Stephanie Zacharek

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For 1,669 reviews, this critic has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 1.4 points higher than other critics. (0-100 point scale)

Stephanie Zacharek's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Elle
Lowest review score: 0 Over Her Dead Body
Score distribution:
1669 movie reviews
    • 100 Metascore
    • 100 Stephanie Zacharek
    Boyhood had the curious effect of making me feel lost, uneasy, a little alone in the inexorable march forward — and also totally, emphatically alive.
    • 99 Metascore
    • 100 Stephanie Zacharek
    A coming-of-age movie, and a love story, that leaves you feeling both stripped bare and restored, slightly better prepared to step out and face the world of people around you, with all the confounding challenges they present. There’s not much more you can ask from a movie.
    • 99 Metascore
    • 100 Stephanie Zacharek
    Not just one of the great films of the '60s but one of the great films, period -- and the chance to discover it at the beginning of the 21st century, in an era when we think we've seen it all, is an unquantifiable privilege.
    • 98 Metascore
    • 90 Stephanie Zacharek
    This is a true fairy tale, and one of the finest fantasy pictures ever made, but please do not take your young children to see it unless you want them to be scarred for life.
    • 96 Metascore
    • 80 Stephanie Zacharek
    12 Years a Slave works so hard to be noble, but it doesn't have to: Ejiofor is there to do all the heavy lifting.
    • 96 Metascore
    • 90 Stephanie Zacharek
    Casey Affleck is both the soul and the anchor of the movie.
    • 96 Metascore
    • 100 Stephanie Zacharek
    Bird is one of the great modern animators -- as well as an astonishingly gifted filmmaker, period -- precisely because he doesn't set out to wow us.
    • 96 Metascore
    • 100 Stephanie Zacharek
    It's 85 minutes of screen time that represents one crystallized moment not in the Beatles' career per se but in the parallel career they forged inside all of us, the one that will last beyond any breakup, retirement or death.
    • 96 Metascore
    • 100 Stephanie Zacharek
    Gravity is harrowing and comforting, intimate and glorious, the kind of movie that makes you feel more connected to the world rather than less.
    • 96 Metascore
    • 90 Stephanie Zacharek
    Peck captures all that’s galvanizing and forceful about Baldwin’s words and demeanor.
    • 95 Metascore
    • 80 Stephanie Zacharek
    Carol is a film you want to reach out and touch, if only you could reach anywhere near the top of the pedestal it's perched on. It is itself an unattainable love object, the goddess Venus disguised as a movie.
    • 95 Metascore
    • 95 Stephanie Zacharek
    Fincher and his screenwriter, TV writer-god Aaron Sorkin, have made a seemingly modest picture that achieves something close to greatness the old-fashioned, slow-burning way: By telling a story with faces, dialogue and body language of all types, from awkward to swaggering.
    • 95 Metascore
    • 100 Stephanie Zacharek
    Zero Dark Thirty is precise, definitive filmmaking, yet Bigelow refuses to hand over easy answers. Some people call that evasion. I call it the ultimate despair.
    • 95 Metascore
    • 85 Stephanie Zacharek
    A Separation doesn't try to make easy sense of that world, or of this family's suffering. It's simply a quiet cry of anguish.
    • 94 Metascore
    • 100 Stephanie Zacharek
    Before Midnight—visually stunning, in a late-summer way—is more vital and cutting than another recent marriage picture, Michael Haneke's old-folks-together death march Amour; it has none of Amour's tasteful restraint, and in the end, it says more about the nature of long-term love.
    • 94 Metascore
    • 90 Stephanie Zacharek
    The devastating truth of 45 Years, so beautifully wrought, is that even the most devoted couples are made up of two people who are essentially alone.
    • 94 Metascore
    • 100 Stephanie Zacharek
    Leigh, Spall, and cinematographer Dick Pope — who borrows lots of lighting tricks from Vermeer and Ingres and even Turner himself, to glorious effect — have gently atomized Turner's character, breaking it into small, potent fragments that affect us in ways we don't see coming.
    • 94 Metascore
    • 80 Stephanie Zacharek
    The drawback is that even though The Hurt Locker is extremely effective in places, it ultimately feels unformed and somewhat unfinished.
    • 94 Metascore
    • 70 Stephanie Zacharek
    The picture feels weirdly, and disappointingly, disjointed, something that starts out as poetry and ends as product.
    • 94 Metascore
    • 90 Stephanie Zacharek
    It's a tricky feat, channeling the glamour of a famous international terrorist without glamorizing him. But damned if French filmmaker Olivier Assayas doesn't pull it off with Carlos.
    • 93 Metascore
    • 80 Stephanie Zacharek
    There's so much dreamy beauty in Crouching Tiger, Hidden Dragon that it's almost like a narcotic.
    • 93 Metascore
    • 90 Stephanie Zacharek
    To say Toni Erdmann is funny doesn’t even begin to capture the out-there texture of the jokes, and of the actors’ timing.
    • 93 Metascore
    • 100 Stephanie Zacharek
    Spotlight feels both timeless and modern, a dexterously crafted film that could have been made anytime but somehow feels perfect for right now.
    • 93 Metascore
    • 100 Stephanie Zacharek
    La La Land is both a love letter to a confounding and magical city and an ode to the idea of the might-have-been romance, in all its piercing sweetness. It’s a movie with the potential to make lovers of us all. All we have to do is fall into its arms.
    • 92 Metascore
    • 100 Stephanie Zacharek
    Although the Coens are consummate craftsmen, they don't always show the lightness of touch or the depth of feeling they do here.
    • 92 Metascore
    • 100 Stephanie Zacharek
    Both gentle and staggering, an examination of the way our personal experiences can spur creativity—or render it inconsequential.
    • 92 Metascore
    • 100 Stephanie Zacharek
    The picture is so imaginatively made, so attuned to sensual pleasure, so keyed in to the indescribable something that makes life life, that it speaks of something far more elemental than mere filmmaking skill: This is what movies, at their best, can be.
    • 92 Metascore
    • 90 Stephanie Zacharek
    The Class is a lovely, exhilarating work about the ways in which failure and frustration can open the pathways through which we make sense out of life.
    • 92 Metascore
    • 90 Stephanie Zacharek
    Speaks to the teenager in all of us.
    • 92 Metascore
    • 50 Stephanie Zacharek
    There are epic impulses everywhere you look in There Will Be Blood; what's missing is character development, focused storytelling and, most significantly (apart from that terrific opening sequence), any sense of raw, intuitive drama.

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