 point scale)

Stephanie Zacharek's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 Jauja
Lowest review score: 0 Speed Racer
Score distribution:
1607 movie reviews
    • 96 Metascore
    • 100 Stephanie Zacharek
    It's 85 minutes of screen time that represents one crystallized moment not in the Beatles' career per se but in the parallel career they forged inside all of us, the one that will last beyond any breakup, retirement or death.
    • 96 Metascore
    • 100 Stephanie Zacharek
    Bird is one of the great modern animators -- as well as an astonishingly gifted filmmaker, period -- precisely because he doesn't set out to wow us.
    • 76 Metascore
    • 100 Stephanie Zacharek
    In Something in the Air, that past—a version of Assayas's own—is rendered in visuals so specific and evocative, it's perpetually alive.
    • 78 Metascore
    • 95 Stephanie Zacharek
    Drive not only met my hopes; it charged way over the speed limit, partly because it's an unapologetically commercial picture that defies all the current trends in mainstream action filmmaking.
    • 95 Metascore
    • 95 Stephanie Zacharek
    Fincher and his screenwriter, TV writer-god Aaron Sorkin, have made a seemingly modest picture that achieves something close to greatness the old-fashioned, slow-burning way: By telling a story with faces, dialogue and body language of all types, from awkward to swaggering.
    • 72 Metascore
    • 95 Stephanie Zacharek
    To hell with that childlike sense-of-wonder crap: Despicable Me, instead of trying to return adults to a false state of innocence, reminds us that we all started out as ill-mannered little savages.
    • 88 Metascore
    • 95 Stephanie Zacharek
    A direct and heartfelt piece of work. It's conventional, maybe, in its sense of filmmaking decorum, but extraordinary in the way it cuts to the core of human frustration and feelings of inadequacy, reminding us how universal those feelings are.
    • 87 Metascore
    • 95 Stephanie Zacharek
    If anything, Joe's sense of dream logic is more naturalistic than Lynch's, more grounded in the knowable world - as much, that is, as we can know about nature - and the luminous Uncle Boonmee is no exception.
    • 76 Metascore
    • 95 Stephanie Zacharek
    What Press comes up with in the end isn't just a portrait of individual eccentricity. Its larger subject is the way one man, just by being alive to what's around him, has created a vast, detailed anthropological record of how New Yorkers present, and feel, about themselves.
    • 80 Metascore
    • 95 Stephanie Zacharek
    The actresses' performances intertwine beautifully, like twin climbing vines vying for the attention of the sun.
    • 80 Metascore
    • 95 Stephanie Zacharek
    An adaptation that wholly and faithfully captures the spirit and mood of the book it's based on, and an example of computer animation - the 2-D sort - that shows the human touch in every frame.
    • 86 Metascore
    • 95 Stephanie Zacharek
    More universal than it is alternative, except in one sense: There's nothing else on the contemporary movie landscape like it.
    • 85 Metascore
    • 95 Stephanie Zacharek
    The movie's intricacy, and the way it finds its way into the emotional lives of its characters via (and not in spite of) that intricacy, is what makes it extraordinary. Tinker, Tailor, Soldier, Spy challenges audiences to believe in craftsmanship again.
    • 89 Metascore
    • 90 Stephanie Zacharek
    It's a cross between confidence and vulnerability that's hard for an actress to pull off, but Streisand hits the note perfectly. And her greatest moment of acting, I think, is also the picture's strongest musical number.
    • 75 Metascore
    • 90 Stephanie Zacharek
    As close to mainstream perfection as I've seen all year. It gives us everything we want, need and deserve without batting an eye.
    • 92 Metascore
    • 90 Stephanie Zacharek
    A sequel made with care and integrity, Toy Story 3 is just moving enough: It winds its way gently toward its big themes instead of grabbing desperately at them, and because its plot is so beautifully worked out, getting there is almost all of the fun.
    • 81 Metascore
    • 90 Stephanie Zacharek
    The best Allen movie in 10 years, or maybe even close to 20 - is all about that idea: Reckoning with the past as a real place, but also worrying about the limits of nostalgia.
    • 84 Metascore
    • 90 Stephanie Zacharek
    Mystic River is hard-boiled beyond toughness: It's so tender the skin falls away from the bone. It's Eastwood's most soulful, and most organic, movie.
    • 72 Metascore
    • 90 Stephanie Zacharek
    The picture is celebratory, in its own quiet way, as well as clear-eyed.
    • 92 Metascore
    • 90 Stephanie Zacharek
    Speaks to the teenager in all of us.
    • 66 Metascore
    • 90 Stephanie Zacharek
    Imaginative and intricate, but it's also joyfully casual, maybe to the point of being a little messy in places. But even its flaws work in its favor.
    • 75 Metascore
    • 90 Stephanie Zacharek
    Virtually nothing at all is wrapped up in The Lawless Heart, which is probably why it feels so satisfyingly whole by the end.
    • 66 Metascore
    • 90 Stephanie Zacharek
    Hits every color note just right. It's a visual antidepressant.
    • 89 Metascore
    • 90 Stephanie Zacharek
    Borat is an astonishingly entertaining picture, and it's a testament to Cohen's gifts that he can pull off a feat as extravagant and as fully realized as this one is.
    • 79 Metascore
    • 90 Stephanie Zacharek
    The small miracle of the movie is that Simien finds so many laughs in what are genuinely bewildering issues.
    • 57 Metascore
    • 90 Stephanie Zacharek
    I never would have believed it, but Branagh gets the balance between pageantry and silliness just right.
    • 85 Metascore
    • 90 Stephanie Zacharek
    Amy
    A surprisingly seamless biographical documentary, one that, even though it's been constructed largely from found elements, feels gracefully whole.
    • 76 Metascore
    • 90 Stephanie Zacharek
    Sex is threatening, as Brontë knew, and Wasikowska and Fassbender make this particular dance look exceedingly dangerous.
    • 81 Metascore
    • 90 Stephanie Zacharek
    It's a fine-grained picture that goes for the sideways laughs rather than the straight-ahead ones. This is sketch comedy as method acting.
    • 73 Metascore
    • 90 Stephanie Zacharek
    The Hangover is a shaggy-dog tale that's actually, when you step back from it, perfectly shaped.

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