Stephanie Zacharek

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For 1,696 reviews, this critic has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 1.1 points higher than other critics. (0-100 point scale)

Stephanie Zacharek's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Dormant Beauty
Lowest review score: 0 Over Her Dead Body
Score distribution:
1696 movie reviews
    • 92 Metascore
    • 90 Stephanie Zacharek
    This is a dense, multilayered picture, one firmly rooted in a specific landscape, a dramatic coastal spot dotted with the carcasses of decrepit fishing boats, as well as the magnificent skeleton of one long-dead whale.
    • 92 Metascore
    • 90 Stephanie Zacharek
    A sequel made with care and integrity, Toy Story 3 is just moving enough: It winds its way gently toward its big themes instead of grabbing desperately at them, and because its plot is so beautifully worked out, getting there is almost all of the fun.
    • 92 Metascore
    • 90 Stephanie Zacharek
    If it's a far less flashy film than The Act of Killing, it's also a better and possibly more honest one.
    • 91 Metascore
    • 80 Stephanie Zacharek
    Chomet bows to the tradition of conventional animation even as he tests its limits.
    • 91 Metascore
    • 90 Stephanie Zacharek
    Mirren's performance is glorious: Rather than impersonate the queen -- which would have been all too easy to do -- she reaches deeper to locate the buried, calcified thoughts and feelings that might guide this deeply inscrutable woman.
    • 91 Metascore
    • 100 Stephanie Zacharek
    This wondrous, absorbing little picture covers a great deal of winding meta-territory, reflecting on the ways in which a single family's story can be told—or maybe, more accurately, examining the idea that there's no such thing as a "single story."
    • 90 Metascore
    • 70 Stephanie Zacharek
    Debra Granik's Winter's Bone is one of those movies -- like last year's inner-city down-a-thon, "Precious" -- that can't quite make a distinction between profundity and plain old bleakness.
    • 90 Metascore
    • 90 Stephanie Zacharek
    The movie has a crispness about it, an unwillingness to succumb to sentimentality.
    • 90 Metascore
    • 70 Stephanie Zacharek
    It's all beautiful, all right. But before long I began to feel beaten against the rocks of that beauty -- Finding Nemo smacks of looky-what-I-can-do virtuosity, and after the first 10 minutes or so, it's exhausting.
    • 90 Metascore
    • 85 Stephanie Zacharek
    A small but extremely significant message in a bottle. That metaphor is almost literal: The picture made its way to Cannes via a USB drive -- which was smuggled in a cake.
    • 90 Metascore
    • 100 Stephanie Zacharek
    Although there isn't a single kiss in this love story, it's intensely erotic -- and more to the point, it's not afraid of eroticsm's juicier and more forthright twin, carnality.
    • 90 Metascore
    • 100 Stephanie Zacharek
    The Incredibles has that rare quality of feeling modern and classic at the same time.
    • 90 Metascore
    • 80 Stephanie Zacharek
    Like rock 'n' roll itself, the movie's really all about girls. Even when -- no, especially when -- it's pretending not to be.
    • 90 Metascore
    • 90 Stephanie Zacharek
    A narrative picture with many of the qualities of a documentary, not to mention a comic book -- is one of those rare, inventively made movies that isn't so taken with its own novelty it loses sight of its characters. Its warmth is for real, and it enwraps you.
    • 90 Metascore
    • 90 Stephanie Zacharek
    Isn't much more than marvelous entertainment -- but then, that's a lot right there.
    • 90 Metascore
    • 80 Stephanie Zacharek
    It's an expertly made picture that I wish I could stamp out of my mind. What's the value of artistry that sucks the life out of you?
    • 90 Metascore
    • 90 Stephanie Zacharek
    There may not be much behind the sparkling tinsel curtain of David O. Russell's extraordinarily entertaining American Hustle. But what a curtain!
    • 90 Metascore
    • 100 Stephanie Zacharek
    It’s about love and poetry and dreams, and about the chance encounter that can close a wound with the magic efficiency of a tiny butterfly bandage. How you pour all of that into one movie is something of a mystery. But then, a good poem is always something of a mystery too.
    • 89 Metascore
    • 100 Stephanie Zacharek
    The connection between Bob and Charlotte, as Coppola shows it to us at the end of Lost in Translation, is a moment of intimate magnificence. I have never seen anything quite like it, in any movie.
    • 89 Metascore
    • 90 Stephanie Zacharek
    This is a graceful and enveloping feat of filmmaking.
    • 89 Metascore
    • 80 Stephanie Zacharek
    This is a teasingly complex political thriller, but it's also a sort-of romance.
    • 89 Metascore
    • 90 Stephanie Zacharek
    It's a cross between confidence and vulnerability that's hard for an actress to pull off, but Streisand hits the note perfectly. And her greatest moment of acting, I think, is also the picture's strongest musical number.
    • 89 Metascore
    • 90 Stephanie Zacharek
    Borat is an astonishingly entertaining picture, and it's a testament to Cohen's gifts that he can pull off a feat as extravagant and as fully realized as this one is.
    • 89 Metascore
    • 100 Stephanie Zacharek
    Even by the out-there standards of "Basic Instinct" and "Showgirls," Paul Verhoeven’s latest, Elle, is a thing to behold. Part thriller, part obsidian-black comedy, part cerebral firebomb, it’s confrontational, terrible and glorious. You almost can’t believe such a picture exists.
    • 89 Metascore
    • 100 Stephanie Zacharek
    Röhrig isn’t an experienced actor. In fact, he’s a poet and a former kindergarten teacher, living in the Bronx. But that could be what makes the performance so magnetic.
    • 89 Metascore
    • 100 Stephanie Zacharek
    The director's last film was the superb 2012 Barbara, also starring Hoss and Zehrfeld, another romance with a mystery built in; Phoenix is an even finer piece of work, so beautifully made that it comes close to perfect.
    • 89 Metascore
    • 100 Stephanie Zacharek
    With Selma, DuVernay has pulled off a tricky feat, a movie based on historical events that never feels dull, worthy, or lifeless; it hangs together as a story and not just part of a lesson plan. The movie is at once intimate and grand in scope.
    • 89 Metascore
    • 100 Stephanie Zacharek
    It's a picture that romances its audience into watching in a new way - by, paradoxically, asking us to watch in an old way. The Artist is perhaps the most modern movie imaginable right now.
    • 89 Metascore
    • 70 Stephanie Zacharek
    Represents a failure of nerve: As if Gondry and Kaufman weren't sure that the story of Joel and Clementine would hold us, the doomed couple's unfolding-in-reverse romance is intercut with a subplot filled with zany touches.
    • 88 Metascore
    • 80 Stephanie Zacharek
    Although there's plenty of music, and plenty of joy, in Once, it's ultimately a quiet, wistful picture.

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