Stephanie Zacharek
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For 1,479 reviews, this critic has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 2.2 points higher than other critics. (0-100 point scale)

Stephanie Zacharek's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 Lost in Translation
Lowest review score: 0 The Amityville Horror
Score distribution:
1,479 movie reviews
    • 78 Metascore
    • 80 Stephanie Zacharek
    The Deep End doesn't have a knotty message, but it's a much more meaningful picture than "Suture."
    • 78 Metascore
    • 90 Stephanie Zacharek
    Before I Forget is, in the broad sense, "gay-themed." But it's also one of the loveliest, most direct and most devastating pictures about aging that I've ever seen.
    • 78 Metascore
    • 30 Stephanie Zacharek
    Blue Jasmine is so relentlessly clueless about the ways real human beings live, and so eager to make the same points about human nature that Allen has made dozens of times before, that it seems like a movie beamed from another planet.
    • 78 Metascore
    • 100 Stephanie Zacharek
    Poetic, funny, darkly romantic and beautifully structured -- is a very different picture from "Pan's Labyrinth." But there's no doubt that it springs from the same cathedral.
    • 78 Metascore
    • 90 Stephanie Zacharek
    I suspect nearly everyone who sees the picture will have a loud opinion about this ending, which is just one way Holofcener works her stealth magic as a filmmaker and storyteller: She doesn’t close up shop on her movie until she’s made each of us an honorary New Yorker — in other words, a person with a strong stance and something to say.
    • 78 Metascore
    • 100 Stephanie Zacharek
    What Angio captures, beautifully, is that the Mekons make great music because, together and apart, they’re so alive to the world around them.
    • 78 Metascore
    • 100 Stephanie Zacharek
    Very little in Under the Skin is clear at all. Its secrets unspool in mysterious, supple ribbons, but that's part of its allure, and its great beauty.
    • 78 Metascore
    • 100 Stephanie Zacharek
    The most beautiful magic in it is left unseen. And still, it emerges with absolute clarity.
    • 78 Metascore
    • 80 Stephanie Zacharek
    Guest revels in the eccentricities of dog lovers everywhere, but there's kindness at his core. He's a mensch among mutts.
    • 78 Metascore
    • 90 Stephanie Zacharek
    This explicit movie about a sexually insatiable 19th century courtesan emerges like an erotic dream.
    • 78 Metascore
    • 40 Stephanie Zacharek
    The visual originality of The Saddest Music is deceiving: Narratively and spiritually, the movie is bankrupt, even though it's so packed with stuff (including a set of shapely prosthetic glass legs filled with dazzling, fizzy beer) that you can hardly bring yourself to believe that it all adds up to nothing.
    • 78 Metascore
    • 50 Stephanie Zacharek
    Bits of the picture are fascinating to look at, but eventually, exhaustion kicks in, to the point where we're not sure what we're looking at, or why.
    • 78 Metascore
    • 70 Stephanie Zacharek
    There's a curiously ho-hum quality to the murders, despite the fact that the two victims are bludgeoned, sliced, chopped and jabbed, and also (the movie suggests) get their eyeballs gouged out.
    • 78 Metascore
    • 90 Stephanie Zacharek
    A work of astonishing delicacy and force, a tone poem about the Frankenstein jolts that all of us, at one time or another, have to live through.
    • 78 Metascore
    • 70 Stephanie Zacharek
    It's a haunted picture, one that feels inhabited not just by actors and scenery but by spirits, too.
    • 77 Metascore
    • 80 Stephanie Zacharek
    Hugely entertaining and extravagantly empathetic.
    • 77 Metascore
    • 85 Stephanie Zacharek
    At its simplest level, Jiro Dreams of Sushi is a portrait of a master. In its deeper layers, it explores what drives us to make things: Beautiful, jewel-like things, or things that delight our palate – or, in this case, both.
    • 77 Metascore
    • 90 Stephanie Zacharek
    As Adenike, Gurira is wonderful: Her face is equally radiant whether she's channeling anguish or joy, and she captures the ways in which this woman, so old-country dutiful, also longs to join the modern world.
    • 77 Metascore
    • 80 Stephanie Zacharek
    As good as Harris is, though, it's Harden's performance that sticks with you long after you've seen the movie. She understands what Krasner must have known intuitively. Greatness comes not from cleaning up messes, but from allowing them to be made in the first place.
    • 77 Metascore
    • 80 Stephanie Zacharek
    Can Eminem act? Who knows? But his star turn in 8 Mile -- is memorable -- even if we've seen it all before.
    • 77 Metascore
    • 60 Stephanie Zacharek
    It doesn't matter if the movie around Firth is a good one or a lousy one: Either way, I wouldn't be able to explain how an actor could come up with a performance as subtle, in both its heartbreak and its magnificence, as this one is.
    • 77 Metascore
    • 70 Stephanie Zacharek
    As its title suggests, the picture is something of a ballad, an ode to an elusive character who's both quintessentially human and so outlandish he almost seems unreal.
    • 77 Metascore
    • 90 Stephanie Zacharek
    It's a lean, mean movie, and not a pretty one, but it leaves no question as to Breillat's angular originality as a filmmaker.
    • 77 Metascore
    • 90 Stephanie Zacharek
    We need filmmakers who can move us forward even as they maintain a sense of the past. To that end, Grindhouse captures a bit of rowdy movie history in a bell jar.
    • 77 Metascore
    • 80 Stephanie Zacharek
    In A Touch of Sin, Jia is attuned to, and saddened by, the violence he sees creeping through his country, caused at least partly by the ever-widening disparity between rich and poor. He ends on a note that's more haunting than hopeful.
    • 77 Metascore
    • 80 Stephanie Zacharek
    Jackie Chan's latest teams him up in 1880s America with Owen Wilson -- and gives a giddy glimpse of what he'll be doing after he gets too old to do his death-defying stunts.
    • 77 Metascore
    • 80 Stephanie Zacharek
    The pleasures Get Low offers lie in the process of simply getting there, in watching performers take material that has some limitations (the script, inspired by a true story, is by Chris Provenzano and C. Gaby Mitchell) and turn it into something that has the rough-hewn, no-nonsense veracity of folk music.
    • 77 Metascore
    • 100 Stephanie Zacharek
    Gray has a knack for wrapping big themes into an intimate embrace, and The Immigrant feels both epic and fine-grained.
    • 76 Metascore
    • 95 Stephanie Zacharek
    What Press comes up with in the end isn't just a portrait of individual eccentricity. Its larger subject is the way one man, just by being alive to what's around him, has created a vast, detailed anthropological record of how New Yorkers present, and feel, about themselves.
    • 76 Metascore
    • 90 Stephanie Zacharek
    This really is Cruz's movie: Almodóvar is her North Star -- following his lead, she's always found her surest and most graceful footing as an actress.

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