Stephanie Zacharek

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For 1,530 reviews, this critic has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 2.1 points higher than other critics. (0-100 point scale)

Stephanie Zacharek's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 Under the Skin
Lowest review score: 0 Over Her Dead Body
Score distribution:
1,530 movie reviews
    • 79 Metascore
    • 100 Stephanie Zacharek
    Only Lovers Left Alive is silly and deeply serious at once, an elegy with a light touch and more than a dash of hope.
    • 79 Metascore
    • 80 Stephanie Zacharek
    Bell captures the insularity of certain professional pockets of Hollywood, with all their petty rivalries and backstabbing. But she's sharpest in her exploration of what makes women desire success, and what prevents them from getting it.
    • 79 Metascore
    • 80 Stephanie Zacharek
    Dawn of the Planet of the Apes is a much better and far less silly movie than its predecessor.
    • 79 Metascore
    • 85 Stephanie Zacharek
    Let Me In is a chilly little story set in a very cold place. But Reeves still knows when to go for the burn.
    • 79 Metascore
    • 80 Stephanie Zacharek
    Aronofsky isn't loose enough, or canny enough, to be in touch with its camp soul.
    • 78 Metascore
    • 95 Stephanie Zacharek
    Drive not only met my hopes; it charged way over the speed limit, partly because it's an unapologetically commercial picture that defies all the current trends in mainstream action filmmaking.
    • 78 Metascore
    • 90 Stephanie Zacharek
    Louis-Dreyfus and Gandolfini are lovely together, though her character is the sharper-edged of the two. It's Gandolfini's Albert, soft-hearted and soft-bellied, who suffers more. Gandolfini takes the movie's small, offhand jokes and intensifies them.
    • 78 Metascore
    • 90 Stephanie Zacharek
    Anderson's Lily is the kind of heroine who earns our protectiveness by never begging for it; it's an astonishing performance.
    • 78 Metascore
    • 80 Stephanie Zacharek
    Lovely and deeply touching picture.
    • 78 Metascore
    • 90 Stephanie Zacharek
    It's rare to see a movie adaptation in which a filmmaker has taken so much care in translating the odd little qualities that make a particular novel special, to preserve the complex and fragile threads of feeling between characters that are often much easier to grasp on the page.
    • 78 Metascore
    • 80 Stephanie Zacharek
    Vital and affecting romantic drama.
    • 78 Metascore
    • 80 Stephanie Zacharek
    The Deep End doesn't have a knotty message, but it's a much more meaningful picture than "Suture."
    • 78 Metascore
    • 90 Stephanie Zacharek
    Before I Forget is, in the broad sense, "gay-themed." But it's also one of the loveliest, most direct and most devastating pictures about aging that I've ever seen.
    • 78 Metascore
    • 30 Stephanie Zacharek
    Blue Jasmine is so relentlessly clueless about the ways real human beings live, and so eager to make the same points about human nature that Allen has made dozens of times before, that it seems like a movie beamed from another planet.
    • 78 Metascore
    • 90 Stephanie Zacharek
    It gradually settles and deepens into something nuanced and moving, a character study that's not so much about aging, specifically, as it is about the great and awful process of getting to know yourself.
    • 78 Metascore
    • 100 Stephanie Zacharek
    Poetic, funny, darkly romantic and beautifully structured -- is a very different picture from "Pan's Labyrinth." But there's no doubt that it springs from the same cathedral.
    • 78 Metascore
    • 90 Stephanie Zacharek
    I suspect nearly everyone who sees the picture will have a loud opinion about this ending, which is just one way Holofcener works her stealth magic as a filmmaker and storyteller: She doesn’t close up shop on her movie until she’s made each of us an honorary New Yorker — in other words, a person with a strong stance and something to say.
    • 78 Metascore
    • 90 Stephanie Zacharek
    The movie's true center, the meteorological phenomenon that makes it so pleasurable to watch, is the half-prickly, half-affectionate interplay between Binoche and Stewart.
    • 78 Metascore
    • 100 Stephanie Zacharek
    Very little in Under the Skin is clear at all. Its secrets unspool in mysterious, supple ribbons, but that's part of its allure, and its great beauty.
    • 78 Metascore
    • 100 Stephanie Zacharek
    The most beautiful magic in it is left unseen. And still, it emerges with absolute clarity.
    • 78 Metascore
    • 80 Stephanie Zacharek
    Guest revels in the eccentricities of dog lovers everywhere, but there's kindness at his core. He's a mensch among mutts.
    • 78 Metascore
    • 90 Stephanie Zacharek
    This explicit movie about a sexually insatiable 19th century courtesan emerges like an erotic dream.
    • 78 Metascore
    • 40 Stephanie Zacharek
    The visual originality of The Saddest Music is deceiving: Narratively and spiritually, the movie is bankrupt, even though it's so packed with stuff (including a set of shapely prosthetic glass legs filled with dazzling, fizzy beer) that you can hardly bring yourself to believe that it all adds up to nothing.
    • 78 Metascore
    • 50 Stephanie Zacharek
    Bits of the picture are fascinating to look at, but eventually, exhaustion kicks in, to the point where we're not sure what we're looking at, or why.
    • 78 Metascore
    • 90 Stephanie Zacharek
    A work of astonishing delicacy and force, a tone poem about the Frankenstein jolts that all of us, at one time or another, have to live through.
    • 78 Metascore
    • 70 Stephanie Zacharek
    There's a curiously ho-hum quality to the murders, despite the fact that the two victims are bludgeoned, sliced, chopped and jabbed, and also (the movie suggests) get their eyeballs gouged out.
    • 78 Metascore
    • 70 Stephanie Zacharek
    It's a haunted picture, one that feels inhabited not just by actors and scenery but by spirits, too.
    • 77 Metascore
    • 80 Stephanie Zacharek
    Hugely entertaining and extravagantly empathetic.
    • 77 Metascore
    • 85 Stephanie Zacharek
    At its simplest level, Jiro Dreams of Sushi is a portrait of a master. In its deeper layers, it explores what drives us to make things: Beautiful, jewel-like things, or things that delight our palate – or, in this case, both.
    • 77 Metascore
    • 90 Stephanie Zacharek
    As Adenike, Gurira is wonderful: Her face is equally radiant whether she's channeling anguish or joy, and she captures the ways in which this woman, so old-country dutiful, also longs to join the modern world.

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