Stephanie Zacharek
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For 1,479 reviews, this critic has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 2.2 points higher than other critics. (0-100 point scale)

Stephanie Zacharek's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 Army of Shadows
Lowest review score: 0 Speed Racer
Score distribution:
1,479 movie reviews
    • 81 Metascore
    • 100 Stephanie Zacharek
    Chris Rock couldn't have planned it this way, but his exuberant and wondrous comedy Top Five, opening at just the right time, is like an airdrop of candy over the city, if not the country.
    • 81 Metascore
    • 85 Stephanie Zacharek
    The faces of these performers - particularly Williams' - are the key to Blue Valentine.
    • 81 Metascore
    • 100 Stephanie Zacharek
    Magnificent and heartfelt.
    • 81 Metascore
    • 85 Stephanie Zacharek
    Beginners is all about beginnings that begin with endings - the point, Mills seems to be saying, is that sometimes you need to say good-bye to make room for hello.
    • 81 Metascore
    • 90 Stephanie Zacharek
    The film works on its own as an unfussy, passionate and gently erotic love story that never tips into sentimentality.
    • 81 Metascore
    • 83 Stephanie Zacharek
    No
    No is anything but a somber political tract; it’s a little bit of a thriller, and more than a little bit of a comedy.
    • 81 Metascore
    • 80 Stephanie Zacharek
    At once deeply affectionate and sharply observed: There's never anything smart-alecky about Wright's approach as a director.
    • 81 Metascore
    • 90 Stephanie Zacharek
    Inherent Vice isn't the towering masterpiece that those who admired There Will Be Blood and The Master were probably hoping for, and thank God for that. It's loose and free, like a sketchbook, though there's also something somber and wistful about it — it feels like less of a psychedelic scramble than the novel it's based on.
    • 81 Metascore
    • 83 Stephanie Zacharek
    A true New York City movie, alive every minute. There’s some Woody Allen in its veins, but it’s driven more by the free-for-all spirit you find in pictures like Peter Sollett’s 2002 “Raising Victor Vargas” and Spike Lee’s 1986 “She’s Gotta Have It.”
    • 81 Metascore
    • 70 Stephanie Zacharek
    Whatever Aronofsky did -- or didn't -- do, Rourke's performance comes off beautifully. The Wrestler may not be the "best" Aronofsky movie in any technical sense. But the director clearly feels a great deal of tenderness toward his lead character.
    • 81 Metascore
    • 40 Stephanie Zacharek
    Grand in its aims but tepid in its conclusions, A Most Violent Year burns slow and gives off very little heat. It's not really that violent. But it sure feels like a year.
    • 81 Metascore
    • 60 Stephanie Zacharek
    To be bewildered by Upstream Color is to be human; the story is obtuse by design, though the filmmaking is X-Acto precise. But it's a bloodless movie, and its ideas aren't as tricky or complex as Carruth's arch, mannered approach might suggest.
    • 81 Metascore
    • 90 Stephanie Zacharek
    Its look has the same grudging beauty that, once you get used to it, English weather does: It's so defiant in its grayness that you come to appreciate its conviction.
    • 81 Metascore
    • 70 Stephanie Zacharek
    Travolta, looking believably pretty and sweet under layers of fondant Latex, is a wholly different incarnation of Edna. And he's not bad. But that right there is the problem with Hairspray: It's all so "not bad" that it isn't nearly enough, even when Shankman and his cast work hard to send it soaring over the top.
    • 81 Metascore
    • 80 Stephanie Zacharek
    Jackson is far more interested in the relationship between the girl and the ape than he is in the power of special effects for their own sake. As big as King Kong is, its sense of intimacy is what really sticks with you. This is an epic Big Little Book of a picture.
    • 81 Metascore
    • 90 Stephanie Zacharek
    This is Bond as we've never seen him, more naked, alive and mysterious than ever.
    • 81 Metascore
    • 100 Stephanie Zacharek
    This is an unsparing picture, one whose violence, though deftly handled, is bone-crunchingly rough. Yet its emotional contours are surprisingly delicate, thanks, in large part to O’Connell’s performance.
    • 81 Metascore
    • 90 Stephanie Zacharek
    The best Allen movie in 10 years, or maybe even close to 20 - is all about that idea: Reckoning with the past as a real place, but also worrying about the limits of nostalgia.
    • 81 Metascore
    • 80 Stephanie Zacharek
    The World's End is a big, shaggy dog of a thing, a free-spirited ramble held together by off-kilter asides, clever-dumb puns, and seemingly random bits of dialogue that could almost become catchphrases in spite of themselves.
    • 80 Metascore
    • 80 Stephanie Zacharek
    In these three potent miniatures, Hou Hsiao-hsien suggests that time passes differently when you're deeply in love. He captures the mystical quality of that time on film, making us feel as if we're living in it, rather than simply watching it.
    • 80 Metascore
    • 95 Stephanie Zacharek
    The actresses' performances intertwine beautifully, like twin climbing vines vying for the attention of the sun.
    • 80 Metascore
    • 80 Stephanie Zacharek
    This odd little wonder captures the delicate textures and shadowy half-secrets of family life, mapping them out in a mosaic of fragmented dialogue and half-poetic, half-prosaic images.
    • 80 Metascore
    • 85 Stephanie Zacharek
    Mattie is a no-nonsense mite with a forthright manner and a mean head for figures; she wears her hair in two sturdy braids whose tips have never seen the inside of any inkwell, believe you me.
    • 80 Metascore
    • 80 Stephanie Zacharek
    Blitz captures the intensity of the bee itself, showing how it frazzles the nerves of even the most well-prepared spellers as, one by one, their colleagues and competitors drop away.
    • 80 Metascore
    • 80 Stephanie Zacharek
    It's such a lovely piece of work -- and, especially for a filmmaker whose name is barely known outside of art-house circles, so pleasingly accessible -- that it's troubling to think that few people outside of major cities will be able to see it.
    • 80 Metascore
    • 95 Stephanie Zacharek
    An adaptation that wholly and faithfully captures the spirit and mood of the book it's based on, and an example of computer animation - the 2-D sort - that shows the human touch in every frame.
    • 80 Metascore
    • 75 Stephanie Zacharek
    Naranjo keeps the action tense but understated; instead of allowing explosions and shootouts to pile up, he rations them in taut doses.
    • 80 Metascore
    • 50 Stephanie Zacharek
    The plot of Howl's Moving Castle meanders so listlessly that its details become less and less charming.
    • 80 Metascore
    • 80 Stephanie Zacharek
    The picture works because, despite the fact that it took nearly six years for the filmmakers to bring it to the screen, it doesn't strive for greatness. It's fleet, concise and clever in a nut-ball way.
    • 80 Metascore
    • 100 Stephanie Zacharek
    Aside from the effectiveness of Set Me Free as a coming-of-age story, it's also one of the most poetic avowals of love for movies that I've seen in years.

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