Stephanie Zacharek
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For 1,479 reviews, this critic has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 2.2 points higher than other critics. (0-100 point scale)

Stephanie Zacharek's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 Somewhere
Lowest review score: 0 Miss March
Score distribution:
1,479 movie reviews
    • 83 Metascore
    • 100 Stephanie Zacharek
    Sachs and his performers know that the perfect marriage is a thing of phantom beauty — it doesn't exist, yet we persist in believing that someone out there must have it.
    • 83 Metascore
    • 100 Stephanie Zacharek
    20,000 Days on Earth is meticulously crafted but nonetheless feels casual and heartfelt. It's revelatory, and wonderful, to watch Cave walking (or driving) around, being a real person — if the movie is somewhat staged, it's never stagey.
    • 82 Metascore
    • 90 Stephanie Zacharek
    Venus belongs to O'Toole. This is, hands down, my favorite performance of the year, largely because I love the way O'Toole (and the filmmakers) refuse to yield to the all-too-pervasive idea that it's "icky" for old people to even think about sex.
    • 82 Metascore
    • 80 Stephanie Zacharek
    But damned if Boyle, with the help of his star, doesn't make the experience almost… cheerful.
    • 82 Metascore
    • 60 Stephanie Zacharek
    The animation itself is technically gorgeous, a class act all the way. But there's so little to be found in the faces of the characters, or even in the way their limbs move (much of it adopted, cleverly enough, from Tati's own physical style), that it's not clear what we're supposed to feel for them.
    • 82 Metascore
    • 75 Stephanie Zacharek
    There's such a thing as having too much reverence for your material, and although Davies is an extraordinarily gifted and principled director, The Deep Blue Sea may suffer for that reverence.
    • 82 Metascore
    • 80 Stephanie Zacharek
    Tsai Ming-Liang always makes you feel that there's a world of life beyond his movies -- a world populated by ghosts that are as real as we are.
    • 82 Metascore
    • 90 Stephanie Zacharek
    Intelligent, visually rich filmmaking.
    • 82 Metascore
    • 80 Stephanie Zacharek
    Weisz has never been better: She's joyously expressive and alive, but there's gravity beneath that milkmaid complexion. She's grounded even when she's being flirtatious. And Fiennes has never been more moving.
    • 82 Metascore
    • 80 Stephanie Zacharek
    Florid, passionate, frequently hilarious and loaded with messy emotions that nobody in his or her right mind should even attempt to explain, it's operatic in its nutball intensity.
    • 82 Metascore
    • 100 Stephanie Zacharek
    Blissful, blazingly intelligent adaptation.
    • 82 Metascore
    • 70 Stephanie Zacharek
    Has so much going for it -- including intelligent performances that mesh beautifully, and a keen understanding of how seemingly small moments can rattle the foundations of families -- that you walk away from it feeling it should add up to more.
    • 82 Metascore
    • 90 Stephanie Zacharek
    Birds are not just the movie's stars, but its whole universe. They inspire in Perrin and his crew, and in us, not just awe but humility. You'll never look at them the same way again.
    • 82 Metascore
    • 70 Stephanie Zacharek
    In her adaptation of The Namesake, Mira Nair hits it right at least half the time. In places, the movie feels aimless and misshapen; it doesn't have the gentle but focused energy of Lahiri's book. And sometimes Nair goes overboard in heightening the cultural contrasts -- the inevitable incongruities between East and West -- that Lahiri navigates so subtly.
    • 82 Metascore
    • 90 Stephanie Zacharek
    Frances Ha is a patchwork of details that constitute a sort of dating manual—not one that tells you how to meet hot guys, but one that fortifies you against all the crap you have to deal with as a young person in love with a city that doesn't always love you back.
    • 82 Metascore
    • 80 Stephanie Zacharek
    Danish director Tobias Lindholm's wiry, neatly crafted thriller A Hijacking wrests fact into the shape of believable fiction, although the movie is most remarkable for everything it doesn't show.
    • 82 Metascore
    • 85 Stephanie Zacharek
    In the early moments of The Trip, you wonder if either actor will survive the enterprise.
    • 82 Metascore
    • 100 Stephanie Zacharek
    One of the greatest fantasy films of all time.
    • 82 Metascore
    • 80 Stephanie Zacharek
    Instead of taking control of the movie in any overt way, Clooney commands our attention by swimming just beneath its surface. He's a disappearing act with staying power.
    • 82 Metascore
    • 75 Stephanie Zacharek
    What Cedar captures here is the way a father and son can be bound so tightly they almost choke the air out of one another. You can't exactly call it affection; it's that far more complicated thing we call kinship.
    • 82 Metascore
    • 85 Stephanie Zacharek
    By the end you feel you've learned something about the man, yet his mystique emerges intact.
    • 82 Metascore
    • 70 Stephanie Zacharek
    The picture may end a little too breezily, but Demme knows we have to be left with some hope for these wandering souls. Someday, they'll find their way home; it just may not be the same thing as going home.
    • 82 Metascore
    • 90 Stephanie Zacharek
    Le Havre proceeds from the usual Kaurismäkian premise: Things are only going to get worse, so why not just go with it?
    • 82 Metascore
    • 100 Stephanie Zacharek
    This is a supreme example of how a filmmaker can make a work of fiction based on fact that, without didacticism or heavy-handed moralizing, leaves us feeling more connected not just with history but with what makes us human in the first place.
    • 82 Metascore
    • 50 Stephanie Zacharek
    Nolan may want us to believe in the darkness that lurks within each of us, but instead of leading us to it visually, he chops it up and sets it out in front of us, a grim, predigested banquet.
    • 82 Metascore
    • 90 Stephanie Zacharek
    It's the perfect marriage of music and animated movement. But even when there's no music playing in Waking Life, the movie's lyricism is sustained by the way it looks and feels.
    • 82 Metascore
    • 100 Stephanie Zacharek
    Sophisticated, brash, sardonic, completely joyful in its execution. It gives anyone who ever loved movie musicals, and lamented their demise, something to live for.
    • 81 Metascore
    • 90 Stephanie Zacharek
    It's a fine-grained picture that goes for the sideways laughs rather than the straight-ahead ones. This is sketch comedy as method acting.
    • 81 Metascore
    • 100 Stephanie Zacharek
    Lynch's Hollywood is a grand old girl, but she's one with some very treacherous curves. To trace the contours of her sensuality, you need a camera as sensitive as a set of fingertips. Lynch's is.
    • 81 Metascore
    • 80 Stephanie Zacharek
    As lively and entertaining as Juno is, Reitman and Cody have also done the work of shaping the story into something emotionally direct, unsparing and generous.

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