Stephanie Zacharek
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For 1,465 reviews, this critic has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 2.1 points higher than other critics. (0-100 point scale)

Stephanie Zacharek's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 Harry Potter and the Prisoner of Azkaban
Lowest review score: 0 Over Her Dead Body
Score distribution:
1,465 movie reviews
    • 73 Metascore
    • 80 Stephanie Zacharek
    A movie isn’t a cliché when it can sing like this.
    • 62 Metascore
    • 80 Stephanie Zacharek
    Habicht has made a lovely film that’s partly about Pulp and partly about Sheffield: It’s hard to know where one leaves off and the other begins.
    • 40 Metascore
    • 80 Stephanie Zacharek
    The miraculous surprise is that Horrible Bosses 2 isn't terrible at all. It's looser, breezier, more confident than its predecessor.
    • 73 Metascore
    • 80 Stephanie Zacharek
    This is a story told in shards; Wong is so obsessed with visual details – faces refracted as if in a broken mirror, or fragile arcs of blood being traced out on the pavement by the feet of two feuding kung fu masters – that the story he’s trying to tell is partly obscured by them.
    • 50 Metascore
    • 80 Stephanie Zacharek
    It deserves to be seen on a hot Saturday afternoon in a theater (preferably an air-conditioned one) peopled with other people, the way many of us used to see movies as kids.
    • 57 Metascore
    • 80 Stephanie Zacharek
    Gallenberger tells Rabe’s story deftly, establishing essential elements of the man’s personality in subtle shorthand.
    • 79 Metascore
    • 80 Stephanie Zacharek
    Rivers appears to have more energy than most 30-year-olds; she gets more done in a day that some of us could accomplish in a week.
    • 74 Metascore
    • 80 Stephanie Zacharek
    Farewell, a cold war drama by the French director Christian Carion, isn't just a movie set in 1981; in many ways it feels like a movie made in 1981.
    • 77 Metascore
    • 80 Stephanie Zacharek
    The pleasures Get Low offers lie in the process of simply getting there, in watching performers take material that has some limitations (the script, inspired by a true story, is by Chris Provenzano and C. Gaby Mitchell) and turn it into something that has the rough-hewn, no-nonsense veracity of folk music.
    • 64 Metascore
    • 80 Stephanie Zacharek
    The Other Guys isn't easy to peg. It's not a comedy that loosens you up and mellows you out; it works by needling you progressively into a state of anxiety.
    • 67 Metascore
    • 80 Stephanie Zacharek
    Like so many movie love stories before it - from Murnau's "Sunrise" to Linklater's "Before Sunrise," and beyond - Cairo Time is about two wandering lovers, people spending time together without realizing how precious that time will come to be.
    • 59 Metascore
    • 80 Stephanie Zacharek
    American romantic comedies have become so dismal over the past 20 years that it wouldn't be hard for even the Romanian film industry to show us up. I'm still waiting for the great Romanian romantic comedy (and hey, it could be out there), but for now, France saves the day with Heartbreaker.
    • 69 Metascore
    • 80 Stephanie Zacharek
    A picture that's by turns inventive, tender and boring, and one that uses a variety of novelty point-of-view techniques: If Penisvision isn't your thing, then Vagin-o-rama just might float your boat.
    • 61 Metascore
    • 80 Stephanie Zacharek
    What you DO get with Secretariat is a picture that, unlike its bland predecessor Seabiscuit, actually captures some of the thrill of racing.
    • 56 Metascore
    • 80 Stephanie Zacharek
    But at the risk of overintellectualizing what probably is, at heart, just a bunch of overgrown guys acting out, I will venture that many of the gags in Jackass 3D show plenty of visual wit, if not brilliance.
    • 66 Metascore
    • 80 Stephanie Zacharek
    A smart, sophisticated songsmith in the tradition of Cole Porter, or an inscrutable, pretentious twit? In the course of his near-20-year career, Stephin Merritt - the sort-of frontperson for the indie-rock collective Magnetic Fields - has been considered both.
    • 72 Metascore
    • 80 Stephanie Zacharek
    Unsettling, energizing and more than a little mystifying, Amer is the kind of movie that may leave you feeling indifferent or puzzled at the end. But damned if it doesn't return, days later, to visit - kind of like a killer in black leather gloves.
    • 79 Metascore
    • 80 Stephanie Zacharek
    Aronofsky isn't loose enough, or canny enough, to be in touch with its camp soul.
    • 65 Metascore
    • 80 Stephanie Zacharek
    Harry Potter and the Deathly Hallows: Part 1 is probably about as good a movie as you can make from just half of a rather complicated book. But then, it's not just a movie but a promise: When Part 2 arrives, next summer, a cloud of desolation is likely to descend upon us.
    • 82 Metascore
    • 80 Stephanie Zacharek
    But damned if Boyle, with the help of his star, doesn't make the experience almost… cheerful.
    • 57 Metascore
    • 80 Stephanie Zacharek
    Breezy and enjoyable.
    • 76 Metascore
    • 80 Stephanie Zacharek
    Director John Cameron Mitchell - adapting David Lindsay-Abaire's play - has a surprisingly deft touch with this admittedly downbeat material; he builds dramatic intensity in subtle layers, rather than slapping it on with a trowel.
    • 68 Metascore
    • 80 Stephanie Zacharek
    This is a household in which the rules are very formal, and they're matched by the formality of the filmmaking.
    • 64 Metascore
    • 80 Stephanie Zacharek
    It's all goofy stuff, played for laughs, but it's clear we've been catapulted into a world where things are not quite right.
    • 60 Metascore
    • 80 Stephanie Zacharek
    You don't have to believe all of it - or even any of it - to enjoy the rascally charms of Mr. Nice.
    • 67 Metascore
    • 80 Stephanie Zacharek
    The Ides of March doesn't cut as deeply or as sharply as Clooney might like, but at least he found the right actor to navigate its dark emotional twists and turns.
    • 52 Metascore
    • 80 Stephanie Zacharek
    It reminds me more of Shane Black's "Kiss Kiss, Bang Bang," though ultimately it's darker and more raggedy around the margins. Still, Monahan, like Black and unlike Ritchie, has some feeling for his characters.
    • 76 Metascore
    • 80 Stephanie Zacharek
    In short, Cronenberg has made an elegant film, with spanking. There's some mildly kinky sex in A Dangerous Method, but Cronenberg makes it neither exploitive nor so tasteful that it loses its charge.
    • 55 Metascore
    • 80 Stephanie Zacharek
    The result is a kind of homespun video scrapbook, bumpy seams and glue splotches and all; it's flawed, but at least it feels handmade and human.
    • 64 Metascore
    • 80 Stephanie Zacharek
    It's hard to say whether Patric Chiha's unabashedly out-there drama Domain is actually good or whether it simply nuzzles very cozily against the shoulder of so-bad-it's-good. After seeing the movie twice, I'm inclined to say Domain splits the difference.

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